Next door​ to the London Review Bookshop is a firm of architects, Rodić Davidson, who often have interesting displays in their windows. Usually these relate to the tools and forms of their...

Read more about At the Architects’: Whirling Automata

In​ 1972, the architects Alison and Peter Smithson completed Robin Hood Gardens, their only council estate. The couple were famous for projects such as the Mies van der Rohe-inspired Hunstanton...

Read more about Utopian about the Present: The Brutalist Ethic

Robert Hamer​’s Kind Hearts and Coronets was first released in 1949, and the current celebratory showings in various London cinemas are more than welcome. There is something a little...

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Not Enough Delilahs: Lillian Ross

Andrew O’Hagan, 4 July 2019

I’ve never met anybody who hated as many people as Lillian Ross did. She would count their names off on her fingers, regularly within spitting distance of them, and her voice wasn’t quiet and she...

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It rained​ off and on during the opening week of the Venice Biennale, and the Lithuanian pavilion hadn’t prepared for bad weather. An indoor beach had been set up inside a former military...

Read more about At the Biennale: ‘Sun and Sea (Marina)’

At the Orangerie: Marc and Macke

Michael Hofmann, 20 June 2019

In​ an essay entitled ‘Twenty Minutes from before the War’, Joseph Roth describes how in the 1920s French cinema audiences (and no doubt others elsewhere in Europe) lapped up...

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In August​ 1943, Jean-Pierre Grumbach, a former soldier in the 71st artillery regiment in Fontainebleau, arrived in London. Grumbach, an Alsatian Jew from Paris, 25 years old, wanted to offer...

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The Question of U: Prince

Ian Penman, 20 June 2019

One evening recently I was in the local supermarket, which always has a surprisingly tasteful collection of old pop and soul hits on its playlist. ‘Raspberry Beret’ came on and I just couldn’t help...

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Whiter Washing: Nazi Journalists

Richard J. Evans, 6 June 2019

Under​ the Weimar Republic newspapers and magazines flourished as never before in Germany. Contrary to Volker Berghahn’s claim in Journalists between Hitler and Adenauer that the press...

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John Lanchester’s piece in this issue first appeared on the LRB blog. You can read it here.

Read more about You win or you die: ‘Game of Thrones’

When​ Count Harry Kessler met Edvard Munch in Berlin early in 1895, Munch was ‘still young’, Kessler wrote, but seemed ‘worn out, tired, and in both a psychic and physical...

Read more about At the British Museum: ‘Edvard Munch: Love and Angst’

‘And the humans,​’ a dark deep voice asks at the beginning of the film, ‘what can they do but burn?’ The answer is quite a lot, especially when they are defended by...

Read more about At the Movies: ‘Avengers: Endgame’

If you know​ anything about Magnus Carlsen, you probably know that he is supposed to be making chess cool. Before he was twenty, he was the subject of two books and a film; in the years since...

Read more about Doomed to Draw: Magnus Carlsen v. AI

The​ European art academies were first formed in Florence and Rome in the 16th century as professional associations devoted to raising the status of the artist above that of a craftsman,...

Read more about At the Royal Academy: The Renaissance Nude

Louis-Léopold​ Boilly’s long life – his career began during the Ancien Régime and lasted until the final years of the July Monarchy – makes it hard not to view his...

Read more about At the National Gallery: Louis-Léopold Boilly

On music as on art and culture in general, Fisher’s standards were strict. ‘Music that acknowledged and accelerated what was new’ in the world around it was a force for good, but music (and art...

Read more about Not No Longer but Not Yet: Mark Fisher’s Ghosts

Towards​ the end of Blade Runner the actor Rutger Hauer, playing a replicant whose programmed life is fading, says he has ‘seen things you people wouldn’t believe’. ‘All...

Read more about At the Movies: ‘The Sisters Brothers’

At Piano Nobile: Jean Cooke

Eleanor Birne, 18 April 2019

Jean​ Cooke liked painting her sofa. ‘I kept painting that sofa,’ she said. ‘It dominated my life. People came and sat down on it and I painted them.’ In Sofas Galore (

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