Raised Eyebrows: Chimamanda Ngozi Adichie

Eleanor Birne, 5 October 2006

Chimamanda Ngozi Adichie’s first novel, Purple Hibiscus (2004), was ostensibly a coming of age story. A teenage girl is abused by her repressive Catholic father and, following a political...

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Recribrations: John Donne in Performance

Colin Burrow, 5 October 2006

Literary biography is one of the background noises of our age. It’s a decent, friendly sort of hum, like the Sunday papers or chatter on a train. It gives the punters a bit of history and a...

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White Lies: Nella Larsen

James Campbell, 5 October 2006

Writing in the New Yorker in April 1986, Calvin Trillin told the story of Susie Guillory, a native of Louisiana who, when applying for a passport, discovered that she was African American....

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Mushrooms: How to Be a Favourite

Michael Dobson, 5 October 2006

In an area of dairy pasture a few miles from Coventry, there is a bench formed from one half of a large clinker-built rowing boat sticking vertically out of the ground, with a sturdy wooden seat...

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Exotic to whom? Kiran Desai

Tessa Hadley, 5 October 2006

In The Inheritance of Loss, her second novel, Kiran Desai addresses herself to an Indian culture in which globalisation isn’t imagined but experienced, whether in exile abroad or as a...

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Two Poems

August Kleinzahler, 5 October 2006

Traveller’s Tales: Chapter 13 The bicycle paths of this Social Democracy are busy with pedallers, humourless and good, speeding down their privileged corridors, kinetic emblems of an...

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Three Poems

Jamie McKendrick, 5 October 2006

VocationsRosary, pillar, garden, assumption, solitude:the five Marías you and your sisters make,distinguished by the vocations of the Virgin.Amongst you all resemblance hidesin posture,...

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Beware of clues! geek lit

Joanna Biggs, 21 September 2006

I watched The Godfather for the first time with my little brother. I’d been worried he was too young for it, but that was before we got to the notorious scene in which the camera starts out...

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What would the 18th-century poetic canon look like if women were included? Imagine women poets being venerated alongside Alexander Pope, who held that ‘Most Women have no Characters at...

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Ticket to Milford Haven: Shaw’s Surprises

David Edgar, 21 September 2006

As anyone who has directed a remake of King Kong knows, revisiting classics is a perilous business. However much you claim to stand on the shoulders of the mighty beast, you still risk ending up,...

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Hyacinth Boy: T.S. Eliot

Mark Ford, 21 September 2006

Hart Crane, for one, was in no doubt about it. ‘He’s the prime ram of our flock,’ he insisted to Allen Tate in the summer of 1922. Tate was initially puzzled by the phrase, as...

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Poem: ‘From an Abandoned Villanelle’

Hugh Haughton, 21 September 2006

In our just deserts it’s hard to do a well, Assay the soil, dig, drill, and lay it down; That’s why the villain loves the villanelle. The enamoured self is soft and needs a shell...

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Poem: ‘Peninsula’

Alex Smith, 21 September 2006

Zennor, Morvah, Pendeen,   where north and south converge – the Atlantic upheaving,   slant sting of rain, 45 degrees to the hill, silver-point light...

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Wiggle, Wiggle: Elena Ferrante

Daniel Soar, 21 September 2006

Elena Ferrante’s narrator, Olga, whose husband has left her, is too wrapped up in her own misery to remember, really, that other people exist. But there is one figure from her Neapolitan...

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Neutered Valentines: James Agee

David Bromwich, 7 September 2006

Intentions are in one way more satisfying than works. They can grow and change without limit, and, lacking the certainty of a completed thing, will never entirely disappoint. James Agee had a...

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Two Poems

Ciaran Carson, 7 September 2006

Quarter we found Red Hand Commando masks and combat uniforms laid neatly in the attic along with some bomb-making literature and a token cache of weeping gelignite like their men had just gone...

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Timmy O’Kane, the protagonist of Anthony Giardina’s fourth novel, lives in suburban Massachusetts and works as a salesman for an academic publisher. He visits universities and tries...

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Two Poems

John Hartley Williams, 7 September 2006

Interview Why do you write poetry? Petals, aardvarks, goulash – there is no end to it. I’m sorry . . . ? I, too, am sorry. I am sorry for Petula Misericordia, her unrequited...

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