With its double entendre connoting the kind of thing adults say about toddlers as well as an era-defining sarcasm, Such a Fun Age is interested in a different sort of hysterical realism: how is it possible...
Amid the tearing of hair and the rending of garments, the busted teeth and the vomit, a picture of a gutted Glasgow emerges. It’s the dark side of Thatcher’s Britain, another reason for the invited...
Denise Riley argues with her identities and ‘identity’ in general: she is unhappy with them, casts them off only to find them stuck on again in the morning. She is also our pre-eminent dialectician...
The riddle of who is made in the image of whom – humans in that of God or the Devil, God or the Devil in that of humans – becomes an extravagant joke about figuration, about any attempt to find a physical...
How do you write against your audience, an audience that celebrates your work but interprets it narrowly? The title on the cover, Homie, is for this audience; for Danez Smith’s publishers; and for the...
Real Life bristles with everyday micro-aggressions, all the myriad, annihilating ways blackness is weaponised. It’s a campus novel, but anyone familiar with 19th-century slave narratives will hear the...
Most climate dystopias are set in this temporal and spatial landscape: well into the obliterated future. The terrible thing has happened, and the details of how we got there are unimportant, as are the...
‘Since this trouble with my back, I’ve read all the detective stories there ever were, I should think,’ a character says in Agatha Christie’s Peril at End House....
Nabokov and I are hardly a match made in heaven – I’m stumped by the most elementary brainteasers, every chess game I’ve ever played has lasted at least two hours and no one has been able to win,...
Rainbow Milk is a candid, sometimes uneven novel. But at moments it’s electrifying – an algorithmic pop ballad that suddenly transcends itself and sounds different, more affecting, like the opening...
Ideal for snoopers, snipers, novelists, cartoonists and daydreamers, squares offer the chance of peering out in several directions without someone across from you peering back. They mix urbanity and...
Of all the ‘different varieties of New Jerusalem ... I’d only return to one,’ Gunn wrote, ‘For the sexual New Jerusalem was by far the greatest fun.’ ‘He was very interested in sex as a defining...
The earliest texts that look extensively at the slave trade are structured by the motifs and conventions of revenge tragedy: resentment, conspiracy, delay, the grand soliloquy and, above all, tortured...
Jack is a love story; it contains miracles. It is also the most theological of Robinson’s novels, bound by religious paradox and poetic impossibility. Robinson is interested in love, not as desire but...
Amis takes an unpretentious, anxious interest in holding the reader’s attention, and from time to time he can still get out from behind the rhetorical afflatus and come at you with sheer voice. His heart...
Brexit, Covid-19, climate change and the refugee crisis shift in and out of focus, but it’s in the ordinary scenes of everyday frustration that the novels seem most ‘of our time’. But ‘now’ isn’t...
Reading the novel is a bit like watching the type of movie – The Revenant or 1917 – where a man is chased by a bear only to fall off a cliff into the rapids, or a plane is shot out of the sky only...
Misogynist tropes often involve presenting women as interesting in precisely the ways that Aeschylus’ female characters are interesting: charming, articulate, dangerous, deceitful, too clever by...