Love and Hate, Girl and Boy: Louise Bourgeois

Juliet Mitchell, 6 November 2014

Louise Bourgeois​ died, aged 98, in May 2010. Shortly before her death Jerry Gorovoy, her long-time assistant, found a forgotten box of her jottings, unpublished papers and diaries from her...

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Short Cuts: Narcissistic Kevins

David Runciman, 6 November 2014

Some professions​ attract people suffering from extreme forms of narcissism (or as it’s sometimes called, narcissistic personality disorder). Politics is one; sport is another. A recent...

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Diary: London’s Lost Cinemas

Iain Sinclair, 6 November 2014

While trying to ignore my seventieth birthday I was offered an unexpected gift: the chance to nominate seventy films that would be shown in orthodox and unorthodox venues across London.

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At the RA: Anselm Kiefer

John-Paul Stonard, 6 November 2014

Anselm Kiefer​ first came to public attention in London in A New Spirit in Painting, the exhibition held in 1981 at the Royal Academy. It’s fitting, then, that this should be the venue...

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At Tate Modern: Richard Tuttle

Anne Wagner, 6 November 2014

It’s easy​ to see why Richard Tuttle’s work has a tendency to rile people – in particular people who insist on believing that sculpture, even if it no longer needs to be solid...

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Le Journal and Le Club: Mediapart

Tariq Ali, 23 October 2014

Walking​ from the Bastille to the rue Saint-Antoine in Paris a few weeks ago, I was thinking how swiftly the last few decades have taken their revenge on the past. The spectacle that...

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At the V&A: Constable

Rosemary Hill, 23 October 2014

Constable​, as the V&A’s press release puts it, is ‘Britain’s best-loved artist’, and that in a way is the problem. (Constable: The Making of a Master is at the...

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At the Movies: ‘Gone Girl’

Michael Wood, 23 October 2014

Warning: Even more spoilers than usual. ‘One can feel​ that there is always a camera left out of the picture,’ Stanley Cavell wrote in The World Viewed, ‘the one working...

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At the V&A 2: Wedding Dresses, 1775-2014

Rosemary Hill, 9 October 2014

Of all​ the 19th-century innovations disparaged by Eric Hobsbawm as ‘invented traditions’, the white wedding must rank alongside clan tartans as the most enduring, a convention now...

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The Girl Who Waltzes: George Balanchine

Laura Jacobs, 9 October 2014

In 1973​, when George Balanchine was asked by his biographer Bernard Taper to appraise the previous decade of his life, he replied: ‘It’s all in the programmes.’ He meant...

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At the V&A 1: Disobedient Objects

Nick Richardson, 9 October 2014

To make​ a DIY tear-gas mask first cut the bottom off a large plastic bottle. Then turn it upside down and cut away a tall U-shaped area big enough to put your face into. Get a dust mask, soak...

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Shapeshifter: Elvis looks for meaning

Ian Penman, 25 September 2014

In the spring of 1965, on the road between Memphis and Hollywood, desert plains all around, his bloodstream torqued by a tinnital static of prescription ups and downs, Elvis Presley finally broke down.

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At the Movies: ‘A Most Wanted Man’

Michael Wood, 25 September 2014

At​ the centre of a wide shot, near the centre of the film, stands Philip Seymour Hoffman: scruffy, genial, large, mildly enigmatic. He is in a city park, trees all around him, leaves beneath...

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In Cardiff: Richard Wilson

John Barrell, 25 September 2014

It is as if the wildly inflated claim that Richard Wilson ‘transformed’ European landscape painting can only be given even a touch of credibility by passing him off as a Londoner, or at least not as...

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At the NPG: ‘Virginia Woolf’

Jean McNicol, 11 September 2014

On​ 16 October​ 1940 the house in Tavistock Square in which Virginia Woolf had lived for 15 years was destroyed by a bomb. The first image in the National Portrait Gallery’s exhibition

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London’s population is near its peak, its skyline mangled by ‘the erection of tall buildings, especially if they are of eccentric or self-promoting “iconic” design’.

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At Tate Modern: Kazimir Malevich

Tony Wood, 21 August 2014

How​ many Maleviches were there? Though renowned as a pioneer of abstraction, especially for the stark geometry of his Suprematist canvases, Kazimir Malevich worked in many styles over the...

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The secret beating heart of the dream office is the stationery cupboard, the ideal kind, the one that opens to enough depth to allow you to walk in and close the door behind you.

Read more about Post-its, push pins, pencils: In the Stationery Cupboard