The National Gallery of Scotland​ is now linked with the Royal Scottish Academy building. You can enter by the restaurant which lies between the two buildings at a lower level, or through the...

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Some artists engage with the world. They present a public face and seem eager to value themselves as the world values them. Sales and commissions, praise and dismissal, as they come and go, define...

Read more about About to be at Tate Britain, or Meanwhile in Cork Street: Gwen and Augustus John

In the Butcher’s Shop: Deleuze on Bacon

Peter de Bolla, 23 September 2004

In the technical literature on aesthetics a distinction is often made between the empirical inquiry into beauty (what it is, which objects have it and so forth), and the investigation of sensory...

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‘Que se rompe la cuerda’ (‘Let the rope break’), ‘Los Desastres’ plate 77. Robert Hughes​ has a great enthusiasm for Goya’s art, which he...

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‘The Apotheosis of the Bicycle’ (‘Vogue’, 1944). The National Portrait Gallery​ has put up a dozen or so photographs by Norman Parkinson to accompany the publication...

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Short Cuts: Pole-Vaulting

Thomas Jones, 2 September 2004

In the build-up to the 1984 Los Angeles Olympics, all the talk among the boys at my primary school was of Steve Ovett and Sebastian Coe. Clued-up children – in other words, those whose...

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Martha Gellhorn, the war reporter and writer who feared nothing on earth so much as boredom, and hated the ‘kitchen of life’, was enamoured of a different drudgery –...

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In the early 1950s I was awakened by the photographs of Walker Evans and the movies of John Ford, especially Grapes of Wrath where the poor ‘Okies’ go to California with mattresses on...

Read more about At the Whitney: Ed Ruscha’s Hollywood Sublime

Brush for Hire: Protestant painting

Eamon Duffy, 19 August 2004

There seems to be something paradoxical, even self-contradictory, in the very notion of a Reformation image. The movement of religious protest inaugurated by Martin Luther in Wittenberg in 1517...

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Diary: the Tour de France

Graham Robb, 19 August 2004

At three o’clock in the morning somewhere between Auxerre and Lyon on the European Bike Express bus, I dreamed that I had an exclusive interview with Lance Armstrong. Armstrong is the Texan...

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Diary: In the Park

Peter Campbell, 19 August 2004

In 1963 we bought a house in Southfields, a few hundred yards from the All England Lawn Tennis Club. Every year since then we have, for a fortnight, had to elbow our way crossly through tides of...

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What Wotan Wants

Jerry Fodor, 5 August 2004

Wagner’s operas in general, and the Ring cycle in particular, have been goading the criticising classes into print for a century and a half, with still no end in sight, but the sacrifice of...

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Thoughts on Late Style

Edward Said, 5 August 2004

Both in art and in our general ideas about the passage of human life there is assumed to be a general abiding timeliness. We assume that the essential health of a human life has a great deal to...

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In the early days of colour television you could buy a device which, it was said, would convert your black and white set. It consisted of a transparent plastic sheet, half blue and half green. You...

Read more about At the National Gallery: Russian landscapes

Short Cuts: politicians v. the press

Thomas Jones, 22 July 2004

John Lloyd, currently the editor of the Financial Times Magazine, resigned as associate editor of the New Statesman in April 2003. His reasons for leaving were published in a ‘farewell...

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In Hebron: The Soldiers’ Stories

Yitzhak Laor, 22 July 2004

Israel’s Independence Day fell this year on 27 April. For his homework my nine-year-old son had to interview me about my military past. Before giving out the assignment, his teacher had...

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Short Cuts: myths of Marilyn

Andrew O’Hagan, 8 July 2004

‘It’s my feeling that she looked forward to her tomorrows,’ said Marilyn’s housekeeper, the last person to see her alive. But now we may be in a position to say that...

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