Chastened

Lorna Tracy, 3 September 1981

As many letters in The Habit of Being show, Flannery O’Connor was plagued long before her death with Deep Readers from little colleges offering outlandish ‘interpitations’ of...

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Story: ‘Mise-en-Scène for a Parricide’

Angela Carter, 3 September 1981

Hot, hot, hot . . . very early in the morning, before the factory whistle, but, even at this hour, everything shimmers and quivers under the attack of the white, furious sun already high in the still air.

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Out of the Closet

Richard Altick, 20 August 1981

Erotica are the non-books of the bibliographical world. In most, if not all, of the standard records of book production and book possession their existence has gone unnoticed. They have seldom...

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Story: ‘Sins and Virtues’

Jim Crace, 20 August 1981

I used once​ to have a calligrapher’s booth in the marketplace. Bridegrooms came and I blessed their marriage certificates with the name of God in gold-leaf. I provided decorative...

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Osip and Nadezhda Mandelstam

Seamus Heaney, 20 August 1981

The first sentence of Nadezhda Mandelstam’s Hope against Hope is one of the most memorable openings in all literature: ‘After slapping Alexei Tolstoi in the face, M. immediately...

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Poem: ‘Private View’

Selima Hill, 20 August 1981

I am the wife of the man who won first prize. I am not wearing my new shoes which, though smarter, are not as comfortable as these. I must stand well. ‘He’s a very sensitive guy....

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Best Things

Alan Hollinghurst, 20 August 1981

By and large we are interested in the thoughts, opinions and intentions of writers we are interested in, and by and large writers are keen to express these things in reviews, essays and memoirs...

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Sacred Monster

Graham Hough, 20 August 1981

For readers who are more interested in literature than in literary society those sacred monsters who live in anecdote and legend rather than in their work are always something of an...

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Structuralism Domesticated

Frank Kermode, 20 August 1981

This is a collection of essays by one of our best literary critics, in fact exactly the kind of thing one would expect from him; it simply continues the good work in the manner of his last two...

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Ancient Greek Romances

Peter Parsons, 20 August 1981

In 1834, T.B. Macaulay left Holland House to unaccustomed silences, and set sail for Madras, where he was to save £30,000 and draft the penal code. Indian leisure inspired him to reread...

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At the Gay Hussar

John Sutherland, 20 August 1981

At some point it must have crossed Braine’s mind to call his latest novel ‘Love at the Top’. The hero is Tim Harnforth, a 56-year-old best-selling novelist and man of letters....

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Poem: ‘Natural Species’

D.J. Enright, 6 August 1981

There’s a law these days against the extirpation of a Natural species ... So John Brown assures himself As he moves with care down the Underground corridors. A poster for panties carries a...

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Stones

John Harvey, 6 August 1981

The freckled drawing on the cover of Günter Grass’s latest novel shows a hand just emerging from a rubble of old stones and holding a quill. The quill is lightly and sensitively...

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Homer’s Gods

Colin Macleod, 6 August 1981

‘Historia locuta est. Sed historiae obloquitur ipse vates et contra testatur sensus legentis’ (History has spoken. But the poet’s own words answer back, and the reader’s...

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Peeping Tam

Karl Miller, 6 August 1981

Robert Burns wrote about art, friendship, religion, animals, drink, marriage and love. The First two and the last of these themes – poetry, sociability and sexual adventure, to call them by...

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Martyr suicidé innocent coupable meurtrier meurtri impitoyable apitoyant terroriste gentil amoureux haï nous crevons tous de votre faim.

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Fatalism

Graham Hough, 16 July 1981

The four novels before us are all highly original, but they tend to confirm an old popular belief – that there are two sexes and that there are some differences between them. All end sadly,...

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Ars Brevis, Vita Longa

Dan Jacobson, 16 July 1981

Poetic intensity, concentration upon a single incident or event – these seem to be the defining characteristics of the short story for both V.S. Pritchett, in his introduction to The Oxford...

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