At the National Gallery: Titian

Peter Campbell, 6 March 2003

The painting A Man with a Quilted Sleeve in the Titian exhibition at the National Gallery (until 18 May) makes sense as a self-portrait. The bearded young man looks over his shoulder towards you...

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Holbein’s double portrait known as The Ambassadors must have been anatomised any number of times since its emergence into public view at the end of the 19th century, and recently had an...

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By a happy chance I am reading The Count of Monte Cristo. It acclimatises one to the dramas and Oriental dreams which figure in the exhibition Constable to Delacroix: British Art and the French...

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Mad Monk: not going to the movies

Jenny Diski, 6 February 2003

I think it is two years since I’ve been to the cinema. This is something of a mystery to me, like love gone wrong: in fact, it is love gone wrong. Was the love misguided in the first place,...

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Diary: at the races

Nicholas Penny, 6 February 2003

Sometimes, walking in the woods on a Saturday afternoon, my mother and I came across the local racecourse. She would put the dog on its lead and I would approach the white rails where the horses...

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In Le Havre: The rebuilding of France

Andrew Saint, 6 February 2003

Though Le Havre lies close to the Normandy beaches, it hardly features in histories of D-Day and its aftermath. Blocked at Caen, the Allied armies broke through to the south, wheeled left and...

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Under the headline ‘The Dead Rabbits Immortalised’, the New York Evening Post reported on 10 July 1857 that a one-penny song sheet was selling feverishly ‘in the lower part of...

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Time’s​ whirligig, as one surly underling told another, brings in its revenges. For the Royal Family, 2002 went bad faster than an over-hung widgeon. In September the Prince of Wales...

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At the Whitechapel: Mies van der Rohe

Peter Campbell, 23 January 2003

The exhibition of the pre-American work of Mies van der Rohe at the Whitechapel Gallery until 2 March covers half a career – he was 52 when, in 1938, he moved to the States. Despite that, it...

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Afternoonishness: Syd Barrett

Jeremy Harding, 2 January 2003

English whimsy had a good run for its money in the 1960s. Pop culture hoovered it up and began to mass-produce it in a variety of forms. It’s odd now to remember how it looked on the...

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At the British Museum: Dürer

Peter Campbell, 2 January 2003

Drawing, like handwriting, uses a repertoire of lines. One kind of drawing concentrates on the straightness of what is straight, the purity of what is curved, and the perfect spacing and alignment...

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Stewart has the weakness of a man who can be wounded. He absorbs many moods: self-pity, cynicism, a compulsion that does not know its name – and always there is a disturbing something left over....

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Grand Old Sod: William Walton

Paul Driver, 12 December 2002

Malcolm Hayes tells us that the letters he has selected are merely a quarter of a fifth of those so far available, but one would not want the volume longer. William Walton is no prose stylist,...

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Short Cuts: The ‘Onion’

Thomas Jones, 12 December 2002

‘America’s finest news source’, the Onion, has assembled an omnibus of every issue of the spoof weekly paper published between October 2000 and October 2001. The Onion ad...

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A Different Sort of Tory: Max Hastings

Ronald Stevens, 12 December 2002

Something about the British press attracts Canadians. In the 1920s Max Aitken bought the Daily and Sunday Express, turned them into successful popular papers and became Lord Beaverbrook in the...

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LRB contributors

LRB Contributors, 12 December 2002

Karel Reisz must have been a border-crosser all his life. He was born in 1926, in the Czech mill town of Ostrava, an afternoon’s walk from the Polish border. At the age of 12, he was forced...

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Reading the Signs: London Lettering

Peter Campbell, 12 December 2002

In a photograph in Friday’s evening paper, behind the firemen and the flames rising out of an old oil-drum, I recognised the relief lettering: L.C.C. FIRE BRIGADE STATION EVSTON 1902. I know...

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At Tate Britain: Gainsborough

Peter Campbell, 28 November 2002

The ability to achieve a likeness was always to some degree an innate talent. At the highest level it was the rarest representational skill and – in England at least – the most...

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