Prussian Blues

Fredric Jameson, 17 October 1996

Can there be literature after reunification? It strikes one as something of a science fictional question. Philip K. Dick, indeed, posited a future world in which the Axis powers had won World War...

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England’s Troubles

Frank Kermode, 17 October 1996

The author, now about forty, has long since shown how easy he finds it to be a success in the world. As magazine editor, television producer, businessman, he has made money without great effort....

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Poem: ‘The Wind Dog’

Tom Paulin, 17 October 1996

A sound cento for the fiftieth anniversary of Radio Three I married a tinker’s daughter in the town of Skibbereen but at last one day she galloped away with me only shirt in a paper bag to...

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Two Poems

Neil Rollinson, 17 October 1996

My Wives I descend on Holborn’s escalator watching my wives pass by on the opposite side, smiling, waving at me; they shout in Swedish, Russian, Urdu, that they’ll always love me. Even...

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Family Values

Michael Wood, 17 October 1996

‘We were the last romantics,’ Yeats said, but he spoke too soon. We might feel the same about the situation proposed by the title of Mario Puzo’s new novel, now sitting...

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Post-Cullodenism

Robert Crawford, 3 October 1996

‘The Romantic awakening dates from the production of Ossian,’ Ezra Pound wrote, and he was right. One of James Macpherson’s great contributions to literature was the use of the...

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Sweeney

Thomas Lynch, 3 October 1996

SWEENY: Ah! Now the gallows trap has opened that drops the strongest to the ground! LYNCHSEACHAN: Sweeney, now you are in my hands, I can heal these father’s wounds: your family has fed...

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His Socks, His Silences

Adam Mars-Jones, 3 October 1996

Colm Tóibín’s frustrating new novel starts from a pleasingly skewed perspective: its narrator Richard Garay (less often, Ricardo) was brought up in Buenos Aires, child of an...

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The Monster in the Milk Bowl

Richard Poirier, 3 October 1996

Melville began writing Pierre, or The Ambiguities in August 1851; he had just turned 33 and was already the author of six books. The most recent of these, Moby-Dick, was about to be published, and...

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Three Poems

Matthew Sweeney, 3 October 1996

A Picnic on Ice For Tom Lynch Let’s go back to Mullett Lake in March and have a picnic on the ice. Let’s wrap up like Inuits, and meet three miles north of Indian River, where the...

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Damp Souls

Tom Vanderbilt, 3 October 1996

In the United States, bestselling works of what is now called literary fiction tend to be aggressively regional – think of Jane Smiley’s Iowa, Jane Hamilton’s Midwest or E....

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Look here, Mr Goodwood

John Bayley, 19 September 1996

A learned, indeed an erudite little book; but also one that is so absorbing, so readable, so quietly and deftly humorous, that it shows up all the dull pretentiousness of nine-tenths of the stuff...

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Liberated by His Bite

Andrew Delbanco, 19 September 1996

In the early Sixties, when I was ten and first saw Tod Browning’s classic vampire film Dracula (1931) on television, I was impressed that the Count could walk past a mirror and cast no...

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Poem: ‘The Makers’

David Harsent, 19 September 1996

It was pride and nothing else made me lift my head from the spit and sawdust of The Prospect of Oblivion, on my cheek a dark naevus that married a knobby knot in the planking. How long I’d...

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Under-Labourer

John Mullan, 19 September 1996

Any pushy, worldly man or woman of letters would like to find and befriend a Thomas Warton. The great 18th-century editor of Shakespeare, Edmond Malone, certainly recognised his usefulness....

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Getting Even

Adam Phillips, 19 September 1996

We wouldn’t think of anything as a tragedy if we did not have a deeply ingrained sense of order already there to be affronted. Tragedy in life, and as art, exposes by violation our mostly...

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Poem: ‘Auks in the Minch’

Alistair Elliot, 5 September 1996

The green and purple bergs of Scotland melt so slowly the millennia seem equal: on such a day Columba could have paddled      here in his coracle. In such light airs you...

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Why should you be the only ones that sin?

Colm Tóibín, 5 September 1996

All his life he kept his distance. At readings and concerts he would notice a young man, gaze at him, make his presence felt and understood, and later, in the semi-privacy of his diaries, record...

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