Call me Ahab: Moby-Dick

Jeremy Harding, 31 October 2002

The noises of the sperm whale are unlike the lyric hootings and musings of the humpback, whose ‘songs’ won him a place in the LP charts in the 1970s. Recordings of the humpback were...

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Antony and Cleopatra swam at Mersa Matruh In the clear blue shallows. Imagine the clean sand, the absence of litter – No plastic bottles or scraps of styrofoam packing, No jetsam at all...

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The Whole Sick Crew: Donna Tartt

Thomas Jones, 31 October 2002

Greek tragedy contributed to the mise en scène of Donna Tartt’s first novel, The Secret History (1992). Four classics students, privileged even by the standards of the elite Vermont...

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The Tangible Page: Books as Things

Leah Price, 31 October 2002

What exactly is book history? Literature students consulting their reference libraries would be hard put to find an answer: ‘history of the book’ appears nowhere in M.H....

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Have you ever tried to write a Victorian novel? Here’s a beginning, with apologies to Sarah Waters and Michel Faber (and a nod to George MacDonald Fraser): London, 1860. November. A...

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Putting on the Plum: Richard Flanagan

Christopher Tayler, 31 October 2002

Richard Flanagan trained as a historian, and his novels have often emphasised the redemptive power of memory. For his characters, though, remembering is a strenuous business. There are traps to...

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Poem: ‘By Kautokeino’

John Burnside, 17 October 2002

I walk in a shower of ice on the Finnmarksvidda: freezing rain, not snow; hard pearls of ice, stinging my face and hands as I make my way to the frozen lake. No sign of life – just scats...

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Like Steam Escaping: Denton Welch

P.N. Furbank, 17 October 2002

In 1936 Denton Welch, who was then an art student at Goldsmiths College and had no thoughts of becoming a writer, suffered an appalling accident. He was bicycling from Greenwich down the main...

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All Reputation: Eliza and Clara

Hermione Lee, 17 October 2002

Both these outstanding women novelists have decided, with deliberate and rewarding feminist intent, to resuscitate and make central the lives of women whose stories have been overshadowed by the...

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Immortally Cute: Alice Sebold

Rebecca Mead, 17 October 2002

Alice Sebold’s first novel, The Lovely Bones, was on its 11th US printing by the end of the summer and was sitting at the top of the New York Times bestseller list, a place usually reserved...

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O Wyoming Whipporwill: George Barker

Claire Harman, 3 October 2002

Fame came early to George Barker, but not so early as to take him by surprise. He designed his own ‘crypto-Renaissance catafalque’ at the age of 13, just to be on the safe side, and a...

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Short Cuts: Aristophanes

Thomas Jones, 3 October 2002

A new edition of Aristophanes’ Acharnians, by S. Douglas Olson, was published recently (Oxford, £65), in time for George Bush not to read it before he blunders into Iraq....

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Poem: ‘A History of Western Music’

August Kleinzahler, 3 October 2002

April of that year in the one country was unusually clear and with brisk northeasterlies ‘straight from the Urals’. Their ancient regent at long last succumbed and laid to rest after...

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Creases and Flecks: Mark Doty

Laura Quinney, 3 October 2002

Mark Doty specialises in ekphrasis. The word once meant the description of a work of visual art within a poem, but has come to mean poetic description more generally. Sometimes Doty describes a...

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At the end of the second chapter of Middlesex, the first chronologically, Lefty and Desdemona Stephanides, brother and sister, are dancing in the grape arbour outside their house in the village...

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Fundamentally Goyish: Zadie Smith

James Wood, 3 October 2002

In his essay on Lancelot Andrewes, T.S. Eliot wrote about ‘relevant intensity’. Contemporary British and American writers are in love with what might be called irrelevant intensity....

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Thirteen Poems: Doodles

Penelope Fitzgerald, 3 October 2002

I am your record-player, your idiot companion,/you glum I dumb you gay hey! hey! I go put Don Giovanni on/you break for lunch I break for lunch I stop

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So-so Skinny Latte: Giles Foden’s Zanzibar

James Francken, 19 September 2002

Those who argued that 11 September could change the direction of contemporary fiction soon had a facer. The Corrections, published a week before the terrorist attacks, became a runaway...

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