Hugolian Gothic: Gargoyles of Notre-Dame

Graham Robb, 25 February 2010

It was Victor Hugo who first brought the water evacuation system of Notre-Dame cathedral to the world’s attention. The central character of Notre-Dame de Paris (1831) was like a living...

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Diary: On the Common

Will Self, 25 February 2010

Melvyn Bragg’s In Our Time has become something of a badge to be worn with pride by the contemporary British dilettante. I often find myself groping for conversation, when my interlocutor,...

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At the Movies: Yasujiro Ozu

Michael Wood, 25 February 2010

Many film-makers create worlds we imagine we could inhabit, and some of them specialise in this effect, set up whole colonies of the imagination for us. We experience the eeriness of an empty...

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At the Grand Palais: Christian Boltanski

Barry Schwabsky, 11 February 2010

Frank Stella once complained about what he saw as a kind of timidity in Italian painting before Leonardo, something ‘in the acceptance of commissioned configurations, in the attitude...

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At the Movies: ‘Avatar’

Michael Wood, 28 January 2010

The first time the name appeared in the movie I thought I had misheard it. The second time also. It was only when I read a few reviews and plot summaries that I could confirm that I wasn’t...

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At the Funfair: ‘Winter Wonderland’

Peter Campbell, 7 January 2010

In an experiment reported many years ago a pencil of light was shone through a tank. The resident goldfish chose to swim back and forth through the beam. This was interpreted as evidence of an...

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Living Death: Among the Sarcophagi

T.J. Clark, 7 January 2010

When I die please bury me In a high-top Stetson hat, Put a 20-dollar gold piece on my watch-chain So the boys will know I died standing pat. ‘Saint James Infirmary’ A few years...

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Mother! Oh God! Mother! ‘Psycho’

Jenny Diski, 7 January 2010

‘This is where we came in’ is one of those idioms, like ‘dialling’ a phone number, which has long since become unhooked from its original practice, but lives on in speech...

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At the Ashmolean: The things themselves

Peter Campbell, 17 December 2009

C.R. Cockerell’s Ashmolean Museum of 1845 has a pedimented central bay with projecting wings. The architectural detail – in two colours of stone, used very prettily – draws on...

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Piperism: John and Myfanwy Piper

William Feaver, 17 December 2009

The elongated shards of smog grey, pea green and lemonade that, since 1968, have cast a wan light on pews reserved for the use of MPs in St Margaret’s, Westminster, are untypical of John...

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Diary: The World Cup

R.W. Johnson, 17 December 2009

Cape Town is in a state of serious dislocation because of next summer’s football World Cup. The huge new 68,000-seater stadium at Green Point is virtually complete but there are roadworks...

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At the Movies: ‘A Serious Man’

Michael Wood, 17 December 2009

There is a certain kind of Jewish joke that doesn’t end, but peters out in a shoulder-shrugging way, as if to say: ‘You thought this was going to be a joke?’ I’ll spare...

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Ask ‘What are they for?’ of objects in a design museum and you get good answers. Cups are to drink from, hats are to wear. In an art gallery, where the relevance of the use such...

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Diary: Grief and the Cameras

Andrew O’Hagan, 3 December 2009

At the moment the television channel that speaks most directly to young people is ITV2. As I sit at my desk writing this diary, the channel is showing an episode of the American problems-show

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Writing his memoirs in 1946, two years before his death, Sergei Eisenstein declared that he had ‘been fascinated by bones and skeletons since childhood’. His first experience of film...

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At the Hayward: Ed Ruscha

Hal Foster, 19 November 2009

‘Whatever my work was made up of in the beginning,’ Ed Ruscha said in 1989, ‘is exactly what it is like today.’* Well, not ‘exactly’, but his art is...

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A prim and eager young clerk, working for his art-dealer uncle, is writing to his schoolboy brother. Pictures and books are the 19-year-old’s meat and drink: he soon adds Millais, Dickens...

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At the British Museum: Moctezuma

Peter Campbell, 5 November 2009

The exhibition Moctezuma: Aztec Ruler, at the British Museum until 24 January 2010, is sombre and disturbing – the chirpy half-rhyme in the title hits a wrong note. (The catalogue says not...

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