Check out the parking lot: Hell in LA

Rebecca Solnit, 8 July 2004

Many years ago, I was supposed to move to Los Angeles, but every time I went there, something about the light and space made me think that life was basically meaningless and you might as well...

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At Tate Britain: gardens

Peter Campbell, 8 July 2004

From the top window at the back of our house I look down on three gardens. To the right is a wilderness, abandoned to brambles, ground elder, bindweed and buddleia. Then our patch: some of it is...

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‘The Policeman’s Daughter’, 1945. In the summer of 1927, 23-year-old Willy Brandt underwent psychoanalysis in Vienna in an attempt to cure his tuberculosis. He had spent the...

Read more about Dreams of the Decades: Bill Brandt

Edward Hopper languished into his forties as a commercial illustrator. He got his first break thanks to a boost from a fellow artist called Josephine Verstille Nivison, who in the fall of 1923...

Read more about Mr and Mrs Hopper: how the Tate gets Edward Hopper wrong

The Paris-Madrid road race of 1903 was a wonderfully disgraceful affair. Three hundred cars set out, conferring death and dismemberment along the dust-choked roads south. Six of the drivers were...

Read more about A Broad Grin and a Handstand: ‘the fastest woman in the world’ and the wild early years of motor-racing

It is a reasonably shabby door at the end of a reasonably shabby corridor in the sort of building that was new about the years the all-tile bathroom became the basis of civilisation...

Read more about At Tate Modern: good plain painting and men in shirt-sleeves

Magnifico: This was Orson Welles

David Bromwich, 3 June 2004

At 8 o’clock on the night of 30 October 1938, listeners to Orson Welles’s Mercury Theater on the Air might have noticed a short announcement: the show that evening was going to be an...

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Disgrace under Pressure: lad mags

Andrew O’Hagan, 3 June 2004

“The British lad magazine is not about men at all or about the business of being a grown-up person; it’s fuelled by a childish notion of hedonism – pills, thrills and bellyaches –...

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Much of the literature of the 19th century grew out of sibling relationships. Tennyson’s first publication was a family project, with contributions from three brothers. The...

Read more about Want-of-Tin and Want-of-Energy: The lives of the Rossettis

America is in a muddle about mourning. The standard newspaper of record, the New York Times, registers this muddle in its national edition of 30 April with a depth and clarity that one can...

Read more about The Mourning Paper: on war and showing pictures of the dead

At the Serpentine: Cy Twombly

Paul Myerscough, 20 May 2004

You have to trust yourself in front of a Twombly. The critics won’t help. They’re worried about naivety – Twombly’s, or possibly their own – and tend to...

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At Somerset House: Islamic art

Peter Campbell, 6 May 2004

The show of Islamic art in the Hermitage Rooms at Somerset House, Heaven on Earth, confirms the general impression you get from royal collections that princes, like children, are drawn to bright,...

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The provocation begins with the name. Lars Trier, a boy from Denmark, went to film school and changed his name to the more aristocratic Lars von Trier. In Trier on von Trier the question of the...

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Cute: style in Japan

Kitty Hauser, 15 April 2004

In his essay​ In Praise of Shadows, published in 1933, the novelist Jun’ichiro Tanizaki described and defended an aesthetic which, he said, suffused the traditions of daily life,...

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Short Cuts: Tintin

Thomas Jones, 15 April 2004

Should I ever find myself competing on Mastermind, I have long thought that I would choose as my specialised subject Hergé’s adventures of Tintin. I first came to this conclusion at...

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Diary: My Marvel Years

Jonathan Lethem, 15 April 2004

As a child, I suffered a nerdish fever for authenticity and origins of all kinds, one which led me into some very strange cultural places. Any time I heard that, say, David Bowie was only really imitating...

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Sylvia Townsend Warner in 1927 by Cecil Beaton. The photographs of themselves that people like are only a fraction of those which exist. Ticks on contact sheets are outnumbered by angry...

Read more about At the National Portrait Gallery: on being photographed

Don’t teach me: Ernö Goldfinger

Gillian Darley, 1 April 2004

Architects don’t come much angrier than Ernö Goldfinger. Even among his own disillusioned generation, he seemed perpetually crosser than most. Towering, handsome, self-assured...

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