If you don’t especially like car crashes, exploding buildings and the overuse of assault weapons, you may want to stay away from the cinema for a while. Well, you could have started to...
Thomas Becket was not the first archbishop of Canterbury to meet a violent end – Archbishop Alphege was killed by Vikings in 1012 – but he was unique in other ways. Unlike his...
The rules stated which notes needed to be emphasised; the stress on certain notes locked others out of the design, thus creating the melodic shapes that gave each raga its personality. In performance,...
A sense of interiority and self-possession is common to all Nina Hamnett’s portraits: they hold the viewer at a distance. Like her still lifes, they are anti-mimetic, creating the impression...
Matthew Barney is back. It’s been ten years since his last exhibition in London, and his new show at the Hayward opens with an unapologetic display of phallocentrism. It’s a...
Ousmane Sembène’s Mandabi (1968), now available in a restored print, was the first full-length feature film whose characters speak an African language. Small bits of French...
Odd choices and uncanny juxtapositions demonstrate Eileen Agar’s eye for the incongruous: the artfully placed leaf, the splodge of a wax seal, a snakeskin frame. Agar’s work is an invitation...
Even on the lip of apocalypse, might the Beatles remain one of the last things we can all agree on? Are they the no man’s land on Christmas Day, where both sides might pause, put down their weapons...
Edward Gorey’s imagery is in debt to the Surrealists, and, at times, in its use of line, to Aubrey Beardsley, but insofar as Gorey belongs to a genre it is the Romantic picturesque with its mood...
Howard Hodgkin unapologetically propagated the idea of the studio as a sacred site. In a way, his decision to conceal paintings in progress with linen canvases contributed to this, as did his reluctance...
Coloured marble can be veined, streaked, clouded, mottled, or it could be a breccia – that is, with irregular, sometimes jagged, inclusions. The Mount Athos enkolpion is of breccia corallina. The...
The quickest way to signal middle-aged female distress on stage is to show a woman rummaging frantically in a bag. Irritating though this is, there is some truth in it. Losing something in your bag is...
Mark Rylance’s gaze suggests he’s an actor who, at the half, is more than halfway into character, already unto the breach, where ‘all the youth of England are on fire.’ There are...
The first thing that dies in Chloé Zhao’s Nomadland (which will be in cinemas from 17 May) is a town called Empire, in Nevada. The life-supporting sheetrock plant shuts down, the...
Shaka King’s Judas and the Black Messiah (available on Amazon Prime) leaves us in no doubt as to who is the more interesting character. This preference is obscured (or perhaps...
This world of pattern and texture, which Tom Harris spent his career tracing, is as natural to humans as it is to plants. We can find it by rubbing our eyes, in the phosphenes flashing against our eyelids,...
Claire Wilcox becomes ‘absorbed in the fabrics and the stitching and embroidery, respectful of the drama of the gowns, the mastery of soft leather, the button-holing and the beading’. Patch...
In the 1930s many of the elite Jewish families donated their houses and collections to the French state. It was as if they were saying: we are French, and we leave our greatest treasures to...