Few Western journalists saw much of the war in Iraq. Some were corralled in US central command headquarters in Qatar and dependent on Brigadier-General Vincent Brooks’s daily news...

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His Own Private Armenia: Arshile Gorky

Anne Hollander, 1 April 2004

Arshile Gorky is better known for his role in 20th-century American art than he is for his actual work. The collective memory, besides noting that his art reputedly links 1930s Surrealism to...

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Flattening Space: Parsing Picasso

Rosalind Krauss, 1 April 2004

It has become conventional to ask of Picasso’s early work how he came to invent Cubism, the style fundamental to the course of 20th-century aesthetics. Its influence can be seen in...

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Self-Illuminated: Godard’s Method

Gilberto Perez, 1 April 2004

‘I have no use for a writer who directs my attention to himself and to his wit instead of the people he is interpreting,’ Jean-Luc Godard said in one of his early articles for Cahiers...

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Just two of the fabled world exhibitions of the 19th century are still remembered. They are the two with the best claim to have reshaped the culture of their times. London 1851 was a paean to...

Read more about When Chicago Went Classical: a serial killer and the World’s Fair

Beyond Zero: Kazimir Malevich

Peter Wollen, 1 April 2004

Kazimir Malevich was the most enigmatic and the most provocative painter of the early Soviet period. He can be seen as a pioneer of abstraction and of the minimalist works produced many years...

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In Lille: Rubens

Peter Campbell, 1 April 2004

‘Hagar in the Wilderness’ (c.1630) A straw poll suggests that Rubens is not popular. How can you persuade those who can’t get on with him to look longer? You can offer...

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If you search for images of Alastair Campbell on Google, you will find, many times over, a picture taken by a Press Association photographer during the Hutton Inquiry. The photo is proliferating:...

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At the Hayward: Roy Lichtenstein

Peter Campbell, 18 March 2004

White paint and an exemplary installation currently give the Hayward Gallery an of-our-own-time presence. But the paintings by Roy Lichtenstein which line the walls – the early ones anyway...

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Diary: Losing in Las Vegas

James Lasdun, 4 March 2004

My old friend Chris, who works for Channel Five, has invited me to go with him to Las Vegas, where he is attending the Natpe TV marketing convention. We’re staying at the Mirage, a...

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I used to know a girl called Fiona who kept a joint diary with her friend Katherine. They wrote it most evenings in the desolate hours between the end of John Craven’s Newsround and the...

Read more about Cartwheels over Broken Glass: worshipping Morrissey

At the National Gallery: El Greco

Nicholas Penny, 4 March 2004

John Charles Robinson​, perhaps the greatest connoisseur Britain has ever known, was turned down on four occasions for the post of director of the National Gallery. He was thought to be too...

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Oh, the curse! a home run

David Runciman, 19 February 2004

The 2003 baseball season – the regular season of 162 games that starts at the beginning of April and runs till the end of September – had its moments, as all baseball seasons do, but...

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At the Royal Academy: Vuillard

Peter Campbell, 19 February 2004

Vuillard’s early work figures in standard histories of modern painting. What he did between the wars is largely ignored – people felt it was kinder to forget about it. It would be nice...

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Bravo l’artiste: What is Murdoch after?

John Lanchester, 5 February 2004

If we follow the logic of Fredric Jameson’s Postmodernism, or the Cultural Logic of Late Capitalism, we could say that Rupert Murdoch is not so much a man, or a cultural force, as a...

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As good a picture as any on which to hang thoughts about Philip Guston is San Clemente, painted in 1975. It shows Richard Nixon on the Californian shore. His pink, phallic nose droops between...

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Baudelairean: The Luck of Walker Evans

Mary Hawthorne, 5 February 2004

The early photographs of Walker Evans are now so familiar that it is easy to forget how radically different they seemed at the time, and to take their subtle influence for granted, or, now that...

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Short Cuts: Princess Di and Laura Palmer

Thomas Jones, 22 January 2004

Who killed Princess Diana? It’s pretty much a case of choose your own conspiracy theory, unless you’re Michael Burgess, Coroner of the Queen’s Household, whose tedious task it...

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