I spent the first of my teenage years living in the grounds of an approved school, a place that faced onto a ruined castle said to have given a night’s shelter to Mary Queen of Scots. The...

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At the Royal Academy: How to Draw Horses

Peter Campbell, 9 October 2003

In the more complete retrospectives, you may find a corner given over to drawings the artist did as a child. Typically, they will show ships, soldiers and, especially, horses. Pictures by someone...

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Sideswipes: Prokofiev

Stephen Walsh, 25 September 2003

On the whole, Soviet writers knew when they were putting their heads on the block. Composers often didn’t, and it’s precisely the innocence and uncertainty of music – that...

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Diary: The Call of the Abyss

David Craig, 11 September 2003

An 11-person team of Ukrainian cavers were wading through the snow on the way down from the Arabika massif in the western Caucasus on a January night. They had just descended the Krubera Cave to...

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Short Cuts: Hatchet Jobs

Thomas Jones, 11 September 2003

Martin Amis doesn’t like journalists (if you didn’t know that already, you will now, having read Christopher Tayler’s review a few pages ago). This doesn’t stop...

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You Have A Mother Don’t You? Cowboy Simplicities

Andrew O’Hagan, 11 September 2003

It’s odd to think that Abraham Lincoln was killed by an actor, because most of the memorable American Presidents to follow him were actors in their blood. Eisenhower excelled in the part of...

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There is something slightly wrong with the apparently impeccable Philadelphia Story. The film works so well for everyone – director, actors, audiences – that the flaw must be very...

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On Video: The Art of the Digital File

Peter Campbell, 11 September 2003

New equipment has made video a state-of-the-art art which is shown, very often, on a flat bright screen. Fourteen works by Bill Viola will be exhibited at the National Gallery from October until...

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Adrian Stokes’s Stones of Rimini is an extended obeisance performed by a young Englishman before some marble panels in an Italian church. The panels were carved in the 1450s, mostly by a...

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Humanitarian Art: Susan Sontag

Jeremy Harding, 21 August 2003

Photographs, for Susan Sontag, are accessories to the act of remembering. Regarding the Pain of Others is as much about what we do and don’t remember as it is about representations of...

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Short Cuts: Slayer Slang and Bling Bling

Andrew O’Hagan, 21 August 2003

We are told that the average household’s electricity usage goes up 100 per cent during the summer holidays, the result not of air-conditioning but of an almost total aversion among...

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Dry-Cleaned: ‘The Manchurian Candidate’

Tom Vanderbilt, 21 August 2003

There is no evidence that Lee Harvey Oswald saw The Manchurian Candidate, which was released in 1962, a year before Kennedy’s assassination. A more plausible cinematic influence on him is

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At the V&A: Ossie Clark

Peter Campbell, 21 August 2003

There is armour, an insect-like carapace; and there is drapery, a second, looser skin. Any garment can be placed somewhere along the gradient between the two. The carapace is stiff; it may have curves,...

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Short Cuts: Spun and Unspun

John Sturrock, 7 August 2003

Stendhal once observed that to introduce politics into a work of fiction was like firing a pistol during a performance in the theatre, a loud and unwanted intrusion of the real on a setting all...

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We live with the knowledge that we can expect suffering and disease, and that death will come. We fear fractures, malformations, infections, wounds and parasites. We know that the way our cells...

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In 1931, a Nazi journal called the Dictatorship complained about the amazing popularity of Mickey Mouse: ‘Have we nothing better to do than decorate our garments with dirty animals because...

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