Friends

Eugene Goodheart, 16 March 1989

Wayne Booth begins his new book by recalling how in the early Sixties he and his colleagues at the University of Chicago could ignore the distress of a young black assistant professor, Paul...

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Dark Strangers, Gorgeous Slums

Philip Horne, 16 March 1989

Travel is sometimes supposed to broaden the mind, impending death to concentrate it. Travel is more desirable than impending death, but it is usually harder to arbitrate between the claims of...

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George Crabbe: Poetry and Truth

Jerome McGann, 16 March 1989

No one who has read Crabbe’s poetry has ever denied the power of his portraits or his stories. ‘Peter Grimes’, one of the embedded sections of his great work The Borough (1810),...

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Cheeky

Norman Page, 16 March 1989

Inside most collections of letters is another ghostly volume we are unable to read, for it contains all those letters that have been lost or destroyed. Hence a scholarly enterprise such as the...

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Poem: ‘Bond Girl’

Fiona Pitt-Kethley, 16 March 1989

Back in my extra days, someone once swore she’d seen me in the latest James Bond film. I tried to tell her that they only hired the really glamorous leggy types for that. (My usual casting...

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Making the world

Christopher Prendergast, 16 March 1989

In his Souvenirs sur Paul Cézanne, Emile Bernard records a conversation in which he raised with Cézanne the topic of Balzac’s Le Chef-d’Oeuvre Inconnu – the story of...

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An Epiphany of Footnotes

Claude Rawson, 16 March 1989

According to Jerome McGann, poetry became desocialised as a result of Kant’s definition of the aesthetic experience as wholly and essentially subjective. A consequence for criticism ever...

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Beastliness

Harry Ricketts, 16 March 1989

Speculation, Leon Edel remarks in his one-volume life of Henry James, is ‘the stock-in-trade of all biographers’. But if all biographers speculate, some do so more scrupulously and...

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Poem: ‘John Clare’s Horizon’

Matt Simpson, 16 March 1989

had to lie somewhere – hedge or ditch exactly bordering on God. Wanted to know where it lay from Helpston; found it maddening – no end of lanes, of fields where grass and leaves smelt...

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Nuvvles

Stephen Wall, 16 March 1989

Novelists on the novel – or, at any rate, good novelists on the novel – often write with a vigour and a commitment to the form that shames more academic approaches. Such...

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Paul de Man’s Abyss

Frank Kermode, 16 March 1989

Paul de Man was born in 1919 to a high-bourgeois Antwerp family, Flemish but sympathetic to French language and culture. He studied at the Free University of Brussels, where he wrote some pieces...

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The war is a long way back and young people take little interest in it, or in the feel of what was being said and written at the time. Lawrence, Yeats and Eliot go marching on, attracting...

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Poem: ‘Hamlet’

Ciaran Carson, 2 March 1989

As usual, the clock in the Clock Bar was a good few minutes fast, A fiction no one really bothered to maintain, unlike the story The comrade on my left was telling, which no one knew for certain...

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Renaissance

Patricia Craig, 2 March 1989

There’s a moment near the start of Ulysses when a symbol for the whole of Irish art presents itself to Joyce’s exasperated alter ego: ‘the cracked looking-glass of a...

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Undecidability

Alastair Fowler, 2 March 1989

We cannot let Shakespeare alone. He saw so deeply into life, and wrote so well, that we cannot bring ourselves to relegate him to his Elizabethan world, as we do, or used to do, with Jonson. Yet...

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Two Poems

Ian Hamilton, 2 March 1989

Responsibilities Imagining you on your own, I’m vigilant. You’ve heard me, I can tell. A rustle in the kitchen leaves Above your head, a semi-stifled click Somewhere below, an errant...

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Poem: ‘A Royal Prospect’

Seamus Heaney, 2 March 1989

On the day of their excursion up the Thames To Hampden Court, they were nearly sunstruck. She with her neck bared in a page-boy cut, He all dreamy anyhow, wild for her But pretending to be a...

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Like the trees on Primrose Hill

Samuel Hynes, 2 March 1989

In ‘The Cave of Making’, his elegy for MacNeice, Auden describes his friend as a ‘lover of women and Donegal’. The geography seems a bit wrong – the Irish counties...

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