Desmondism

John Sutherland, 23 March 1995

The problem T.H. Huxley presents for the would-be popular biographer is evident in his entry in the Concise DNB: Huxley, Thomas Henry (1825-1895), man of science; studied at Charing Cross...

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Veni, Vidi, Vichy

Jean-Pierre Chapelas, 9 March 1995

A provincial boy (from the Charentes), a Catholic, not necessarily Action Française, but certainly on the extreme, or at any rate hard right, ambitious, intelligent, fond of disguises,...

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His v. Hers

Mark Ford, 9 March 1995

The final section of Paul Bowles’s most famous novel, The Sheltering Sky, is prefaced by a quotation from Kafka that encapsulates the narrative trajectory of just about everything Bowles...

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Smartened Up

Ian Hamilton, 9 March 1995

Why did Louis MacNeice have to wait thirty years for a biography? He died comparatively young – aged 55 – and was outlived by almost everyone he knew: wives, girlfriends, classmates,...

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Tears in the Café Select

Christopher Prendergast, 9 March 1995

Paris figures in the titles of both James Campbell’s and Peter Lennon’s books, but this is a restricted, specialised Paris. Campbell takes us into something called the...

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Tush Ye Shall Not Die

John Bossy, 23 February 1995

There must be an ecumenical spirit at work at Yale University Press for, having just given us Eamon Duffy’s masterly and devoted evocation of English Christianity before the Reformation,

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Wallpaper and Barricades

Terry Eagleton, 23 February 1995

The Left has always been uneasy with aesthetics. The very word suggests privilege, preciousness, a remoteness from the real. Even when radicals respect culture, they assign it, quite properly, a...

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Just Sceaux Stories

Angelica Goodden, 23 February 1995

It is as well to establish at the outset what Madame du Deffand was not. She was not, whatever the publisher of Benedetta Craveri’s book may claim, a woman who ‘approached love and...

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Glooms

E.S. Turner, 23 February 1995

Which famous Victorian poet-painter was the 20th child of a dodgy stockbroker? Yes, it was the man in the runcible hat, Edward Lear. His latest biographer, Peter Levi, confides to us that, like...

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Lucky Kim

Christopher Hitchens, 23 February 1995

While I was still reading these books, and thinking about them, I chanced to have two annoying near-KGB experiences. A creepy individual named Yuri Shvets published a book called Washington...

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Straight Talk

Mary Beard, 9 February 1995

‘All you need to do, if you want the nation’s press camped on your doorstep, is to say that you once had a wank in 1947.’ Alan Bennett’s remark is quoted with obvious...

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The Heart’s Cause

Michael Wood, 9 February 1995

Slugging it out with Diana Trilling in the pages of Commentary, Robert Lowell remarked: ‘Controversy is bad for the mind and worse for the heart.’ Mrs Trilling, for all the world like...

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The Kiss

Gaby Wood, 9 February 1995

Jean Renoir was admired by his followers and contemporaries for the relaxed feel of his films. He himself loved the improvisatory quality of the Commedia dell’Arte, which he saw as a...

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Bob and Betty

Jenny Diski, 26 January 1995

Those given to hasty judgments might find the title of Betty Maxwell’s autobiography something of a logical contradiction. Even leaving aside the strangeness, to feminist eyes, of the...

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Dat’s de Truth

Terence Hawkes, 26 January 1995

In 1903, on Locust Street in St Louis, Missouri, two Americans found themselves engaged in complex and fateful negotiations with European culture. One was Scott Joplin, black ‘King of...

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Fashion Flashes

Zoë Heller, 26 January 1995

This must be a brave letter. No exotic quotations; no miserable, ignominious echoes of Swinburne, no trace of silvery, erotic decadence; no Musset; no motif of Delius – nothing but lucidity...

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A Storm in His Luggage

C.K. Stead, 26 January 1995

In a letter dated 22 January 1934 to his protégé James Laughlin, Pound makes passing reference to R.P. Blackmur, who had written a long unflattering essay, ‘Masks of Ezra...

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Grope or Cuddle

Peter Campbell, 12 January 1995

‘Tiepolo,’ Svetlana Alpers and Michael Baxandall write, ‘is not a difficult painter. He is accessible and easy to like.’ Well, up to a point. For example, while I did not...

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