Short Cuts: Pole-Vaulting

Thomas Jones, 2 September 2004

In the build-up to the 1984 Los Angeles Olympics, all the talk among the boys at my primary school was of Steve Ovett and Sebastian Coe. Clued-up children – in other words, those whose...

Read more about Short Cuts: Pole-Vaulting

Martha Gellhorn, the war reporter and writer who feared nothing on earth so much as boredom, and hated the ‘kitchen of life’, was enamoured of a different drudgery –...

Read more about No Intention of Retreating: Martha Gellhorn’s Wars

In the early 1950s I was awakened by the photographs of Walker Evans and the movies of John Ford, especially Grapes of Wrath where the poor ‘Okies’ go to California with mattresses on...

Read more about At the Whitney: Ed Ruscha’s Hollywood Sublime

Brush for Hire: Protestant painting

Eamon Duffy, 19 August 2004

There seems to be something paradoxical, even self-contradictory, in the very notion of a Reformation image. The movement of religious protest inaugurated by Martin Luther in Wittenberg in 1517...

Read more about Brush for Hire: Protestant painting

Diary: the Tour de France

Graham Robb, 19 August 2004

At three o’clock in the morning somewhere between Auxerre and Lyon on the European Bike Express bus, I dreamed that I had an exclusive interview with Lance Armstrong. Armstrong is the Texan...

Read more about Diary: the Tour de France

Diary: In the Park

Peter Campbell, 19 August 2004

In 1963 we bought a house in Southfields, a few hundred yards from the All England Lawn Tennis Club. Every year since then we have, for a fortnight, had to elbow our way crossly through tides of...

Read more about Diary: In the Park

What Wotan Wants

Jerry Fodor, 5 August 2004

Wagner’s operas in general, and the Ring cycle in particular, have been goading the criticising classes into print for a century and a half, with still no end in sight, but the sacrifice of...

Read more about What Wotan Wants

Thoughts on Late Style

Edward Said, 5 August 2004

Both in art and in our general ideas about the passage of human life there is assumed to be a general abiding timeliness. We assume that the essential health of a human life has a great deal to...

Read more about Thoughts on Late Style

In the early days of colour television you could buy a device which, it was said, would convert your black and white set. It consisted of a transparent plastic sheet, half blue and half green. You...

Read more about At the National Gallery: Russian landscapes

Short Cuts: politicians v. the press

Thomas Jones, 22 July 2004

John Lloyd, currently the editor of the Financial Times Magazine, resigned as associate editor of the New Statesman in April 2003. His reasons for leaving were published in a ‘farewell...

Read more about Short Cuts: politicians v. the press

In Hebron: The Soldiers’ Stories

Yitzhak Laor, 22 July 2004

Israel’s Independence Day fell this year on 27 April. For his homework my nine-year-old son had to interview me about my military past. Before giving out the assignment, his teacher had...

Read more about In Hebron: The Soldiers’ Stories

Short Cuts: myths of Marilyn

Andrew O’Hagan, 8 July 2004

‘It’s my feeling that she looked forward to her tomorrows,’ said Marilyn’s housekeeper, the last person to see her alive. But now we may be in a position to say that...

Read more about Short Cuts: myths of Marilyn

Check out the parking lot: Hell in LA

Rebecca Solnit, 8 July 2004

Many years ago, I was supposed to move to Los Angeles, but every time I went there, something about the light and space made me think that life was basically meaningless and you might as well...

Read more about Check out the parking lot: Hell in LA

At Tate Britain: gardens

Peter Campbell, 8 July 2004

From the top window at the back of our house I look down on three gardens. To the right is a wilderness, abandoned to brambles, ground elder, bindweed and buddleia. Then our patch: some of it is...

Read more about At Tate Britain: gardens

‘The Policeman’s Daughter’, 1945. In the summer of 1927, 23-year-old Willy Brandt underwent psychoanalysis in Vienna in an attempt to cure his tuberculosis. He had spent the...

Read more about Dreams of the Decades: Bill Brandt

Edward Hopper languished into his forties as a commercial illustrator. He got his first break thanks to a boost from a fellow artist called Josephine Verstille Nivison, who in the fall of 1923...

Read more about Mr and Mrs Hopper: how the Tate gets Edward Hopper wrong

The Paris-Madrid road race of 1903 was a wonderfully disgraceful affair. Three hundred cars set out, conferring death and dismemberment along the dust-choked roads south. Six of the drivers were...

Read more about A Broad Grin and a Handstand: ‘the fastest woman in the world’ and the wild early years of motor-racing

It is a reasonably shabby door at the end of a reasonably shabby corridor in the sort of building that was new about the years the all-tile bathroom became the basis of civilisation...

Read more about At Tate Modern: good plain painting and men in shirt-sleeves