It’s Modern but is it contemporary?

Hal Foster, 16 December 2004

‘Manhattan is Modern Again!’ the advertisements exclaim, as if this status depended on the new Museum of Modern Art alone. ‘A transcendent aesthetic experience,’ the New...

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Growing up in Durban in the 1950s, I could see how keen Coloured and Indian cricketers were, how much everything was tilted against them and, at the same time, how good white South African...

Read more about Lords loses out: Basil D’Oliveira and racism in sport

Rudolph Valentino, according to his first-rate biographer, Emily Leider, who has already distinguished herself by writing the definitive book on Mae West, had a ‘slightly...

Read more about Call it Hollywood: The sex life of Rudolph Valentino

The scaffolding that hugs One Times Square, where the US Drug Enforcement Administration’s travelling exhibition Target America: Traffickers, Terrorists and You is on view until 31 January,...

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At Somerset House: Zaha Hadid

Peter Campbell, 16 December 2004

This year Zaha Hadid won the Pritzker Prize. The award was founded by Jay Pritzker who owned the Hyatt hotel chain – not that the winners of the prize have produced much that looks at all...

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‘People of all generations just stood around, uncertain of what to do next … It sort of petered out.’ Bruce Laughton’s William Coldstream is an attempt, 17 years on, to...

Read more about I do like painting: The life and art of William Coldstream

Short Cuts: football slang

John Sturrock, 2 December 2004

It’s not every day that the soccer tifosi, those hardcore empiricists, come face to face with a well nigh theoretical observation to the effect that ‘football matches are...

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At Tate Britain: Paula Rego

Peter Campbell, 2 December 2004

‘The Dance’, 1988. There is a display of Paula Rego’s work at Tate Britain until 2 January. Her pictures invite, demand even, that you attend to what they are about as well...

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William Nicholson​ painted in white ducks and patent leather shoes. In photographs and caricatures his neat head sits on high white collars. He liked spotted shirts and fancy waistcoats. He was...

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The turbine hall of the old power station is cathedral-like. Its dimensions and proportions, the windows at each end and the choir-screen bridge that divides the nave space of the entrance from...

Read more about At Tate Modern: Bruce Nauman’s Raw Materials

Adolf Eichmann is not an obvious candidate for a full-length biography, and before his capture in 1960 and trial the following year no one would have thought of writing one. The historical record...

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Short Cuts: Bob Dylan’s Tall Tales

Thomas Jones, 21 October 2004

In November 1980, when the LRB was still in its infancy, barely a year old and only six months independent of the New York Review, Ronald Reagan didn’t simply take the US presidency from...

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The National Gallery of Scotland​ is now linked with the Royal Scottish Academy building. You can enter by the restaurant which lies between the two buildings at a lower level, or through the...

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Some artists engage with the world. They present a public face and seem eager to value themselves as the world values them. Sales and commissions, praise and dismissal, as they come and go, define...

Read more about About to be at Tate Britain, or Meanwhile in Cork Street: Gwen and Augustus John

In the Butcher’s Shop: Deleuze on Bacon

Peter de Bolla, 23 September 2004

In the technical literature on aesthetics a distinction is often made between the empirical inquiry into beauty (what it is, which objects have it and so forth), and the investigation of sensory...

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‘Que se rompe la cuerda’ (‘Let the rope break’), ‘Los Desastres’ plate 77. Robert Hughes​ has a great enthusiasm for Goya’s art, which he...

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‘The Apotheosis of the Bicycle’ (‘Vogue’, 1944). The National Portrait Gallery​ has put up a dozen or so photographs by Norman Parkinson to accompany the publication...

Read more about At the National Portrait Gallery: fashion photography