On the A1

Andrew O’Hagan, 4 March 2021

‘The road is a no man’s land on the edge of society,’ Rupert Martin wrote in 1983, introducing Paul Graham’s photo­graphs of the A1, ‘and its inhabitants...

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Open in a Scream

Colm Tóibín, 4 March 2021

Since Bacon was known for his tangled personal life, his gambling, his drinking and the chaos of his studio, with the stories of his sexual habits and ghastly Irish childhood in circulation, something...

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At the National Gallery: Artemisia

Clare Bucknell, 4 March 2021

Artemisia Gentileschi, who understood – and relied on – the fact that male collectors were liable to see her face and body behind each Judith, Cleopatra or Susannah, was no stranger to playing parts....

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At the Movies: ‘One Night in Miami’

Michael Wood, 18 February 2021

There​ is plenty of angry talk in Regina King’s One Night in Miami – available on Amazon Prime and adapted from Kemp Powers’s play – but the cruellest remark is very...

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Motorised Youth Rebellion: Radical LA

Andy Beckett, 18 February 2021

A typical headline in the Los Angeles Times read: HIPPIES BLAMED FOR DECLINE OF THE SUNSET STRIP. Yet in the longer term the teenagers won a partial victory. As the bands that played on the Strip became...

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Blowing religious buildings up was appealing to the Bolsheviks, but so was protecting them as symbols of national heritage and pride; or preserving them while transforming their use and meaning, turning...

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The Rio group’s photographs engage with their subjects, who aren’t documented but rather are in dialogue with the camera, active participants in the cultural and political life around them. As Alan...

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In​ the opening scene of his television series Civilisation (1969), Kenneth Clark admits that while he can’t define exactly what civilisation is, he knows it when he sees it. The camera...

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The Phonic and the Phoney: Being Hans Keller

Nicholas Spice, 4 February 2021

The source of Keller’s energy and drive was what he called ‘musical truth’, the revelation of a metaphysical reality deeper than anything accessible to other art forms. Like the aficionados in Lorca’s...

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The Masks of Doom

Niela Orr, 21 January 2021

Some of us followed Doom because we thought we were too cool for David Blaine. Doom’s tricks were breath control, intricate rhyme schemes, a beating heart beneath the cold veneer, of which he gave us...

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At the Movies: ‘Mank’

Michael Wood, 21 January 2021

Much​ of what Pauline Kael had to say in ‘Raising Kane’ (1971), her long article in the New Yorker, got lost in the controversy it created. One of her aims was to draw attention to...

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At the British Museum: Tantra

James Butler, 21 January 2021

It began​ with the beheading of a god. In a dispute over theological primacy, Brahma – traditionally identified as the creator – insulted Shiva. The offended deity poured all his...

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On the Sofa: ‘Small Axe’

Yohann Koshy, 7 January 2021

The poet​ Linton Kwesi Johnson calls the first two generations of Caribbean people in postwar Britain the ‘heroic’ generation and the ‘rebel’ generation. The Windrush...

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What interested Rembrandt and his contemporaries, as it interests those attempting to reconcile the archival record of historical black Amsterdam with its visual remains, was the ways in which artists...

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Smith wasn’t the first to notice that the layers in the pits were predictable in their order; miners had long used the rock formations as wayfinders. They had names for the various types of exposed coal...

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We want our Mars Bars! Arsène Who?

Will Frears, 7 January 2021

The football played in England today – the speed, the spectacle, the insane athleticism, the obsession with the distance a player has run, the Gegenpressing, the stats, Pep, Klopp, Mo Salah, Kevin de...

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Beethoven was everything at once – impatient, brave, long-suffering, petty, short-tempered, honest, generous to his friends, cruel to his family, ductile and intractable, worldly and deeply innocent....

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Shaggy Horse Story: Fabulising about Form

Julian Bell, 17 December 2020

There’s a shaggy horse drawn in charcoal 13,000 years ago on a wall of the Niaux cave in Southern France, and every frisky hatching looks as though it could have been set down yesterday by a student...

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