Come and Stay

Arnold Rattenbury, 27 November 1997

Sir Clough Williams-Ellis is best known nowadays as the owner-architect of Portmeirion, the hotel he built as a partly cliff-hanging, partly tree-nestled village on a North Wales coastal estuary,...

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Royals in Oils

Peter Campbell, 13 November 1997

In her portraits Elizabeth Louise Vigée Le Brun did her very best to give a pleasing account of the facts of the flesh. The faces are attractive, the expressions forthcoming and responsive....

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Italianizzati

Hugh Honour, 13 November 1997

There is no near equivalent to A Dictionary of British and Irish Travellers in Italy 1701-1800 apart from Friedrich Noack’s three volumes (1907-27) listing all the Germans in Rome, from the...

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Diary: ETA goes to the Guggenheim

Lorna Scott Fox, 13 November 1997

Jeff Koons didn’t know how right he nearly was when he told a reporter from El País that his monumental flower sculpture Puppy had an ‘untamed’, ‘belligerent’...

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Sounds like hell to me

Michael Wood, 13 November 1997

You step up to the wooden door, a heavy, rustic affair set in a brick arch, and you peer through two small holes conveniently set at around head height. You do this not because you are a snoop,...

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Big Daddy

Linda Nochlin, 30 October 1997

There often seems to be a connection between the style of an art historian or critic and that of his or her favourite artist. Reading Tim Clark on Courbet, it is easy to see the reasons why the...

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On ‘Fidelio’

Edward Said, 30 October 1997

‘Fidelio’ is the one opera in the repertory that has the power to sway audiences even when it is indifferently performed. Yet it is a highly problematic work whose triumphant...

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Thatcher’s Artists

Peter Wollen, 30 October 1997

Art catalogues have drifted away from being simple accessories to exhibitions and become instead strange hybrid forms somewhere between cultural studies primers and coffee-table books. They...

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Many Andies

Andrew O’Hagan, 16 October 1997

All his life Andy Warhol looked like death. He came into the world that way: blank, rheumy-eyed, sick as the day was long. An unmerry child with St Vitus’ Dance, the young Warhol lay...

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Talking to the Radiator

Andrew Saint, 2 October 1997

Did the fact that he came from Switzerland’s drabbest town have something to do with it? La Chaux-de-Fonds has little excuse. Lifted high in a bowl of the Jura, it is fringed by mountains...

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Mandelson’s Pleasure Dome

Iain Sinclair, 2 October 1997

It gets me every time. That hallucinatory instant. Da da da da da, da da. The Pearly Queen drill of the EastEnders signature tune, as the map spins and the known world is stood on its head; what you...

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Hating Them

Nuruddin Farah, 18 September 1997

I have been thinking about Responsibility ever since visiting Mogadiscio last year: the householder’s responsibility to the household, that of the smaller community to the larger, of the...

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Audrey and Her Sisters

Wayne Koestenbaum, 18 September 1997

I read star biographies to find out how stars see themselves and how they see each other. Though I am interested in their behaviour, I am more interested in the curves and austerities of their...

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Martinis with the Bellinis

Mary Beard, 31 July 1997

Two photographs in The Roy Strong Diaries 1967-87 sum up his achievement as museum director: ‘The National Portrait Gallery before, and after’ – before and after, that is, the...

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More aggressive, dear!

Zachary Leader, 31 July 1997

What happened to Britain’s men in the quarter-finals at Wimbledon? Twenty-four hours earlier, Tim Henman had beaten Richard Krajicek, last year’s winner and the No. 4 seed. In his...

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Boxing the City

Gaby Wood, 31 July 1997

H e was primarily​ an archivist, but an archivist of a world that didn’t exist. He was a compulsive collector, a browser, cross-indexer. When he died the basement where he worked was full...

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Sergeant Jones’s Sleeping-Bag

Michael Ignatieff, 17 July 1997

It adds greatly to the glamour of this book that its author was threatened for having written it. Her offence was to argue that many of the passing media events of our culture – chronic...

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In the Chair

Edward Said, 17 July 1997

One of the most talked and written about musicians after World War Two, Glenn Gould quite consciously set about making himself interesting and eccentric. Most performers do, but Gould went beyond...

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