Like Apollinaire

Michael Wood, 4 April 1996

Perhaps all books are messages from other times and places, even the ones written yesterday and just down the road. But these three works by Kenzaburo Oë, who won the Nobel Prize for...

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Shut your eyes as tight as you can

Gabriele Annan, 21 March 1996

‘We are talking in bed, friends again instead of lovers. Apricot-coloured fern fronds wave against the pearl grey background of my flannel sheets. Both of us are surprised to hear thunder,...

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For a Lark

Patricia Beer, 21 March 1996

We have just lived through nearly two years of vox populi. The 50th anniversary of VE Day and, to a lesser extent, VJ Day provoked a massive assemblage of what people had actually said in the...

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Icicles by Cynthia

Clarence Brown, 21 March 1996

That Plato was by nature a short-story writer, not a novelist, seems clear. Walt Whitman was a novelist, Chopin a writer of short stories. Michelangelo was a novelist, Picasso a writer of short...

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Dis-Grace

Frank Kermode, 21 March 1996

It seems safe to infer from his now majestically large oeuvre that John Updike’s ultimate ambition is to get the whole of America, its geography as well as its history, the fluctuations of...

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Crapper

Thomas Lynch, 21 March 1996

Death and the sun are not to be looked at in the face. Maxims, La Rochefoucauld Don Paterson and I were crossing the Wolfe Tone Bridge in Galway contemplating Thomas Crapper. This was at...

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Poor Darling

Jean McNicol, 21 March 1996

Soon after Vera Brittain returned to continue her interrupted studies at Somerville College, Oxford, in 1919, she began to avoid mirrors, believing that there was a dark shadow, like the...

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Two Poems

John Redmond, 21 March 1996

Before and After After murder, the sleep of murder, its slipways closed, its map unclimbable. But, before that, as a car-door flicks into last year’s Festival, it’s early yet. After a...

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Charmed Quarantine

James Wood, 21 March 1996

Helen Vendler has the power to steal poets and enslave them in her personal canon. For this she is squeezed between rival condescensions: theorists pity her comprehensibility, while in creative...

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George’s Hand

Dinah Birch, 7 March 1996

Edith Wharton’s reputation is finally disentangling itself from the long, fastidious shadow of Henry James. Only film and television could make the case in the public mind that Wharton is...

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Poem: ‘Machines’

Alan Dixon, 7 March 1996

Know them by their machines, Machines of visiting friends, As they want to be known. Not beautiful, I think, But elegant, I suppose, She speaks if what I wear Respects her neighbourhood. My...

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The Hippest

Terry Eagleton, 7 March 1996

Anyone writing a novel about the British intellectual Left, who began by looking around for some exemplary fictional figure to link its various trends and phases, would find themselves...

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Improving the Plays

Frank Kermode, 7 March 1996

John Jones, sometime Professor of Poetry at Oxford, has written a number of good, idiosyncratic books on topics as diverse as Greek tragedy and Wordsworth, together with an excellent novel, The...

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In Memoriam Gerry Macnamara I They were switching on headlights through A40 dusk, despite the blaze from Mister Lighting and a glow-worm trek of aeroplane through the scuffed cloud: a written...

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Happy Babble

Christopher Prendergast, 7 March 1996

Imagine a ‘movement’, not retrospectively constructed by the tidy, potty-trained minds of academics, but consciously created by its actors with a view to putting an end to the culture...

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Cheesespreadology

Ian Sansom, 7 March 1996

In a power-rhyming slap-happy parody of Thirties doom-mongering published in 1938 William Empson famously had ‘Just a Smack at Auden’: What was said by Marx, boys, what did he...

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The Word on the Street

Elaine Showalter, 7 March 1996

At Kramerbooks, Washington’s best bookstore-café, there’s a menu of ‘Primary Colors Specials’, including Lasagne di Paul Begalanese and Pork Chop George...

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Putting Down the Rising

John Barrell, 22 February 1996

Early 19th-century Edinburgh had a lot less time for James Hogg than for the Ettrick Shepherd, the literary persona created partly by Hogg himself, partly by the tight circle that ran

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