The date​ of the story in Ridley Scott’s new alien movie is 2104, ten years after the messy, murderous events that put an end to the previous prequel, Prometheus (2012). True to the...

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At the Ikon Gallery: Jean Painlevé

Brian Dillon, 1 June 2017

Acera bullata​ is a species of hermaphrodite sea snail or slug, discovered on coasts from Norway to the Mediterranean. It grows up to six centimetres long, has a brown or white shell and a...

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Who’s the real cunt? Dacre’s Paper

Andrew O’Hagan, 1 June 2017

The Daily Mail is like the drunken lout at a party who can’t get anyone to like him. Suddenly all the girls are sluts and all the men are poofs and he’s swinging at the chandelier before...

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At Dulwich: Vanessa Bell

Alice Spawls, 18 May 2017

It​ seems to be a foregone conclusion that Vanessa Bell isn’t much good. There are those devoted types, of course, for whom the sensibility of her paintings, as well as their subjects,...

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Enemies For Ever: ‘Making It’

James Wolcott, 18 May 2017

It’s a time capsule from the Mad Men 1960s, when rents were cheap, upward mobility was easier, magazines were thick and sassy, parties hung with a haze of smoke that spilled out into the streets...

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At the Movies: ‘Blow-Up’

Michael Wood, 18 May 2017

‘I’ve​ gone off London this week,’ the central character announces in Antonioni’s Blow-Up (1966), released in a new digital transfer by the Criterion Collection. A local...

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Roger Fry​, when comparing the Pre-Raphaelites with the Impressionists, described the artistic innovations of the former as an insurrection in a convent, whereas the latter were real...

Read more about At Tate Britain: Pre-Raphaelite works on paper

There was once​ a time when, in the eyes of advanced American taste-makers, Grant Wood led the list of home-grown artists who ought to be dismissed. Clement Greenberg, for example, used his...

Read more about At the Royal Academy: America after the Fall

When​ Donald Trump pledged, during his presidential campaign, to ‘begin building a wall’ along the US-Mexican border he was promising to create something that already existed. At...

Read more about Teeter-Totters: Teeter-Tottering on the Border

At Pallant House: Victor Pasmore

Rosemary Hill, 20 April 2017

According to​ Herbert Read, ‘the most revolutionary event in post-war British art’ was Victor Pasmore’s conversion from figurative to abstract painting. Victor Pasmore:...

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The collaboration​ between Michelangelo and Sebastiano del Piombo, the theme of the beautiful if rather didactic exhibition now at the National Gallery, is one of the strangest episodes in the...

Read more about Help with His Drawing: Is It Really Sebastiano?

Fritz Lang and the Life of Crime

Michael Wood, 20 April 2017

Many, perhaps most, representations of crime, whether the event is supposed to occur in fact or in fiction, give the impression of being about something else. Something instead of crime or something as...

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Frogs​ could be heard croaking, one hot spring day in 1688, in a ditch beside a meadow where Antoni van Leeuwenhoek liked, as he put it, to wander ‘for my amusement’. Peering down,...

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Just a Way of Having Fun: John Piper

Eleanor Birne, 30 March 2017

At the start​ of the war, John Piper – who had made his name as an avatar of high abstraction in the mode of Braque and Mondrian, his paintings hanging among the Giacomettis and Calders...

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Churchill’s Faces

Rosemary Hill, 30 March 2017

If anything​ justifies the use of the word ‘iconic’ to mean an instantly recognisable image with emotive associations it is representations of Churchill. The cigar, the V for...

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‘Should​ the street be considered one of the fine arts?’ Fernand Léger asked in 1928. He was thinking of the objects displayed in Parisian shop windows. Others have been more...

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At the Movies: ‘The Salesman’

Michael Wood, 30 March 2017

Asghar Farhadi’s​ The Salesman is too poised and immaculate for its own good, but full of disturbing undercurrents all the same. Of course, since the film has just won the director...

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The Last London

Iain Sinclair, 30 March 2017

That’s where the current last London seems to be: riding the crest of a slump. That madness of quitting Europe, burning our bridges, starving hospitals of funds, is part of a suicide-note delirium....

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