Diary: Losing in Las Vegas

James Lasdun, 4 March 2004

My old friend Chris, who works for Channel Five, has invited me to go with him to Las Vegas, where he is attending the Natpe TV marketing convention. We’re staying at the Mirage, a...

Read more about Diary: Losing in Las Vegas

I used to know a girl called Fiona who kept a joint diary with her friend Katherine. They wrote it most evenings in the desolate hours between the end of John Craven’s Newsround and the...

Read more about Cartwheels over Broken Glass: worshipping Morrissey

At the National Gallery: El Greco

Nicholas Penny, 4 March 2004

J ohn Charles Robinson​ , perhaps the greatest connoisseur Britain has ever known, was turned down on four occasions for the post of director of the National Gallery. He was thought to be too...

Read more about At the National Gallery: El Greco

Oh, the curse! a home run

David Runciman, 19 February 2004

The 2003 baseball season – the regular season of 162 games that starts at the beginning of April and runs till the end of September – had its moments, as all baseball seasons do, but...

Read more about Oh, the curse! a home run

At the Royal Academy: Vuillard

Peter Campbell, 19 February 2004

V uillard’s early work figures in standard histories of modern painting. What he did between the wars is largely ignored – people felt it was kinder to forget about it. It would be...

Read more about At the Royal Academy: Vuillard

Bravo l’artiste: What is Murdoch after?

John Lanchester, 5 February 2004

If we follow the logic of Fredric Jameson’s Postmodernism, or the Cultural Logic of Late Capitalism, we could say that Rupert Murdoch is not so much a man, or a cultural force, as a...

Read more about Bravo l’artiste: What is Murdoch after?

A s good a picture as any on which to hang thoughts about Philip Guston is San Clemente, painted in 1975. It shows Richard Nixon on the Californian shore. His pink, phallic nose droops between...

Read more about At the Royal Academy: Philip Guston fouls the nest

Baudelairean: The Luck of Walker Evans

Mary Hawthorne, 5 February 2004

T he early photographs of Walker Evans are now so familiar that it is easy to forget how radically different they seemed at the time, and to take their subtle influence for granted, or, now...

Read more about Baudelairean: The Luck of Walker Evans

Short Cuts: Princess Di and Laura Palmer

Thomas Jones, 22 January 2004

Who killed Princess Diana? It’s pretty much a case of choose your own conspiracy theory, unless you’re Michael Burgess, Coroner of the Queen’s Household, whose tedious task it...

Read more about Short Cuts: Princess Di and Laura Palmer

Cuddlesome: Germaine Greer

Jenny Diski, 8 January 2004

T he problem​ with being a dedicated social trouble-maker who has not self-destructed is that, as the decades roll by, the society you wish to irritate gets used to you and even begins to...

Read more about Cuddlesome: Germaine Greer

Diary: Out of Essex

Iain Sinclair, 8 January 2004

Coming off Tottenham Court Road, screens, devices, gizmos, you plunge with relief into a street of unexpected, probably miscalculated art galleries, restaurants that change their pitch every time...

Read more about Diary: Out of Essex

At The Whitechapel: Gerhard Richter

Peter Campbell, 8 January 2004

G erhard Richter​ ’s Atlas is on show until 14 March. The walls of the gallery are closely tiled with groups of framed cards of a couple of standard sizes. On them are mounted photographs,...

Read more about At The Whitechapel: Gerhard Richter

Cockneyism: Leigh Hunt

Gregory Dart, 18 December 2003

At first Dickens tried to deny that Harold Skimpole, the parasitical aesthete of Bleak House, had been based on his friend Leigh Hunt; but later he confessed, not a little proudly, that the...

Read more about Cockneyism: Leigh Hunt

At the Guggenheim: Pop Surrealism

Hal Foster, 18 December 2003

T he first painting you see at the James Rosenquist retrospective at the Guggenheim in New York until 25 January is President Elect: a broad headshot of a beaming JFK, manicured fingers with...

Read more about At the Guggenheim: Pop Surrealism

My Heroin Christmas: Art Pepper and Me

Terry Castle, 18 December 2003

Living without love is like not living at all.Art Pepper, 1958Writing this in San Francisco, having just come back from San Diego and a heroin Christmas at my mother’s. Not that I used any:...

Read more about My Heroin Christmas: Art Pepper and Me

In an art gallery over the last decade you might have happened on one of the following. A room empty except for a stack of identical sheets of paper – white, sky-blue, or printed with a...

Read more about Arty Party: from the ‘society of spectacle’ to the ‘society of extras’

Dawn of the Dark Ages: Fleet Street magnates

Ronald Stevens, 4 December 2003

Hugh Cudlipp and Cecil King had been colleagues for 15 years when Cudlipp was ejected from the editorship of the Sunday Pictorial. Though a director of the company, King made no attempt to save...

Read more about Dawn of the Dark Ages: Fleet Street magnates

At the Imperial War Museum: Eric Ravilious

Peter Campbell, 4 December 2003

T he Second World War paraphernalia in the Imperial War Museum is not just tanks, guns and half-tracks. There is a sailing dinghy – one of the boats which evacuated soldiers from the...

Read more about At the Imperial War Museum: Eric Ravilious