Before I Began: Coetzee Makes a Leap

Christopher Tayler, 4 June 2020

The tone darkens a bit, not surprisingly, in The Death of Jesus, and there’s a concomitant rise in the teasing of meaning-hungry readers. But it’s still tempting to see the Jesus stuff as a structural...

Read more about Before I Began: Coetzee Makes a Leap

Ruin it your own way

Susan Pedersen, 4 June 2020

Shelagh Delaney resented being pigeonholed: ‘I could go on writing plays if I never saw Salford, Manchester or any Northern working-class district again.’ Unfortunately, by this point, the choice was...

Read more about Ruin it your own way

Instapoetry

Clare Bucknell, 21 May 2020

Each poem is as unmemorable and reusable as a coffee keep-cup, deployable several times over the course of a few weeks while still seeming new. The format suits a readership hunting for relatable content,...

Read more about Instapoetry

He’s Humbert, I’m Dolores

Emily Witt, 21 May 2020

My Dark Vanessa is a pedagogical novel in more than one sense, a work of fiction that also wants to be a work of reference: here is how an abusive relationship develops between an insecure teenager and...

Read more about He’s Humbert, I’m Dolores

Not in Spanish: Bilingualism

Michael Hofmann, 21 May 2020

The author is obviously in love with his subject, taking it everywhere with him, seeing it wherever he goes. ‘Most of the people I know are bilingual’ is his delightful shrug.

Read more about Not in Spanish: Bilingualism

‘But do you really think I am any good?’ a breathless Spender asked. ‘Of course’ was Auden’s reply, and when pressed a little further: ‘Because you are so infinitely capable of being humiliated....

Read more about A Great Big Silly Goose: Characteristically Spenderish

Bournemouth: The Bournemouth Set

Andrew O’Hagan, 21 May 2020

‘Remember the pallid brute that lived in Skerryvore like a weevil in a biscuit,’ Stevenson wrote. Yet his three years there, the only period he spent in England, were the best years of his writing...

Read more about Bournemouth: The Bournemouth Set

Just a Diphthong Away: Gary Lutz

Ange Mlinko, 7 May 2020

After​ reading five hundred pages of Gary Lutz, I opened Google Maps and took a long, hard look at the state where he was born: Pennsylvania, the ‘Keystone State’, although...

Read more about Just a Diphthong Away: Gary Lutz

‘The matter of your work is yours entirely and I don’t think you have it in your power to “hurt” me,’ Elizabeth Hardwick told Robert Lowell. ‘I mean that I cannot see what harm can come to...

Read more about Wobble in My Mind: Lizzie, Cal and Caroline

Some of us​ are trapped all our lives. This is the lesson of Beryl Bainbridge’s novel Injury Time, first published in 1977. It is a sort of dinner party farce, except better. The aptly...

Read more about On the Shelf: Beryl Bainbridge’s Beats

Pointing the Finger: ‘The Plague’

Jacqueline Rose, 7 May 2020

One of the things Camus’s novel conveys is that, at the very moment we appear to be taking the grimmest reality on board, we might also be deluding ourselves. Counting is at once a scientific endeavour...

Read more about Pointing the Finger: ‘The Plague’

If you are looking for a loveable heroine, or for an inspiring story of feminist solidarity, forget it. This is no portrait of the happy African, a cliché Tsitsi Dangarembga wishes to retire: ‘If someone...

Read more about You and Non-You: ‘This Mournable Body’

Twelve years after she published The Second Sex in 1949 she was still receiving letters from women who told her that it had ‘saved me’; psychiatrists, she heard, gave it to their patients. It was the...

Read more about The earth had need of me: A nice girl like Simone

Time and the Sea

Fredric Jameson, 16 April 2020

In Conrad, ‘le mot juste’ becomes a formula for translation from French to English, and the equivalent in literary production of the hesitation in the fabula between the status of captain or manager...

Read more about Time and the Sea

Porno Swagger: ‘Cleanness’

Edmund Gordon, 16 April 2020

Garth Greenwell is interested in what it means to be told your sexuality is disgusting: what it does to your sense of self, and how it contaminates desire. His writing is unusual in combining Hollinghurst’s...

Read more about Porno Swagger: ‘Cleanness’

His Secret Opening: Revism

Joe Dunthorne, 2 April 2020

To fuck God once or twice at moderate length would be enough for most writers but Gerard Reve had a reputation to uphold. He decided to defend himself at the trial, which ran from 1966 to 1968. It made...

Read more about His Secret Opening: Revism

Towards the end of the correspondence a self-consciousness creeps in. Responding to ‘Parker’s Back’, one of O’Connor’s last stories, Gordon’s self-deprecation borders on cringing: ‘You will...

Read more about I even misspell intellectual: Caroline Gordon v. Flannery O’Connor

The​ title of Fernanda Melchor’s unrelenting novel brings together disruption and regularity, a break in the pattern but also the pattern that underlies the break. Early in the novel...

Read more about Muffled Barks, Muted Yelps: ‘Hurricane Season’