Diary: Literary Diplomacy

Marina Warner, 16 November 2017

Last December​, in Russia for the first time, I saw a small panel painting in the Hermitage showing The Vision of St Augustine: the saint, in full episcopal fig, is sitting on a riverbank near...

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Story: ‘Story: ‘Cat-Brushing’’

Jane Campbell, 2 November 2017

Sometimes I watch her washing herself. She licks and licks and I wonder what it feels like. I wish I could lick myself. It was P. who was best at that.

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Poem: ‘From the Transience’

Jorie Graham, 2 November 2017

May I help you. No. In the mirror? No. Look there is still majesty, increase, sacrifice. Night in the flat pond. Moon in it/on it disposing entirely of mind. No. Look there is desert where there...

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A Lot to Be Said: Literary Criticism

Stefan Collini, 2 November 2017

Scanning​ recent academic literary studies for examples of what he calls ‘a genuinely critical impulse’, Joseph North picks out D.A. Miller’s subtle analysis of Jane...

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Save the feet for later: Leonora Carrington

Edmund Gordon, 2 November 2017

What​ Leonora Carrington remembered most clearly about being a debutante in 1935 was her tiara ‘biting’ into her skull. In her short story ‘The Debutante’, the teenage...

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I don’t even get bananas: Christina Stead

Madeleine Schwartz, 2 November 2017

‘She​ was famous for being neglected,’ Lorna Sage once said of Christina Stead. In 1955, Elizabeth Hardwick, writing in the New Republic, described trying to obtain Stead’s...

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Two Poems: Two Spells

Rebecca Tamás, 2 November 2017

the witches eat your book then you then everything

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On Michael Longley: Michael Longley

Colin Burrow, 19 October 2017

There are​ few contemporary poets as likeable as Michael Longley. That’s not because his poems are simply amiable, but because he looks at things hard and clearly and invites his readers...

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Poem: ‘At the Butcher’s’

Patrick Cotter, 19 October 2017

The sheep’s severed head seems merely disembodied; floating, not hanging from a hook; eyes creamy and dozing in a sheen of deep thought, as if she remembers the pastures, the smell of shook...

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Aviators and Movie Stars: Carson McCullers

Patricia Lockwood, 19 October 2017

Any perusal of her biographies will be punctuated with an intermittent ‘Yikes!’ and ‘Jesus Christ, Carson.’ Yet the reason we talk about her life so much is because there is something irreducible...

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Tied to the Mast: Alan Hollinghurst

Adam Mars-Jones, 19 October 2017

Alan Hollinghurst​’s tally as a published novelist is six books over 29 years, so that’s more than two thousand pages of astonishing responsiveness to light, sound, painting, the...

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There are​ so many Stendhals – art historian, music critic, travel writer, novelist, political pundit, opera buff, soldier, bureaucrat, diplomat, sparkling conversationalist and...

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Literary Friction: Kathy Acker’s Ashes

Jenny Turner, 19 October 2017

Tedious mess or rigorous experiment? Art or ranting? What if the really great thing Acker’s work is saying is that it can be both?

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Poem: ‘Bougainvillea’

Uljana Wolf, translated by Sophie Seita, 19 October 2017

1. mis-dotted morning, how it rises in the mist, how the blotting paper soaks, watercolours, incline of leaf tips, or inclined towards tipped-in tulle, a branchling peels out of its costume,...

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Poem: ‘Oxford, 1985’

Mark Ford, 5 October 2017

Oh to recapture the golden summer I met Allen Ginsberg! That tireless man! – he had within minutes, produced a whole box of photographs of himself, all shaggy and naked, in bed with a blond...

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Constellationality: Olga Tokarczuk

Adam Mars-Jones, 5 October 2017

Olga Tokarczuk’s​ novel Flights could almost be an inventory of the ways narrative can serve a writer short of, and beyond, telling a story. The book’s prose is a lucid medium in...

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On Fanny Howe: Fanny Howe

Ange Mlinko, 5 October 2017

Fanny Howe​ is so adept at creating floating worlds, gossamer meditations on being and art, that a reader might mistake autobiographical anecdotes for fables. In the final piece in her 2009...

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Diary: Call Yourself George

Anne Enright, 21 September 2017

In 2015, the novelist Catherine Nichols sent the opening pages of the book she was working on to fifty literary agents. She got so little response she decided to shift gender and try as ‘George’ instead....

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