At the RA: Richard Diebenkorn

Jeremy Harding, 7 May 2015

Three years or so​ before his death, Richard Diebenkorn illustrated an elegant volume of Yeats’s poems from Arion Press in San Francisco, introduced by Helen Vendler. Vendler had already...

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Coma-Friendly: Philip Glass

Stephen Walsh, 7 May 2015

Words without Music​ is Philip Glass’s second book about himself, and it inevitably includes some of the same information, or the same kind of information, as its predecessor, published in...

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Majestic,​ awesome, sublime. Ah, the triviality of human existence compared to the aloof grandeur of the Alps. Words and thoughts along these lines are what the carefully stereotyped...

Read more about At the Movies: ‘Force Majeure’, ‘Clouds of Sils Maria’

Indoor Raincoat: Joy Division

Lavinia Greenlaw, 23 April 2015

When​ people equate pop lyrics with poetry, they expect pop to feel flattered and sometimes it is. So This Is Permanence reminds us that lyrics can reward close attention without being recast....

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At Tate Liverpool: Leonora Carrington

Alice Spawls, 23 April 2015

‘The women surrealists​ were considered secondary to the male,’ Leonora Carrington reported; their role was to inspire, as well as cook and clean. But she was never comfortable with...

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At the Courtauld: Goya’s Witches

T.J. Clark, 9 April 2015

It’s hard​ to pick a single image to stand for Goya’s Album D, whose sad totality – a triumph of reconstitution, gathered from collections across the world – is the...

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All about Me: Don Bachardy

Kevin Kopelson, 9 April 2015

I too​ was ‘a single man’ in the fall of 1999. And like the doomed protagonist, George, in the novel A Single Man by Christopher Isherwood, I too was gay; I too was an English...

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Mad Men is a show about writers dependent on advertising, written by writers dependent on advertising.

Read more about The Shock of the Pretty: Seventy Hours with Don Draper

At the Movies: ‘It Follows’

Michael Wood, 9 April 2015

We are looking​ at a broad, empty suburban street, plenty of trees, houses set well back from the road. You might guess it was America, and the reviews tell you it’s Detroit. The movie...

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The ashtrays worry me: Eric Rohmer

Emilie Bickerton, 19 March 2015

Eric Rohmer​ never left things to chance, but he did make use of the unexpected. It’s a paradox we find a lot in his films, and something he practised daily in the double life he lived...

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Woman/Manly: Kim Gordon

Kristin Dombek, 19 March 2015

She was not a token girl bass player, not a riot grrrl in an angry all-girl band, but a musician among musicians, standing next to her husband, to all appearances equal, taking turns.

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After the White Cube

Hal Foster, 19 March 2015

Tate Modern II​, designed by Herzog and de Meuron, is now rising on the Thames. On the Hudson the new Whitney Museum, conceived by Renzo Piano, will open its doors in May. Guided by Diller...

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At White Cube: Christian Marclay

Nick Richardson, 19 March 2015

Christian Marclay​’s new show (at White Cube Bermondsey until 12 April) is all about teaching you to hear with your eyes. Surround Sounds, its centrepiece, is a soundproofed room full of...

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At the RA: Rubens and His Legacy

Julian Bell, 5 March 2015

The apple​ hadn’t yet fallen on Newton when Rubens died in 1640. Bodies might have weight, but gravity made a local rather than a comprehensive claim on them. Minerva’s heel thrusts...

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At the Movies: Katharine Hepburn

Michael Wood, 5 March 2015

On screen​, Katharine Hepburn looks as if she has made a curious contract with time. She has promised not to change, and time has promised not to count properly. Of course time can’t...

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Where am I in all this? Pola Negri

Michael Newton, 19 February 2015

In​ Singin’ in the Rain (1952), the curtain rises on Grauman’s Chinese Theatre on the night of the premiere of The Royal Rascal (‘The Biggest Picture of 1927’)....

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At Tate Modern: Conflict, Time, Photography

Julian Stallabrass, 19 February 2015

Desert scenes​ of an army’s destruction fill an entire gallery, from floor to ceiling. The view switches between shots taken from an aircraft – bomb craters, fields of shattered...

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Just occasionally in Blake’s engravings there are pictures within pictures, and we get a glimpse of the life he thought images might lead in a better world.

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