Talking to the Radiator

Andrew Saint, 2 October 1997

Did the fact that he came from Switzerland’s drabbest town have something to do with it? La Chaux-de-Fonds has little excuse. Lifted high in a bowl of the Jura, it is fringed by mountains...

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Mandelson’s Pleasure Dome

Iain Sinclair, 2 October 1997

It gets me every time. That hallucinatory instant. Da da da da da, da da. The Pearly Queen drill of the EastEnders signature tune, as the map spins and the known world is stood on its head; what you...

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Hating Them

Nuruddin Farah, 18 September 1997

I have been thinking about Responsibility ever since visiting Mogadiscio last year: the householder’s responsibility to the household, that of the smaller community to the larger, of the...

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Audrey and Her Sisters

Wayne Koestenbaum, 18 September 1997

I read star biographies to find out how stars see themselves and how they see each other. Though I am interested in their behaviour, I am more interested in the curves and austerities of their...

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Martinis with the Bellinis

Mary Beard, 31 July 1997

Two photographs in The Roy Strong Diaries 1967-87 sum up his achievement as museum director: ‘The National Portrait Gallery before, and after’ – before and after, that is, the...

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More aggressive, dear!

Zachary Leader, 31 July 1997

What happened to Britain’s men in the quarter-finals at Wimbledon? Twenty-four hours earlier, Tim Henman had beaten Richard Krajicek, last year’s winner and the No. 4 seed. In his...

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Boxing the City

Gaby Wood, 31 July 1997

He was primarily​ an archivist, but an archivist of a world that didn’t exist. He was a compulsive collector, a browser, cross-indexer. When he died the basement where he worked was full...

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Sergeant Jones’s Sleeping-Bag

Michael Ignatieff, 17 July 1997

It adds greatly to the glamour of this book that its author was threatened for having written it. Her offence was to argue that many of the passing media events of our culture – chronic...

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In the Chair

Edward Said, 17 July 1997

One of the most talked and written about musicians after World War Two, Glenn Gould quite consciously set about making himself interesting and eccentric. Most performers do, but Gould went beyond...

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Diary: At the Races

Gerald Hammond, 3 July 1997

When W.B. Yeats imagined his ideal society, an aristocratic world where poets would be celebrated, and surrounded by ‘hearers and hearteners of the work’, the one place where it could...

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Post-Photographic

Peter Campbell, 19 June 1997

Around the middle of the 19th century, disaster struck academic painting. Extinction threatened whole families of subject-matter – histories, moralities, fantasies – and the genres...

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Diary: On Chess

Tobias Jones, 5 June 1997

It is impossible to win gracefully at chess. No man has yet said ‘Mate!’ in a voice which failed to sound to his opponent bitter, boastful and malicious. A.A. Milne One loses...

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Pseuds’ Skyscraper

Mark Lilla, 5 June 1997

My architecture is about presence and absence.’ The lecture hall at the American Academy in Rome was dark and on the projection screen before us was an image of jagged fields of colour. The...

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Hitchcocko-Hawksien

Christopher Prendergast, 5 June 1997

In Martin Scorsese’s Casino, Ace Rothstein (Robert De Niro) remarks that Las Vegas is about ‘selling people dreams for cash’ and, in a memorable elaboration of this...

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Turnip into Asparagus

Wolfgang Schivelbusch, 5 June 1997

When they first met and fell in love, in Berlin in 1924, Kurt Weill was 24 years old and already a name in the postwar world of modern music in Germany. Lenya, then still Karoline Wilhelmine...

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Mahu on the Beach

Greg Dening, 22 May 1997

‘Soyez mysterieuses,’ Paul Gauguin had carved into the lintel of his last residence in the South Seas, the ‘House of Pleasure’, or ‘House of Orgasm’, as some...

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Diary: Who will blow it?

Ian Hamilton, 22 May 1997

Saturday’s FA Cup Final has been billed as something of a connoisseur’s delight. The question being asked is not so much ‘Who will win?’ as ‘Who will blow it?’...

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Raving

Hari Kunzru, 22 May 1997

‘Ecstasy’ is a brand name. According to tradition, the tag first became attached to the drug MDMA (3-4 methylenedioxymethamphetamine) some time in the early Eighties, when it moved...

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