Anonymous city, handheld camera, actors who scarcely seem to be acting: we may think we know where we are, more or less. This is surely the New Wave by way of Neo-Realism, early Truffaut chasing...

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Short Cuts: Ian Blair and the IPCC

Thomas Jones, 6 April 2006

The police could reasonably be charged with making decisions based on speculation rather than fact – they speculated that Jean Charles de Menezes was a terrorist, for example, when in fact he was an...

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At the Courtauld: Giambattista Tiepolo

Peter Campbell, 23 March 2006

Follow the history of Italian painting and you see saints, the holy family, mythical heroes and heroines, attendant angels, putti, ladies in waiting and men at arms hustled along by tides of...

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The Eerie One: Peter Lorre

Bee Wilson, 23 March 2006

He thought they looked like two soft-boiled eggs, others preferred to call them poached. Either way, any attempt to describe the appearance of Peter Lorre must deal with those eyes. What teeth...

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At the Guggenheim: David Smith

Hal Foster, 9 March 2006

David Smith is often seen as the Jackson Pollock of modern sculpture, the artist who transformed European innovations (in welded steel above all) into an American idiom of expanded scale and...

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Very like St Paul: Johnny Cash

Ian Sansom, 9 March 2006

The pleasures of piety are infinite and exquisite and probably nowhere more easily had these days than in the rock ’n’ roll business, or in Hollywood. On record, and on stage, and up...

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The subtitle Hilary Spurling has given to the second half of her biography of Henri Matisse is upbeat and triumphant, in line with orthodox interpretations of the painter’s career:...

Read more about I’m not upset. It’s nerves: Spurling’s Matisse

At the Hayward: Dan Flavin

Peter Campbell, 23 February 2006

For the duration of the Dan Flavin retrospective (until 2 April), the large foyer through which you enter the Hayward Gallery is bisected by a barrier of identical rectangular units, each mounted...

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Chasing Kites: The Craziness of Ved Mehta

Michael Wood, 23 February 2006

In a famous poem by Hopkins, a child called Margaret is rebuked for grieving over the fall of leaves. Leaves fall; stuff happens; we get over it; or, to stay with Hopkins’s idiom, the heart...

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In Paris: ‘The Delirious Museum’

Peter Campbell, 9 February 2006

The designer Calum Storrie has just published a book called The Delirious Museum.* His starting point is the belief that the museum should be a continuation of the street – as easy to...

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At the Wallace Collection, Poussin’s A Dance to the Music of Time has been taken down into the basement. It can be found there until 5 February, holding a position of honour in Dancing to...

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Thwarted Closeness: Diane Arbus

Adam Phillips, 26 January 2006

If it is too often said about Diane Arbus that she photographs freaks, it does at least suggest that we know what normal people are like, what people look like when they are not odd. It is...

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At Tate Modern: Henri Rousseau

Peter Campbell, 5 January 2006

Henri Rousseau said that Cézanne couldn’t draw, which seems a bit unfair when, by the standards of the academy, he couldn’t draw either. But there is certainly a sense in which...

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The official euphemism for it sounds like the title of a Tom Clancy thriller, or a straight-to-video 1980s action movie starring Chuck Norris. The practice itself sounds like something that might...

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Cradles in the Portego: Renaissance Venice

Nicholas Penny, 5 January 2006

The inexhaustible appeal of the palaces that line the Grand Canal in Venice owes much to their variety, of materials, textures, colour and relief, as well as period and style. But we cannot miss...

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He shoots! He scores! José Mourinho

David Runciman, 5 January 2006

In the United States, there has been a lot of serious academic research – and some not so serious – into the curious phenomenon of the Hot Hand. In all sports, there are moments when...

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Always There: George Braque

Julian Barnes, 15 December 2005

They were friends, companions, painters-in-arms committed to what was, at the start of the 20th century, the newest and most provoking form of art. Braque was just the younger, but there was...

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Short Cuts: the Regent Street lights

Peter Campbell, 15 December 2005

It’s the time of year when the kinds of thing that are done with light are very like those which, if done with a spray-can, would have boys up in front of the magistrates. Above Regent...

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