We acquire mementos: an Eiffel Tower cigarette lighter, a mug from Margate, Michelangelo’s David on a key-ring. All say, in one way or another: ‘I was there.’ It is not just...

Read more about At the British Museum: Under African Eyes

Perhaps we have to thank Watergate, even Deep Throat himself, that sussurating, parking-lot ghoul, for planting us in a world where the shriek of actuality has given way to the soft lilt of...

Read more about Who’s sorry now? Michael Finkel gets lucky

At the V&A: Penguin’s 70th birthday

Peter Campbell, 2 June 2005

When Hans Schmoller​ first saw a copy of John Berger’s Ways of Seeing – the book was published in 1972 – he hurled it across the room. Schmoller, who had succeeded Jan...

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A photograph from a 35 mm film, shot with a normal 50 mm lens, matches up pretty well to what you think you see when you glance at a place or a room. An image printed from a bigger piece of film...

Read more about At the Royal Academy: Matisse’s revelations

Oil paint, the most powerful of mediums, can also be nasty-looking stuff. Watercolour can be feeble or messy, tempera can lack verve, distemper can look flat, but none of them has oil...

Read more about At Tate Modern: Like a badly iced cake

At Kew: The New Alpine House

Peter Campbell, 21 April 2005

A new Alpine House​ is due to open later this year in the Royal Botanic Gardens at Kew. But you can already get a good idea of how it will look. Its footprint is small but the curved profile of...

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What Works: The embarrassing cousin

Michael Friedman, 31 March 2005

What is wrong with American musical theatre? It seems to make people nervous, in ways that none of the other native forms do. Jazz, rock, movies and television have all been easily absorbed into...

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Catching news about the Michael Jackson trial, I can’t help being reminded of a caustic song by Dan Bern, a singer less famous than Jackson by several orders of magnitude, called ‘Too...

Read more about Short Cuts: Michael Jackson’s frailties

How Blake would blench at the ends to which the English left has turned his poem. The vagueness of his vision of Jerusalem helps to make it the handiest of slogans. Officially appropriated as the...

Read more about Swiping at Suburbs: the course of British urbanism

Diary: The View from Above

Tom Vanderbilt, 31 March 2005

On a recent flight from Salt Lake City to New York, the announcement came ‘to kindly lower the window shades so that other passengers may enjoy the in-flight entertainment programme’....

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Mirror Images: Piers Morgan

Jenny Diski, 31 March 2005

I can see that if you are 28 and editor of the News of the World, then you are 30 and getting £175,000 a year for editing the Mirror, until nine years later when you get the sack and score a reported...

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The total area of sky in Caravaggio’s paintings covers, by my count, no more than a few square inches tucked away in the corners of two quite early pictures. Otherwise his subjects are set...

Read more about At the National Gallery: Caravaggio’s final years

The tenth and last room of the Joseph Beuys exhibition at Tate Modern (until 2 May) contains Economic Values, a piece from 1980. It consists of metal shelving stacked with household goods in...

Read more about At Tate Modern and Modern Art Oxford: Joseph Beuys and Jannis Kounellis

Humphrey Jennings never lacked a sense of self-worth. Peggy Guggenheim, with whom he had a brief affair in 1937, remembered him jumping up and down on their Parisian hotel bed crying out:...

Read more about Damsons and Custard: Documentary cinema’s unsung poet

In Central Park: The Gates

Hal Foster, 3 March 2005

‘The Gates’, the orange portals and banners that punctuated many of the paths in Central Park from 12 to 27 February, were greeted with great delight. People were first softened up by...

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The summer of 1970 was the winter of America’s discontent. Most of the nation’s colleges had been forced to shut down early in the wake of the Kent State massacre; anti-war protesters...

Read more about Subject, Spectator, Phantom: The Strangest Personality Ever to Lead the Free World

At the Saatchi Gallery: The Triumph of Painting

Peter Campbell, 17 February 2005

The first part of The Triumph of Painting – there will be two more – is at the Saatchi Gallery in County Hall until 5 June. It isn’t exactly a triumph. Resignation is in the air,...

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Felix Mendelssohn, named for happiness, and privileged from birth, was one of the most musical men who has ever lived. He could paint, draw and write almost as well as he could compose. He read...

Read more about The Faster the Better: Anatomising Mendelssohn