Go, Modernity: Norman Foster

Hal Foster, 22 June 2006

Has any other contemporary designer ‘signed’ as many cityscapes as Norman Foster? Perhaps no architect since Christopher Wren has affected the London skyline so dramatically, from the...

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As a Manchester United supporter who was born and grew up in Bristol, I have long been the subject of derision. There are loads of jokes. How many United fans does it take to change a light bulb?...

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The BBC claims to be looking forward to a newly interactive and demanding audience of ‘participants and partners’ and ‘communities’ and so on; but there is an opposing possibility,...

Read more about Across the Tellyverse: Daleks v. Cybermen

Despite everything Auden said, there are plenty of works by Old Masters, even at the Musée des Beaux Arts in Brussels, in which suffering and death take centre stage, in which the drama is...

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Short Cuts: cricket’s slanging matches

John Lanchester, 8 June 2006

It’s not true to say that only bad books make the bestseller list. But it is a little bit true, and it is always the case that bad books greatly outnumber good ones at the top end of the...

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The great secret of Ron Howard’s movie version of The Da Vinci Code has nothing to do with murders, cryptology, the Templars, Opus Dei, Mary Magdalene, or the idea that Christ might have...

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Exhibitions illustrating the interaction of cultures often display one-way relationships – the influence of Japanese prints, say, on French 19th-century painting. Not so the exhibition

Read more about At the National Gallery: Gentile Bellini

Though this measure quaint confine me, And I chip out words and plane them, They shall yet be true and clear, When I finally have filed them. Love glosses and gilds them . . . Arnaut...

Read more about ‘I was such a lovely girl’: The Songs of the Medieval Troubadours

Thucydides claimed that posterity should not judge the power and dignity of states by their architectural remains. The power of Sparta over much of the Peloponnese and beyond could not have been...

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At the Soane Museum: Joseph Gandy

Peter Campbell, 11 May 2006

Joseph Gandy (1771-1843) was an architect. More important, he was also a painter of architectural fantasies and reconstructions of historical architecture. These are precisely drawn, dramatically...

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‘When there’s blood on the streets, buy property.’ This sturdy piece of advice becomes a refrain in Spike Lee’s new movie, Inside Man, where it is ludicrously literalised...

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If you had taken a walk in Paris last autumn, you might have come across grinning cats graffitied on walls and buildings. The person responsible for this was Chris Marker: cats play an important...

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I have, most mornings, been keeping track of two construction sites. The Brunswick Centre in WC1 is being refurbished. It opened in 1972 and is the closest thing you will get outside a picture...

Read more about At the V&A and Tate Modern: Modernist Design

Michelangelo’s red-chalk study from life for the Sistine Chapel Creation of Adam is one of ninety or so sheets to be seen at the British Museum until 25 June. This drawing triumphantly...

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White Hat/Black Hat: 20th-Century Art

Frances Richard, 6 April 2006

Helen Gardner’s benevolently dictatorial Art through the Ages was published in 1926, and remained the pre-eminent survey for American undergraduates until 1962, when H.W. Janson’s

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Anonymous city, handheld camera, actors who scarcely seem to be acting: we may think we know where we are, more or less. This is surely the New Wave by way of Neo-Realism, early Truffaut chasing...

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Short Cuts: Ian Blair and the IPCC

Thomas Jones, 6 April 2006

The police could reasonably be charged with making decisions based on speculation rather than fact – they speculated that Jean Charles de Menezes was a terrorist, for example, when in fact he was...

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At the Courtauld: Giambattista Tiepolo

Peter Campbell, 23 March 2006

Follow the history of Italian painting and you see saints, the holy family, mythical heroes and heroines, attendant angels, putti, ladies in waiting and men at arms hustled along by tides of...

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