Bogey’s Clean Sweep

Michael Holroyd, 22 May 1980

On 7 August 1922, in a letter for her husband John Middleton Murry to be opened after her death, Katherine Mansfield wrote: All my manuscripts I leave entirely to you to do what you like with....

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A week or two ago I reviewed a novel about rock-climbers. A very absorbing tale it was too, but specialised; and one was bound to say that to a reader wholly without interest in the technicalities...

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Poet-in-Ordinary

Samuel Hynes, 22 May 1980

One doesn’t ordinarily expect a son to be a trustworthy recorder of his father’s life: if he isn’t paying off the old gentleman for remembered slights, like Shakespeare’s...

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Oldham

Frank Kermode, 22 May 1980

Forty years ago, Roy Fuller was taking a close look at himself and finding the image unsatisfying, already a little disappointed. This one is remembered for a lyric. His place and period –...

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Donald Davie and the English

Christopher Ricks, 22 May 1980

‘Since Byron and Landor, no Englishman appears to have profited much from living abroad.’ So said an American who rightly believed himself to be profiting from living abroad, T.S....

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Looking back

John Sutherland, 22 May 1980

The Victorian practice of antedating is enjoying a revival with contemporary English novelists. Every so often, it would seem, fiction becomes broody, retrospective, and responsive to...

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Poem: ‘La Nuit Américaine’

Michael Hofmann, 22 May 1980

Her mother was her father’s senior by something like twenty years; a difference she was proud of. Most recently she was tall, shapely, and engaged to her date at home, though still our age...

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In Praise of Pritchett

Martin Amis, 22 May 1980

V.S. Pritchett’s short stories are retrospective, provincial, formless and feminine. His is an art that does not care how peripheral it sometimes seems. There are no twists, payoffs,...

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Two Poems

Susannah Amoore, 15 May 1980

Trees Above all, I should find it hard To abandon these trees, This parkful of branches and leaves That for years I have watched grow Thicker, greener, closer – So close now to these tall...

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Proust remarked that, like microbes and corpuscles, theories and schools devour one another and by their warfare ensure the continunity of life. I doubt, though, that the present is a time for...

Read more about D.J. Enright is soon to bring out his ‘Oxford Book of Contemporary Verse 1945-1980’. Here is the substance of his introductory statement.

Poem: ‘Nightjar’

Ted Hughes, 15 May 1980

The tree creeps on its knees. The dead branch aims, in the last light. The cat-bird is telescopic. The sun’s escape Shudders shot By wings of ashes. The moon falls, with all its moths, Into...

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Novels about Adultery

Frank Kermode, 15 May 1980

It calls for no great acumen to spot a connection between adultery and theft. According to Dr Johnson, ‘the essence of the crime’ lay in ‘the confusion of progeny’, for by...

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Poem: ‘Kaspar Hauser’

Laurence Lerner, 15 May 1980

All that long time there was the place I was, All that long same, the dark and constant same. I came to being and it bit my eyes. I want to be a rider like my father. A soldier was my father was...

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The first issue of the London Review of Books appeared on 27 September last year, and the present issue is the 14th we have produced. The journal was started when some newspapers were in...

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Poem: ‘Intruder’

Adam Phillips, 15 May 1980

In the night house no one has the knack of keeping things quiet; uncoloured walls fumble, furniture is posed in the nothing-snow, familiar and unreachable, the depletion of lamps, the rage of...

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Consequences

Christopher Reid, 15 May 1980

The Parisian Surrealists appear to have taken their games-playing very seriously. Ritual imitations of the creative act – involving the practice of automatic writing, a deep faith in the...

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Character References

Robert Taubman, 15 May 1980

‘Yvonne dear,’ his Aunt said, ‘won’t you do the introduction?’ ‘This is Nancy,’ Yvonne said. ‘This is Andy. This is Mildred. This is George....

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Settling accounts

Keith Walker, 15 May 1980

‘A heart for every fate’: the title Marchand has chosen, from the enchanting lyric Byron wrote to Thomas Moore in 1817, doesn’t seem quite appropriate. It would have been better...

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