Steaming Torsos

J. Hoberman, 6 February 1997

From 1910 to the end of the Fifties, Westerns accounted for a quarter of all Hollywood productions. As late as 1972, the high point of genre revisionism, they still represented 12 per cent of all...

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The Beloved

Michael Ignatieff, 6 February 1997

When Andrei Sinyavsky looked up tsenzura in a Soviet dictionary of foreign words imported into Russian, it wasn’t there. ‘The word censorship was itself censored.’ Censorship is...

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Grandiose Moments

Frank Kermode, 6 February 1997

Ford Madox Ford, an appealingly talented and gossipy subject, has naturally attracted biographers. In 1971 Arthur Mizener’s The Saddest Story seemed adequately exhaustive, but now Max...

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Poem: ‘Self-Portrait’

August Kleinzahler, 6 February 1997

It was a lost dream, a bridges and heights and headed home dream, but too long, far too long and mazey and all the wrong tone. And then there was that station, so massive, with its tiers,...

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Two Poems

Michael Longley, 6 February 1997

January 12, 1996 He would have been a hundred today, my father, So I write to him in the trenches and describe How he lifts with tongs from the brazier an ember And in its glow reads my words and...

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A House Full of No One

Colm Tóibín, 6 February 1997

The words ‘HIV Positive’ and ‘Aids’ do not appear in the poems in Mark Doty’s My Alexandria (1995); instead, they hover in the spaces between the other words, and...

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Wounding Nonsenses

E.S. Turner, 6 February 1997

The letters exchanged by Nancy Mitford and Evelyn Waugh over twenty years were written, we are told, ‘to amuse, distract or tease’, a welcome function no doubt in times of bogged-down...

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In the Box

Dale Peck, 6 February 1997

Every once in a while a reviewer is fortunate enough to find in his hands three or four or five books whose shared aesthetic and thematic concerns mark a distinct shift from those which have...

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Smashing the Teapots: Where’s Woolf?

Jacqueline Rose, 23 January 1997

Virginia Woolf once said that biographies fail because the subject of the biography always goes missing (lost under the welter of the life). In this case, it is madness that goes missing because Woolf...

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Two Poems

John Burnside, 23 January 1997

Beholding As dawn moves in from the firth I’m sitting up awake, a mug of tea fogging the window, the bones of my hands and face shot with insomnia’s delicate, lukewarm needles....

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Poem: ‘Applied Mathematics’

Paul Groves, 23 January 1997

‘0.0133333. What does this mean?’ protests my meat- packer uncle, slumped in his threadbare armchair. I advise him to start again. He stabs the calculator’s Cancel with a coarse...

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Poem: ‘Uncle Earl’s Wind River Ranch’

Walter McDonald, 23 January 1997

It’s salt, not rain, fat elk cows need. Uncle Earl hauls salt blocks up from town and dumps them, wedged by boulders licking tongues can’t tumble. Elk wander down to graze his slope....

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‘Famous for its Sausages’

David Blackbourn, 2 January 1997

‘Poor in deeds and rich in thoughts’ – that was Friedrich Hölderlin’s lament about his fellow Germans two hundred years ago. In one form or another the idea became...

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Rooting for Birmingham

John Kerrigan, 2 January 1997

Since the publication of Roy Fisher’s sequence City, in 1961, his work has been praised by fellow poets, but his refusal to strike marketable postures, during a period in which reaching an...

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Poem: ‘Femmer’

Bernard O’Donoghue, 2 January 1997

For Eugene O’Connell Despite its soft ephemerality, They say the growth of elder is a sign Of age-long human habitation. Under the elders in our decaying farmyard Stands the last...

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Christmas, Grandad came down from the mountains, and we had to go fishing, on the ornamental lake. The ornery mental lake, that’s what I call it. ‘Do I have to, Pop? It’s just...

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Tiff and Dither

Michael Wood, 2 January 1997

It may be that only the truly self-absorbed can make art out of self-effacement. This at least is one of the suggestions of the first volume of Christopher Isherwood’s Diaries, a whingeing,...

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Diary: Looking at the Wallpaper

Anne Enright, 2 January 1997

Sitting in France writing about death and wallpaper, it is no surprise to find my walls orange: ‘that most morbid and irritating of colours’, as Huysmans described it, ‘with its acid glow and unnatural...

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