Why Literary Criticism is like Virtue

Stanley Fish, 10 June 1993

There is a great difference between trying to figure out what a poem means and trying to figure out which interpretation of a poem will contribute to the toppling of patriarchy or to the war...

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Poem: ‘Loss’

Jamie McKendrick, 10 June 1993

If what you hear is like a field and the height of a lark above it then the field has dwindled and the wind bells on the razor wire around the verge beyond which nothing but the pointless din of...

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Ellipticity

C.K. Stead, 10 June 1993

Gemmy Fairly appears at the edge of a small mid-19th-century settlement out of the ‘empty’ north Queensland hinterland. He is 29 and has spent 16 years among Aborigines who rescued...

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The Prisoner

Michael Wood, 10 June 1993

A thief is someone who steals, but what do you call someone who steals and gets caught all the time? Who gets caught lifting handkerchiefs from a Paris department store, for instance, and then a...

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Poem: ‘Opus Operandi’

Ciaran Carson, 27 May 1993

I Fatima handed out twelve teaching modules of the ‘empathy belly’ To the variously expectant fathers. Some were Paddy, and some were Billy. Today’s lesson was the concept...

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There will soon be more bodies in contemporary criticism than on the fields of Waterloo. Mangled members, tormented torsos, bodies emblazoned or incarcerated, disciplined or desirous: it is...

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In the Doghouse

Michael Hofmann, 27 May 1993

In the wall-month of November 1989 I translated two pieces from an anthology of East German writing for the magazine Granta, which in the end didn’t use either of them. (These things...

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Blooming Symbols

Adam Lively, 27 May 1993

The Czech writer Bohumil Hrabal recently argued that great literature has no need of symbols: it simply presents life as it is. A symbol in a novel can act like a leech on a living body, sucking...

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Petal by Petal

C.K. Stead, 27 May 1993

In the Woody Allen movie Hannah and Her Sisters Eliot (Michael Caine) contrives to cross paths on a Manhattan street with his sister-in-law. Lee (Barbara Hershey), with whom he has fallen in...

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May he roar with pain!

John Sturrock, 27 May 1993

At the time, George Sand was the celebrity, a retired amorist and noted cross-dresser now publishing without strain two or three novels a year of the improving, marketable kind. Flaubert, too,...

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Complete with spats

A.N. Wilson, 27 May 1993

I have been reading again The Mind of the Maker by Dorothy L. Sayers. Barbara Reynolds says that this book – together with her famous series of radio dramas The Man Born to be King –...

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Poem: ‘An Avuncular Request’

Eric Winter, 27 May 1993

Does anybody know where one can get a decent eunuch these days? Baggy pants, scimitar, turned-up toes, are of no consequence. I only want a big one, strong, to handle boxes of feminist writing...

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Wheezes

Jonathan Coe, 13 May 1993

Samuel Beckett was one of the first to realise that in a predominantly agnostic and sceptical age, nothing could be more irrelevant than the novel whose plot continued to imitate the workings of...

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Running Dogs

D.J. Enright, 13 May 1993

Mo Yan’s novel opens with a kind of prospectus for itself: ‘I didn’t realise until I’d grown up that Northeast Gaomi Township is easily the most beautiful and most...

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   Words you’ve never used And have always wanted to –    Get them in quickly.            *...

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Another Mother

Frank Kermode, 13 May 1993

This biographer’s devotion to her subject is demonstrated by her indefatigable archival labours and her willingness to traverse the world in order to visit places of Forsterian interest, as...

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Homophobic

Hilary Mantel, 13 May 1993

It was Renault, pronounced Renolt, not as in the car: this is one of the many things her admirers will not have known about the low-profile, best-selling author of some of the most remarkable...

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Poem: ‘After Saussure’

Penny McCarthy, 13 May 1993

Shall I batter the cat, and then stew it, thus turning the cru to the cuit? And when I am had up for cru- elty, plead it was only écrit?

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