Lonely Metal Souls: Haruki Murakami

Theo Tait, 18 October 2001

Haruki Murakami’s translator, Philip Gabriel, describes him as a ‘one-man revolution in Japanese fictional style’. His early novels and short stories of the 1980s –...

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Short Cuts: Scrabble

Thomas Jones, 18 October 2001

In English, zo is not a very useful word. In Scrabble, ZO is the only eligible two-letter word with a Z in it: this makes it almost as useful as QI (neither, incidentally, is allowed in the United States)....

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Poem: ‘Cousins’

Alan Jenkins, 4 October 2001

A Sunday at home, since I still called them that, the house, the garden and the patch of lawn in front long gone to weeds and waist-high grasses that I crawled round, hacking wildly with the...

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Point of View: Atonement by Ian McEwan

Frank Kermode, 4 October 2001

Minor resemblances between this novel by Ian McEwan and Henry James’s What Maisie Knew have already been noticed and are of some interest. James left a quite full record of the development...

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Poem: ‘Pelagius’

Edwin Morgan, 4 October 2001

I, Morgan, whom the Romans call Pelagius,Am back in my own place, my green Cathures*By the frisky firth of salmon, by the open seaNot far, place of my name, at the end of thingsAs it must seem....

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Even now most discussion of Second World War poetry cannot do without reference back to that of the First; and it’s true that Keith Douglas was always conscious of Isaac Rosenberg behind...

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Two Poems

John Burnside, 20 September 2001

Learning to Talk This is our game for now, rehearsing words to make the world seem permanent, and ours; before it disappears, I will have named all we can see, from here to the snow on...

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The best thing about Amos Oz’s novel in verse is almost untranslatable: his Hebrew poetry is too dense for any European language to convey. The musicality and rhythm are impressive, and...

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Little Red Boy: Alistair MacLeod

Elizabeth Lowry, 20 September 2001

Alistair MacLeod is a Canadian of Scottish descent, and, like John McGahern who has written a foreword to his collected stories, an astute observer of a very specific local setting – Cape...

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Poem: ‘Schmaltz’

Henry Shukman, 20 September 2001

Chicken soup is magic, here’s the proof. Maybe if I’d opened the window a crack it would never have happened. But late in the war, I tip the lid to let the steam off while the broth...

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The Last Witness: The career of James Baldwin

Colm Tóibín, 20 September 2001

On 1 February 2001 eight writers came to pay homage to James Baldwin in the Lincoln Center in New York. The event was booked out and there were people standing outside desperately looking for...

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Andy Martin is unlikely to convince many readers that Napoleon conquered Europe only as compensation for his inability to write a sentimental novel. His attention to the Emperor’s literary...

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Freud takes it for granted that masculinity is the defining human condition, that all children begin life by imagining themselves as little men. When girls get round to noticing their lack of a...

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In the Anti-World: Raymond Roussel

Nicholas Jenkins, 6 September 2001

In 1924 the Surrealist Benjamin Péret was eager, like many artists then and since, to relate his own interests to the works of the rich, bizarre and innovative French poet, novelist and...

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What Naipaul knows: V.S. Naipaul

Frank Kermode, 6 September 2001

Willie Chandran, full name Willie Somerset Chandran, is the son of a somewhat eccentric minor official in an Indian state. The novelist, conscientiously researching his final masterpiece, The...

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Poem: ‘The Old Poet, Dying’

August Kleinzahler, 6 September 2001

He looks eerily young, what’s left of him, purged, somehow, back into boyhood. It is difficult not to watch the movie on TV at the foot of his bed, 40ll colour screen, a jailhouse dolly...

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The advantage of a story set in wartime is that all the characters are obliged to form a relationship with death. Death is the life and soul of the war party. You can get death to come to parties...

Read more about Nuremberg Rally, Invasion of Poland, Dunkirk …: the never-ending wish to write about the Second World War

Three Poems

Robin Robertson, 6 September 2001

False Spring A lift in the weather: a clemency I cling to like the legend of myself: self-exiled, world-wounded, god of evenings like this, eighty degrees and half a world away. * All night, the...

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