Rejoicings in a Dug-Out: Cecil, Ada and G.K.

Peter Howarth, 15 December 2022

Everyone who knew G.K. Chesterton loved him for his kindliness and jollity, as well as the dazzling turns of phrase and the forensic psychology of the Father Brown stories. Chesterton adapted his detective’s...

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The​ death early in 1603 of Maria of Austria, daughter of Charles V, wife of Maximilian II and mother of Rudolf II, called for extravagant exequies. Her catafalque, erected in the monastery of...

Read more about Music without Artifice: Tomás Luis de Victoria

Goodbye Glossies: Vogue World

Amy Larocca, 1 December 2022

Fashion magazines were supposed to be aspirational, concerned not with reality but a dream. And the dream echoed the culture, which meant that for most of the 20th century it was deemed best to be rich,...

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Among the shadows and gleaming surfaces are the workers, concentrating fixedly. There are no types or archetypes in Chris Killip’s photographs, only the singular iteration of faces and bodies.

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At the V&A: Africa Fashion

Gazelle Mba, 1 December 2022

The pictures suggest a before and after: the subjects are on their way somewhere. Their clothes tell us something about trends – which continued to be imported as well as self-generated –...

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T.J. Clark’s definition of modernism draws on an old-school idea of modernity: Max Weber on ‘the disenchantment’ of a rationalised world, Georg Simmel on the ‘indifference’...

Read more about Not Window, Not Wall: Farewell to Modernism?

When the Daily Mail launched in 1896 it boasted that, unlike its rivals, it did not carry a page of verbatim parliamentary reports. Instead, there were women’s pages, daily features, and ‘talking...

Read more about Thirty-Eight Thousand Bunches of Sweet Peas: Lord Northcliffe’s Empire

At the Movies: ‘Living’

Michael Wood, 1 December 2022

The unlived life​ is a great modern theme. Not reality’s disappointments, but reality itself as a form of evasion, the wrong road taken. When we read or hear the word ‘living’,...

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How to Get on TV: World Cup Misgivings

David Goldblatt, 17 November 2022

There is no way to offset the fact that a gigantic dose of hydrocarbon wealth is being used to stage an immensely carbon-intensive spectacle, in a place that is already getting hotter faster than almost...

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At the Barbican: Carolee Schneemann

Martha Barratt, 17 November 2022

Carolee Schneemann worked at a remove from the central debates of 20th-century feminism – making sex films twenty years before the sex wars, kissing cats before the turn to the non-human –...

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Florine Stettheimer invited and deflected her categorisation as a woman artist by painting stereotypically feminine subjects with a cutting wit. Satires of beauty pageants, department store sales, bathhouses...

Read more about Hopscotch on a Mondrian: Florine Stettheimer’s Wit

We live in a world, as Stuart Hall put it, in which one can be just as ‘committed’ a revolutionary as Marx or Lenin, but ‘every now and then – Saturday mornings, perhaps, just...

Read more about A Difficult Space to Live: Stuart Hall’s Legacies

At the Movies: ‘Decision to Leave’

Michael Wood, 3 November 2022

The plot summaries​ for Park Chan-wook’s Decision to Leave refer to a man being found dead at the foot of a mountain. This is correct, but it isn’t quite what it looks like on...

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Frank O’Hara wasn’t a poet to write about parents, siblings and a middle-class Irish-Catholic upbringing in Grafton, Massachusetts, or his military service in the Pacific during the Second...

Read more about It’s the worst! Frank O’Hara’s Contradictions

At the Swedenborg: Magic Lanterns

Chloe Aridjis, 3 November 2022

The magic lantern is a prosaic object: a tin or wooden box, fitted with a chimney, a set of lenses and a light source. But for nearly four centuries it has animated the walls of homes and theatres, first...

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No Mythology, No Ghosts: Second City?

Owen Hatherley, 3 November 2022

In the years before mass car ownership, Birmingham’s suburban workers were wholly reliant on the bus network. The landscape was denuded of the pubs, music halls and community life that defined the...

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At the Movies: ‘Nope’

Michael Wood, 6 October 2022

At the beginning​ we hear voices, part of a stand-up routine perhaps – later we learn that they’re from a television show. One of them says: ‘You’d think a man who could...

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At the British Museum: ‘Feminine Power’

Mary Wellesley, 22 September 2022

Unlike Eve, who was made from a spare rib, Lilith was made from the same clay as Adam. In Eden, Adam insisted that Lilith lie beneath him during sexual intercourse as an admission of her inferiority....

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