We want our Mars Bars! Arsène Who?

Will Frears, 7 January 2021

The football played in England today – the speed, the spectacle, the insane athleticism, the obsession with the distance a player has run, the Gegenpressing, the stats, Pep, Klopp, Mo Salah, Kevin de...

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Beethoven was everything at once – impatient, brave, long-suffering, petty, short-tempered, honest, generous to his friends, cruel to his family, ductile and intractable, worldly and deeply innocent....

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Shaggy Horse Story: Fabulising about Form

Julian Bell, 17 December 2020

There’s a shaggy horse drawn in charcoal 13,000 years ago on a wall of the Niaux cave in Southern France, and every frisky hatching looks as though it could have been set down yesterday by a student...

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Diary: Painting in the Dark

Celia Paul, 17 December 2020

Perhaps the great women artists are noct­urnal creatures who prefer to create freely in the darkness. In this way, too, they avoid being referred to as ‘one of these neurotics’. Perhaps they choose...

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At BAMPFA: Rosie Lee Tompkins

Julia Bryan-Wilson, 17 December 2020

Rosie Lee Tompkins’s work is attuned to all the nuances of race, gender and class that fabric can signify. Synthetic calico is set next to a Mexican serape poncho which is placed next to an Indian scarf:...

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Short Cuts: Diego! Diego!

Thomas Jones, 17 December 2020

Maradona was under no illusions about football’s symbolic power, or its limits. He couldn’t solve anyone’s problems, least of all his own. But, for ninety minutes at a time, he could make everyone...

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At the Movies: Marlene Dietrich

Michael Wood, 17 December 2020

When we think of Marlene Dietrich’s films, innocence is not the first word that comes to mind. But there is something unmarked about her persona, as if the ironic wisdom her characters often express...

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Antique Tears: Consumptive Chic

Kate Retford, 3 December 2020

Thin, skimpy dresses left women cold and more susceptible to illness (flu was ‘muslin disease’), perhaps even to consumption, which was believed to bring women to the peak of beauty before an untimely...

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At MoMA: Félix Fénéon

Hal Foster, 3 December 2020

Which modern artists identified with anarchism? This is one of the riddles of modernist art, and at its centre is the sphinx Félix Fénéon (1861-1944), great champion of Seurat and company, brilliant...

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At the Movies: ‘Time’

Michael Wood, 19 November 2020

It’s​ an old narrative device and a very effective one: to provide the day or month without mentioning the year. Garrett Bradley’s new feature-length documentary, Time (on Amazon...

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Figureheads

Clare Bucknell, 19 November 2020

In​ 1660, a Commonwealth warship called HMS Naseby sailed to the Dutch Republic to bring the new king-in-waiting home to England. During its journey the ship was renamed the Royal Charles in...

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Summarising Oneself: Degas’s Vanity

Julian Barnes, 19 November 2020

Degas’s notion of success was particular to him. He wanted only artistic success, of which he was the sole judge. But he was absolutely, ruthlessly uninterested in fame, in social conquest, in honours,...

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Diary: Alone in Venice

Colm Tóibín, 19 November 2020

Suddenly,​ there was nothing to complain about. No cruise ships went up the Giudecca Canal. There were no tourists clogging up the narrow streets. Piazza San Marco was often completely deserted. On some...

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At the Pace Gallery: Trevor Paglen

Daniel Soar, 19 November 2020

Trevor Paglen’s works are information sublimated: the learning they represent could be conveyed in words – thousands of them – but as images they’re wired direct to the brain.

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He dis­liked autograph-hounds and being ident­ified wherever he went – but he would have been lost without these things. When a passer­by told him he didn’t look like Cary Grant, he replied that...

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Book Reviewing: On the ‘TLS’

Stefan Collini, 5 November 2020

In July​ 1921, Alfred Harmsworth – by then ennobled as Viscount Northcliffe, proprietor of the Daily Mail, the Times, and numerous other publications – wrote in irritable mood to the...

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Short Cuts: Fox News

Deborah Friedell, 5 November 2020

Trump is known to watch so much Fox News (up to seven hours a day, coded on his schedule as ‘executive time’) that some advertisers – farmers seeking subsidies, airlines opposed to foreign subsidies,...

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At the HKW: Aby Warburg

Chloe Aridjis, 5 November 2020

From a distance some panels resemble a deconstructed frieze, or funerary stele. As you draw closer, you become aware of the many strange marriages and collisions. Aby Warburg believed that modernity was...

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