There is something slightly wrong with the apparently impeccable Philadelphia Story. The film works so well for everyone – director, actors, audiences – that the flaw must be very...

Read more about ‘Mmmmm’ not ‘Hmmm’: Katharine Hepburn

On Video: The Art of the Digital File

Peter Campbell, 11 September 2003

New equipment has made video a state-of-the-art art which is shown, very often, on a flat bright screen. Fourteen works by Bill Viola will be exhibited at the National Gallery from October until...

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Adrian Stokes’s Stones of Rimini is an extended obeisance performed by a young Englishman before some marble panels in an Italian church. The panels were carved in the 1450s, mostly by a...

Read more about Into the Southern Playground: The Suspect Adrian Stokes

Humanitarian Art: Susan Sontag

Jeremy Harding, 21 August 2003

Photographs, for Susan Sontag, are accessories to the act of remembering. Regarding the Pain of Others is as much about what we do and don’t remember as it is about representations of...

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Short Cuts: Slayer Slang and Bling Bling

Andrew O’Hagan, 21 August 2003

We are told that the average household’s electricity usage goes up 100 per cent during the summer holidays, the result not of air-conditioning but of an almost total aversion among...

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Dry-Cleaned: ‘The Manchurian Candidate’

Tom Vanderbilt, 21 August 2003

There is no evidence that Lee Harvey Oswald saw The Manchurian Candidate, which was released in 1962, a year before Kennedy’s assassination. A more plausible cinematic influence on him is

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At the V&A: Ossie Clark

Peter Campbell, 21 August 2003

There is armour, an insect-like carapace; and there is drapery, a second, looser skin. Any garment can be placed somewhere along the gradient between the two. The carapace is stiff; it may have curves,...

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Short Cuts: Spun and Unspun

John Sturrock, 7 August 2003

Stendhal once observed that to introduce politics into a work of fiction was like firing a pistol during a performance in the theatre, a loud and unwanted intrusion of the real on a setting all...

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We live with the knowledge that we can expect suffering and disease, and that death will come. We fear fractures, malformations, infections, wounds and parasites. We know that the way our cells...

Read more about At the British Museum: Medical Curiosities

In 1931, a Nazi journal called the Dictatorship complained about the amazing popularity of Mickey Mouse: ‘Have we nothing better to do than decorate our garments with dirty animals because...

Read more about Donald Duck gets a cuffing: Disney, Benjamin, Adorno

The frontispiece to this biographical study is an unknown photographer’s portrait of the bearded Eadweard Muybridge (1830-1904) taken in about 1872. He sits awkwardly hunched on a crate...

Read more about Bought a gun, found the man: Eadweard Muybridge

Brought up Jewish and soccer-loving in the Netherlands, Simon Kuper has come to realise that he accepted too easily the myth of Dutch wartime heroism. The result is a long litany of hurt...

Read more about Carry on up the Corner Flag: The sociology of football

Valet of the Dolls: Sinatra

Andrew O’Hagan, 24 July 2003

There was only one other person in the life of Samuel Johnson who stood a chance of writing a biography as entertaining as Boswell’s. Francis Barber was overqualified by modern standards,...

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At the Baltic: Antony Gormley

Peter Campbell, 24 July 2003

The walk from Newcastle railway station to the river goes from the high, crescent-shaped vaults of the train-shed down steep streets bending their way under the tall arches that carry roads and...

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La Route d’Uzès, 1954. Nicolas de Staël was an experimental painter. The first half of the 20th century abounded in experimental artists. Not so the second half, which abounded...

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Cod on Ice: The BBC

Andy Beckett, 10 July 2003

For those inclined to ponder the state of the BBC, and of British television in general, the performance of Panorama has long been a favoured indicator. In January 1955, not much more than a year...

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