At the Movies: ‘Dunkirk’

Michael Wood, 17 August 2017

Christopher Nolan​’s Dunkirk is worth watching for its final sequence alone. The three stories being told throughout the film intersect rapidly, and no easy solution or reflection...

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‘The Meeting of the Waters’

John Barrell, 27 July 2017

In​ the course of a year beginning in late 2013, I found myself at five separate places called the Meeting of the Waters. The first was the confluence of the Greta and the Tees on the Rokeby...

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Within​ a generation of Raphael’s death in 1520 it was widely recognised that his career, along with those of Leonardo da Vinci and Michelangelo, marked a turning point in the development...

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In Cardiff: Gillian Ayres

Julian Bell, 13 July 2017

The huge canvases​ Gillian Ayres painted during the 1980s rush at you like Atlantic breakers. Bursts of orange, viridian, scarlet, yellow and cyan tumble forward and engulf you; convulsions of...

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Diary: Bullfighting

Duncan Wheeler, 13 July 2017

I knew​ very little about Víctor Barrio before, slightly hungover, I was asked by BBC World News on the morning of 10 July last year to comment on his televised death. It was the...

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At the Movies: ‘Wonder Woman’

Michael Wood, 13 July 2017

Towards​ the end of Zack Snyder’s Batman v. Superman (2016), when the two heroes have finished their petulant squabbling and bouts of throwing each other off high buildings, they are...

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At New Hall: Modern Women’s Art

Eleanor Birne, 29 June 2017

According to​ its account of itself, the New Hall Art Collection at Murray Edwards College in Cambridge is the ‘most significant’ collection of modern women’s art in Europe....

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At the Palace Museum: Chinese Painting

John-Paul Stonard, 15 June 2017

Visitors​ arrive in throngs at the National Palace Museum in Taipei from mainland China, queuing up to see the extraordinary collection of Chinese art: bronze, jade and ceramics, as well as...

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The date​ of the story in Ridley Scott’s new alien movie is 2104, ten years after the messy, murderous events that put an end to the previous prequel, Prometheus (2012). True to the...

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At the Ikon Gallery: Jean Painlevé

Brian Dillon, 1 June 2017

Acera bullata​ is a species of hermaphrodite sea snail or slug, discovered on coasts from Norway to the Mediterranean. It grows up to six centimetres long, has a brown or white shell and a...

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Who’s the real cunt? Dacre’s Paper

Andrew O’Hagan, 1 June 2017

The Daily Mail is like the drunken lout at a party who can’t get anyone to like him. Suddenly all the girls are sluts and all the men are poofs and he’s swinging at the chandelier before being huckled...

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At Dulwich: Vanessa Bell

Alice Spawls, 18 May 2017

It​ seems to be a foregone conclusion that Vanessa Bell isn’t much good. There are those devoted types, of course, for whom the sensibility of her paintings, as well as their subjects,...

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Enemies For Ever: ‘Making It’

James Wolcott, 18 May 2017

It’s a time capsule from the Mad Men 1960s, when rents were cheap, upward mobility was easier, magazines were thick and sassy, parties hung with a haze of smoke that spilled out into the streets and...

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At the Movies: ‘Blow-Up’

Michael Wood, 18 May 2017

‘I’ve​ gone off London this week,’ the central character announces in Antonioni’s Blow-Up (1966), released in a new digital transfer by the Criterion Collection. A local...

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Roger Fry​, when comparing the Pre-Raphaelites with the Impressionists, described the artistic innovations of the former as an insurrection in a convent, whereas the latter were real...

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There was once​ a time when, in the eyes of advanced American taste-makers, Grant Wood led the list of home-grown artists who ought to be dismissed. Clement Greenberg, for example, used his...

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When​ Donald Trump pledged, during his presidential campaign, to ‘begin building a wall’ along the US-Mexican border he was promising to create something that already existed. At...

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At Pallant House: Victor Pasmore

Rosemary Hill, 20 April 2017

According to​ Herbert Read, ‘the most revolutionary event in post-war British art’ was Victor Pasmore’s conversion from figurative to abstract painting. Victor Pasmore:...

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