A Sort of Nobody

Michael Wood, 9 May 1996

Criticism for Frank Kermode is the articulation of assumptions, a sort of phenomenology of interpretative need. Its job, as he says in The Sense of an Ending (1967), is ‘making sense of the...

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Fat and Fretful

John Bayley, 18 April 1996

The only time L.P. Hartley met E.M. Forster they did not get on. Too much politeness, and mutual wariness. And what a comedy in contrasting physiques: Forster sharp, quizzical and birdlike;...

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Baby Brothers

Dinah Birch, 18 April 1996

How does someone of Doris Lessing’s uncompromising intelligence turn into a little old lady? Not easily, especially if body conspires with mind in refusing to retire gracefully. ‘Most...

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Poem: ‘Tony’

Elaine Feinstein, 18 April 1996

It was February in Provence and the local market sold goat’s cheese wrapped in chestnut leaves and thick, painted pottery. The stalls of dark check shirts were the kind you used to wear,...

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How do Babylonians boil eggs?

Peter Parsons, 18 April 1996

The Greeks themselves had no word for their last and most lasting literary invention. ‘Extended prose fiction’ would describe it; ‘novel’ or ‘romance’ would...

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Poem: ‘Circus on Calton Hill’

Robin Robertson, 18 April 1996

Edinburgh burns below us, this blazing day where flame’s invisible, a dark wave lapping at the petrol’s grain, as the fire-eaters assuage their thirst. The fanned embers of the city...

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Playboys of the GPO

Colm Tóibín, 18 April 1996

‘The most important thing we have done is that we have made a modern art, taking our traditional art as a basis, adorning it with new material, solving contemporary problems with a national...

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Six Poems

John Burnside, 4 April 1996

Desire When we’re apart I imagine us in Japan, two hundred years ago, behind a screen, or watching the snow from the yawn of a paper room, the lovers in some shunga by Harunobu. It’s...

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Never mind the neighbours

Margaret Anne Doody, 4 April 1996

In England during her exile of 1792, Mme de Staël was puzzled as well as offended that Frances Burney, who was then 40, should have felt it necessary to obey her father’s instruction...

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‘Shop!’

Hilary Mantel, 4 April 1996

On the day after Kate Atkinson’s first novel won the Whitbread Prize, the Guardian’s headline read: ‘Rushdie makes it a losing double.’ Thus Rushdie is reminded of his...

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Winter Facts

Lorna Sage, 4 April 1996

Christine Brooke-Rose’s story of how this new book came to be is that she set out to write about her life, and instead produced a kind of antibiography. It’s described in the...

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Five Poems

Hugo Williams, 4 April 1996

My Chances As I grew warmer and the bus went over the bumps, I let my mind wander further and further, checking my scowl in the window of the bus against my chances of bending her over that...

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Like Apollinaire

Michael Wood, 4 April 1996

Perhaps all books are messages from other times and places, even the ones written yesterday and just down the road. But these three works by Kenzaburo Oë, who won the Nobel Prize for...

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Shut your eyes as tight as you can

Gabriele Annan, 21 March 1996

‘We are talking in bed, friends again instead of lovers. Apricot-coloured fern fronds wave against the pearl grey background of my flannel sheets. Both of us are surprised to hear thunder,...

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For a Lark

Patricia Beer, 21 March 1996

We have just lived through nearly two years of vox populi. The 50th anniversary of VE Day and, to a lesser extent, VJ Day provoked a massive assemblage of what people had actually said in the...

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Icicles by Cynthia

Clarence Brown, 21 March 1996

That Plato was by nature a short-story writer, not a novelist, seems clear. Walt Whitman was a novelist, Chopin a writer of short stories. Michelangelo was a novelist, Picasso a writer of short...

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Dis-Grace

Frank Kermode, 21 March 1996

It seems safe to infer from his now majestically large oeuvre that John Updike’s ultimate ambition is to get the whole of America, its geography as well as its history, the fluctuations of...

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Crapper

Thomas Lynch, 21 March 1996

Death and the sun are not to be looked at in the face. Maxims, La Rochefoucauld Don Paterson and I were crossing the Wolfe Tone Bridge in Galway contemplating Thomas Crapper. This was at...

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