Under the headline ‘The Dead Rabbits Immortalised’, the New York Evening Post reported on 10 July 1857 that a one-penny song sheet was selling feverishly ‘in the lower part of...

Read more about The Bloody Sixth: The Real Gangs of New York

Time’s​ whirligig, as one surly underling told another, brings in its revenges. For the Royal Family, 2002 went bad faster than an over-hung widgeon. In September the Prince of Wales...

Read more about About as Useful as a String Condom: Bum Decade for the Royals

At the Whitechapel: Mies van der Rohe

Peter Campbell, 23 January 2003

The exhibition of the pre-American work of Mies van der Rohe at the Whitechapel Gallery until 2 March covers half a career – he was 52 when, in 1938, he moved to the States. Despite that, it...

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Afternoonishness: Syd Barrett

Jeremy Harding, 2 January 2003

English whimsy had a good run for its money in the 1960s. Pop culture hoovered it up and began to mass-produce it in a variety of forms. It’s odd now to remember how it looked on the...

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At the British Museum: Dürer

Peter Campbell, 2 January 2003

Drawing, like handwriting, uses a repertoire of lines. One kind of drawing concentrates on the straightness of what is straight, the purity of what is curved, and the perfect spacing and alignment...

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Stewart has the weakness of a man who can be wounded. He absorbs many moods: self-pity, cynicism, a compulsion that does not know its name – and always there is a disturbing something left over. It...

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Grand Old Sod: William Walton

Paul Driver, 12 December 2002

Malcolm Hayes tells us that the letters he has selected are merely a quarter of a fifth of those so far available, but one would not want the volume longer. William Walton is no prose stylist,...

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Short Cuts: The ‘Onion’

Thomas Jones, 12 December 2002

‘America’s finest news source’, the Onion, has assembled an omnibus of every issue of the spoof weekly paper published between October 2000 and October 2001. The Onion ad...

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A Different Sort of Tory: Max Hastings

Ronald Stevens, 12 December 2002

Something about the British press attracts Canadians. In the 1920s Max Aitken bought the Daily and Sunday Express, turned them into successful popular papers and became Lord Beaverbrook in the...

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LRB contributors

LRB Contributors, 12 December 2002

Karel Reisz must have been a border-crosser all his life. He was born in 1926, in the Czech mill town of Ostrava, an afternoon’s walk from the Polish border. At the age of 12, he was forced...

Read more about Karel Reisz Remembered

Reading the Signs: London Lettering

Peter Campbell, 12 December 2002

In a photograph in Friday’s evening paper, behind the firemen and the flames rising out of an old oil-drum, I recognised the relief lettering: L.C.C. FIRE BRIGADE STATION EVSTON 1902. I know...

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At Tate Britain: Gainsborough

Peter Campbell, 28 November 2002

The ability to achieve a likeness was always to some degree an innate talent. At the highest level it was the rarest representational skill and – in England at least – the most...

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Short Cuts: The Quiet American

Thomas Jones, 14 November 2002

One of the films showing at the London Film Festival later this month is The Quiet American, starring Michael Caine and Brendan Fraser, directed by Philip Noyce, and based on Graham...

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Diary: Dragged to the Shoe Shop

Jenny Diski, 14 November 2002

My sanity I gave up long ago when I discussed with a friend whether it was preferable to be mad or fat. But I wouldn’t give up writing. At least I don’t think so . . .

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On the Catwalk: Taste and exclusivity

Peter Campbell, 14 November 2002

The leopard, the giraffe and the macaw follow no fashion – they are born elegant and appropriately insulated. They cannot, season by season, startle with new patterns of fur or feathers....

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One afternoon in May 1995, I rang Ken Loach to try to persuade him to play Fantasy Filmmaking. In fact I had to call a number of British directors, and ask each one to imagine the kind of movie...

Read more about Putting the Manifesto before the Movie: Ken Loach

Giovanni Pisano and Giotto are widely recognised as the founders of Renaissance sculpture and painting, and Brunelleschi of Renaissance architecture, but it was Leon Battista Alberti (1404-72)...

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At Dulwich Picture Gallery: David Wilkie

Peter Campbell, 31 October 2002

David Wilkie, 20 years old, a sober, modest son of the manse, came to London from Edinburgh in 1805. He brought with him a couple of pictures, a sound training and great diligence. In 1806 he...

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