Poem: ‘Mr. W. H.’

James Lasdun, 5 February 2004

Not that bloodlines – family or otherwise – have ever meant much to me, but at forty one wants forebears almost as much as heirs, and even though the oblivion we’re headed for...

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Poem: ‘Rosehips’

Benjamin Markovits, 5 February 2004

Rosehips or Hagebutten As I grew up calling themHaggard buttons they sound like Though in fact appear brighter Altogether more cherubic Tough in the cheek like a forced smile Hanging on till it...

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‘I can’t imagine anything more quaint than a scatological retelling of some nursery tale, or a fiction about a writer writing the fiction you are reading,’ Tobias Wolff...

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Hellmouth: Norman Rush

Michael André Bernstein, 22 January 2004

Norman Rush’s first novel, Mating (1991), is narrated by an unnamed 32-year-old female doctoral student in nutritional anthropology. It takes the cherished theme of a brilliant and...

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Three Poems: Three Poussin Poems

T.J. Clark, 22 January 2004

On the Steps of the National Gallery I am on my way in to destroy Poussin’s Landscape with a Man Killed by a Snake. I know what I am doing, believe me. When it has ceased to be part of our...

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Returning to her aunt’s villa in Florence in 1899, after an intense but short-lived affair with Axel Munthe, Ottoline Morrell was an ideal candidate to become one of the acolytes who...

Read more about She’s a tiger-cat! Birds’ claw omelettes with Vernon Lee

Poem: ‘Haar’

John Burnside, 8 January 2004

Matthew 19-22 This is as good as it gets: this cold fog over the water, this pale companion to the dreams I can’t forget and never quite recall. Stale afternoon. My neighbour stands in her...

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Wacky: Multofiction

Christopher Tayler, 8 January 2004

With every day, and from both sides of my intelligence, the moral and the intellectual, I thus drew steadily nearer to that truth, by whose partial discovery I have been doomed to such a dreadful...

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Tongue breaks: Sappho

Emily Wilson, 8 January 2004

Some time around the ninth century, Sappho’s nine books were irrecoverably lost. We have some tantalising scraps, single lines and short quotations, but only one complete poem – the...

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The care for time in The Winter’s Tale, that is, is not precisely or primarily a matter of ‘seasons’, or of what the undeveloped Imogen, like her husband, defines as the belief that ‘seasons comfort’....

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Cockneyism: Leigh Hunt

Gregory Dart, 18 December 2003

At first Dickens tried to deny that Harold Skimpole, the parasitical aesthete of Bleak House, had been based on his friend Leigh Hunt; but later he confessed, not a little proudly, that the...

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Poem: ‘Heaven for Helen’

Mark Doty, 18 December 2003

Helen says heaven, for her, would be complete immersion in physical process, without self-consciousness – to be the respiration of the grass, or ionised agitation just above the break of a...

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Poem: ‘Iguana Days’

John Fuller, 18 December 2003

We have seen this pebble before Though three feet under. From year To year it changes position. The sea dwindles its contours But not to my brief eye In a mere decade of watching. Stone keeps its...

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Enfield was nothing: Norman Lewis

P.N. Furbank, 18 December 2003

‘I hate voyages and explorers,’ Lévi-Strauss writes in his Tristes Tropiques (1955). So what is he doing, he asks himself, in producing this account of his expeditions? Must I...

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Read it on the autobahn: Vanishing Victorians

Robert Macfarlane, 18 December 2003

John Franklin (1786-1847) was the most famous vanisher of the Victorian era. He joined the Navy as a midshipman at the age of 14, and fought in the battles of Copenhagen and Trafalgar. When peace...

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Poem: ‘Death of a Poet’

Bill Manhire, 18 December 2003

i.m. Charles Causley Between the Tamar and the tarmac, Beneath a tangled sky, I saw the Cornish poet Walking by. He went where wind and water Will not be overthrown, Where light and water meet...

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If you tasted it, it would first taste bitter, then briny, then surely burn your tongue. It is like what we imagine knowledge to be: dark, salt, clear, moving, utterly free, drawn from the cold...

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Two Poems

Anne Carson, 4 December 2003

Beckett’s Theory of Tragedy Hegel on sacrifice. The animal dies. The man becomes alert. What do we learn we learn to notice everything now. We learn to say he is a hero let him do it. O is...

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