It is partly because so much appears to be known about William Cobbett (1763-1835) that he is insufficiently understood. Few political writers anywhere and at any time have been more prolific or...

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At the Musée du Luxembourg: Botticelli

Nicholas Penny, 20 November 2003

T he large number of visitors permitted in the tight exhibition space at the Musée du Luxembourg in Paris means that it’s hard, without pushing or being pushed, to view many of the...

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Restoring St. George’s: in Bloomsbury

Peter Campbell, 20 November 2003

T he steeple of the church of St George, Bloomsbury is an astonishing confection. A square tower rises from the ground to above roof level. It is topped by a little pedimented temple. The temple...

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Forget the Dylai Lama: Bob Dylan

Thomas Jones, 6 November 2003

A scene from a concert: on stage, a young Jewish-American folk singer/ songwriter, accompanied only by his own guitar and the harmonica around his neck, with a forceful, nasal voice and...

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Slicing and Mauling: The Art of War

Anne Hollander, 6 November 2003

D avid Kunzle’s monumental book, fusing deep historical scholarship with polemical zeal and pictorial acumen, has appeared at an apt historical moment. Several weeks ago I looked up from...

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And That Rug! images of Shakespeare

Michael Dobson, 6 November 2003

Above the entrance to the saloon bar there is a picture of Shakespeare on the swinging sign. It is the same picture of Shakespeare that I remember from my schooldays, when I frowned over Timon of...

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Realism is one of the most elusive of artistic terms. ‘Unrealistic’, for example, is not necessarily the same as ‘non-realist’. You can have a work of art which is...

Read more about Pork Chops and Pineapples: The Realism of Erich Auerbach

Feast of Darks: Whistler

Christine Stansell, 23 October 2003

The most notorious American painter of the late 19th century, a dandy who used his gift for showmanship and his Paris education to make himself the prototype Victorian aesthete, James McNeill...

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In Toledo, Ohio: Goltzius

Nicholas Penny, 23 October 2003

B efore Picasso, it is impossible to think of a major European artist of more protean character than Hendrick Goltzius (1558-1617). By 1580 he had established a high reputation in Haarlem for...

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I spent the first of my teenage years living in the grounds of an approved school, a place that faced onto a ruined castle said to have given a night’s shelter to Mary Queen of Scots. The...

Read more about Watching Me Watching Them Watching You: Surveillance

At the Royal Academy: How to Draw Horses

Peter Campbell, 9 October 2003

I n the more complete retrospectives, you may find a corner given over to drawings the artist did as a child. Typically, they will show ships, soldiers and, especially, horses. Pictures by someone...

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Sideswipes: Prokofiev

Stephen Walsh, 25 September 2003

On the whole, Soviet writers knew when they were putting their heads on the block. Composers often didn’t, and it’s precisely the innocence and uncertainty of music – that...

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Diary: The Call of the Abyss

David Craig, 11 September 2003

An 11-person team of Ukrainian cavers were wading through the snow on the way down from the Arabika massif in the western Caucasus on a January night. They had just descended the Krubera Cave to...

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Short Cuts: Hatchet Jobs

Thomas Jones, 11 September 2003

Martin Amis doesn’t like journalists (if you didn’t know that already, you will now, having read Christopher Tayler’s review a few pages ago). This doesn’t stop...

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You Have A Mother Don’t You? Cowboy Simplicities

Andrew O’Hagan, 11 September 2003

It’s odd to think that Abraham Lincoln was killed by an actor, because most of the memorable American Presidents to follow him were actors in their blood. Eisenhower excelled in the part of...

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There is something slightly wrong with the apparently impeccable Philadelphia Story. The film works so well for everyone – director, actors, audiences – that the flaw must be very...

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On Video: The Art of the Digital File

Peter Campbell, 11 September 2003

N ew equipment has made video a state-of-the-art art which is shown, very often, on a flat bright screen. Fourteen works by Bill Viola will be exhibited at the National Gallery from October until...

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