Doughy: Conrad’s letters

John Sutherland, 4 December 2003

The multi-volume Collected Letters is more of a literary monument than a necessary scholarly resource. The club of 20th-century novelists thus honoured is as exclusive as the strictest Leavisite...

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A Bed out of Leaves: a dance at Belsen

Richard Wollheim, 4 December 2003

Im`pro.vise, v.t. & v.i. 2. to make, provide or do with the tools and materials at hand, usually to fill an unforeseen and immediate need; as he improvised a bed out of leaves. Webster’s...

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Vigah: JFK

Elizabeth Drew, 20 November 2003

The majority of books about John F. Kennedy have been written either by toadying family retainers or by people bent on destroying the Camelot myth. The historian Robert Dallek is neither; he...

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It may be that by the time this issue of the LRB is published, the monarchy-obliterating secret that lurks on Fleet St will have been revealed and the last of the Windsors will be preparing for...

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In November 1619 René Descartes retired into a ‘stove’ in order to reflect on the foundations of our knowledge of ourselves and the world. From his meditations he produced the...

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Hidden Consequences: Byron

John Mullan, 6 November 2003

The trailer for the recent BBC dramatisation of Byron’s life made no bones about the poet’s appeal. ‘Everything you’ve ever heard about him is true,’ the husky...

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Divinely Ordained: Lincoln

Eric Foner, 23 October 2003

History never repeats itself, but there are uncanny resemblances between policies of the Bush Administration since 11 September and the way the Government under Abraham Lincoln responded to the...

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Short Cuts: Crap Towns

Thomas Jones, 23 October 2003

When Robert Graves left Charterhouse School in 1914, the headmaster wrote in his report: ‘Well, goodbye, Graves and remember that your best friend is the wastepaper basket.’...

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Feast of Darks: Whistler

Christine Stansell, 23 October 2003

The most notorious American painter of the late 19th century, a dandy who used his gift for showmanship and his Paris education to make himself the prototype Victorian aesthete, James McNeill...

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On Edward Said: Edward Said

Michael Wood, 23 October 2003

A friend asks me how old Edward Said was when he died. I pause, do the little sum, and say: ‘He was 67, a few months older than I was.’ Then I catch the weird tense. ‘Than I...

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Diary: Hilary Mantel meets her stepfather

Hilary Mantel, 23 October 2003

Let us say, life changes at a glance. Let us say you’re walking forward, you turn your head to look over your shoulder, and behind you the landscape has changed. One life, a life you might have led,...

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Rigging and Bending: James VI & I

Simon Adams, 9 October 2003

Mary Queen of Scots was beheaded in 1587. English observers, anxious about James VI of Scotland’s reaction to his mother’s execution, were alarmed to discover that the greatest of the...

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Fleeing the Mother Tongue: Rimbaud

Jeremy Harding, 9 October 2003

Arthur Rimbaud, the boy who gave it all up for something different, is a legend, both as a poet and a renouncer of poetry. He had finished with literature before the age of 21. By the time his...

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Viva la trattoria: Elizabeth Barrett Browning

Ruth Bernard Yeazell, 9 October 2003

Eleven of Edward Moulton-Barrett’s dozen children survived to adulthood; and eight were left behind when the eldest escaped to Italy with Robert Browning in 1846 (two sons, including the...

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Any mentally idle, story-hungry novelist or scriptwriter would do well to attend to the entangled and twisted lives of Friedrich and Elisabeth Nietzsche, which present ready-made a nearly perfect...

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I am the thing itself: Hooray for Harriette

Rosemary Hill, 25 September 2003

Most people know two things about Harriette Wilson, one of which is untrue. She is rightly famous for that most tantalising of opening sentences: ‘I shall not say why and how I became, at...

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Robert Fergusson died in Edinburgh’s Bedlam on 17 October 1774. He was 24 years old. He had been admitted to the asylum three months before, against his will, because his mother could no...

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Omdamniverous: D.J. Enright

Ian Sansom, 25 September 2003

This is the end of something – although of what exactly it’s not quite clear. The death of D.J. Enright, in December 2002, makes one ask some serious questions about poets and about...

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