Short Cuts: Harvey Weinstein

Lucy Prebble, 2 November 2017

A  big​ part of a producer’s job is getting people to do things they don’t want to do. I thought about this when the open secret about Harvey Weinstein and his treatment of...

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T he Compleat Drawing-Book​ , published by Fleet Street printseller Robert Sayer in 1755, is a handbook for the amateur artist that aims to provide ‘Proper Instructions to Youth for their...

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At the Movies: ‘Blade Runner 2049’

Michael Wood, 2 November 2017

I t’s​ 35 years since Blade Runner was released, and we are now very close to 2019, its once futuristic setting. In this framework the sequel seems a bit overdue, and the time of the...

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At the British Museum: The Scythians

Nick Richardson, 19 October 2017

H erodotus​ tells us that when Darius’ Persian army invaded Scythia, in the late sixth century bce, the Scythians ran away. The Persians followed them over the steppeland north of the...

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At the IWM North: Wyndham Lewis

Jon Day, 5 October 2017

I n​ a 1932 article for the Daily Herald entitled ‘What It Feels Like to Be an Enemy’, Wyndham Lewis described his morning routine. After a breakfast of ‘a little raw meat, a...

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National Trolls: Censorship in China

Yuan Huang, 5 October 2017

L ast month​ in an open letter, the editor of China Quarterly, Tim Pringle, reported that more than three hundred articles deemed ‘sensitive’ by the Chinese censors had been blocked...

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At Tate Modern: Fahrelnissa Zeid

Eleanor Birne, 21 September 2017

T he centrepiece​ of the Fahrelnissa Zeid show at Tate Modern (until 8 October) is My Hell, a vast canvas – five metres across and two metres high – of swirling curves and broken...

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Short Cuts: The State of Statuary

Tom Crewe, 21 September 2017

M ost days​ I eat my lunch sitting under the statue of Charles James Fox in Bloomsbury Square. There are broad steps on each side of the statue, their Portland stone now stained an aqueous...

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It’s slippery in here: ‘Twin Peaks: The Return’

Christopher Tayler, 21 September 2017

J ames Joyce​ resented the Second World War for distracting readers from the newly published Finnegans Wake, and what with one thing and another I’ve sometimes felt the same way, on...

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Merely an Empire: Eighteen Hours in Vietnam

David Thomson, 21 September 2017

Once, every American knew the outline and the stock images of that chronicle. Because of largely unhindered television news coverage and the cameras that soldiers carried with them, this was the most...

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At the Movies: ‘Detroit’

Michael Wood, 21 September 2017

K athryn Bigelow’s​ impressive new film, Detroit, is full of disturbing violence, but its most disturbing moment is entirely non-violent. It comes too late in the film to help in any way,...

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At Tate Britain: Queer British Art

Brian Dillon, 7 September 2017

O n​ 28 April 1870, Miss Stella Boulton and Mrs Fanny Graham attended the Strand Theatre in London, where they made a spectacle of themselves, catcalling from their box to various men below. As...

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At Tate Modern: Giacometti

Jeremy Harding, 17 August 2017

A lberto​ Giacometti (b.1901) had his first postwar show in France at the Galerie Maeght in Paris in 1951. From 1941 to 1945, he had been stranded in his native Switzerland, working on tiny...

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In for the Kill: Photographing Cricket

Inigo Thomas, 17 August 2017

P atrick Eagar​ made his career taking photographs of cricketers, though when he started out in London more than fifty years ago his subjects were mainly party people. In 1966, he took a...

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The Women of ‘Guernica’

Anne Wagner, 17 August 2017

P icasso​ was a painter of themes. Themes, not subjects or ‘subject matter’: he pointed out the difference to André Malraux in 1937, just before Guernica left his studio for...

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At the Movies: ‘Dunkirk’

Michael Wood, 17 August 2017

C hristopher Nolan​ ’s Dunkirk is worth watching for its final sequence alone. The three stories being told throughout the film intersect rapidly, and no easy solution or reflection...

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‘The Meeting of the Waters’

John Barrell, 27 July 2017

I n​ the course of a year beginning in late 2013, I found myself at five separate places called the Meeting of the Waters. The first was the confluence of the Greta and the Tees on the Rokeby...

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W ithin​ a generation of Raphael’s death in 1520 it was widely recognised that his career, along with those of Leonardo da Vinci and Michelangelo, marked a turning point in the...

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