By the Gasometers

Andrew O’Hagan, 2 July 2015

In the days before Eurostar came to the area behind King’s Cross, before St Martin’s, the Guardian, Camden Council’s offices and (soon) Google UK, there existed a few cobbled...

Read more about By the Gasometers

Harold Shand​, the fictional chief mobster in The Long Good Friday (1980), now showing in a restored version at the BFI, is played by Bob Hoskins in one of his great early performances....

Read more about At the Movies: ‘The Long Good Friday’

Riccardo Selvatico​, the progressive mayor of Venice in the early 1890s and author of poems and comic plays, lost his post to a less secular, less intellectually minded candidate before the...

Read more about At the Venice Biennale: All the World’s Futures

Exhibitionists: Curation

Hal Foster, 4 June 2015

The Surrealists​ liked to proclaim that everyone who dreams is a poet, and Joseph Beuys that everyone who creates is an artist. So much for the utopian days of aesthetic egalitarianism; maybe...

Read more about Exhibitionists: Curation

Velvet Gentleman: Erik Satie

Nick Richardson, 4 June 2015

There are many kinds of eccentric and Satie was most of them.

Read more about Velvet Gentleman: Erik Satie

It took a very special kind of invention to get an awareness of the ‘erratic truth of death’s timing’ into a medium of mass entertainment.

Read more about Hiatus at 4 a.m.: What scared Hitchcock?

At the V&A: Alexander McQueen

Marina Warner, 4 June 2015

At​ La Mécanique des dessous (‘The Mechanics of Undergarments: An Indiscreet History of the Silhouette’), an unexpected exhibition about underwear in Paris two years ago...

Read more about At the V&A: Alexander McQueen

At the Movies: Asghar Farhadi

Michael Wood, 4 June 2015

The​ films of the Iranian director Asghar Farhadi keep us guessing in all kinds of interesting ways, but also make us wonder whether guessing is what we should be engaged in. The questions the...

Read more about At the Movies: Asghar Farhadi

Back to Life: Rothko’s Moment

Christopher Benfey, 21 May 2015

In the​ old ‘Rothko room’ of the pre-expansion Phillips Collection in Washington DC, it was possible to feel that you had stumbled on a private sanctuary, furnished with a single...

Read more about Back to Life: Rothko’s Moment

How early​ was early photography? And how long did its earliness endure? The customary answer is just short of three decades, from about 1839 to 1865. The first date marks not the beginning of...

Read more about At Tate Britain: ‘Salt and Silver’

At the RA: Richard Diebenkorn

Jeremy Harding, 7 May 2015

Three years or so​ before his death, Richard Diebenkorn illustrated an elegant volume of Yeats’s poems from Arion Press in San Francisco, introduced by Helen Vendler. Vendler had already...

Read more about At the RA: Richard Diebenkorn

Coma-Friendly: Philip Glass

Stephen Walsh, 7 May 2015

Words without Music​ is Philip Glass’s second book about himself, and it inevitably includes some of the same information, or the same kind of information, as its predecessor, published in...

Read more about Coma-Friendly: Philip Glass

Majestic,​ awesome, sublime. Ah, the triviality of human existence compared to the aloof grandeur of the Alps. Words and thoughts along these lines are what the carefully stereotyped...

Read more about At the Movies: ‘Force Majeure’, ‘Clouds of Sils Maria’

Indoor Raincoat: Joy Division

Lavinia Greenlaw, 23 April 2015

When​ people equate pop lyrics with poetry, they expect pop to feel flattered and sometimes it is. So This Is Permanence reminds us that lyrics can reward close attention without being recast....

Read more about Indoor Raincoat: Joy Division

At Tate Liverpool: Leonora Carrington

Alice Spawls, 23 April 2015

‘The women surrealists​ were considered secondary to the male,’ Leonora Carrington reported; their role was to inspire, as well as cook and clean. But she was never comfortable with...

Read more about At Tate Liverpool: Leonora Carrington

At the Courtauld: Goya’s Witches

T.J. Clark, 9 April 2015

It’s hard​ to pick a single image to stand for Goya’s Album D, whose sad totality – a triumph of reconstitution, gathered from collections across the world – is the...

Read more about At the Courtauld: Goya’s Witches

All about Me: Don Bachardy

Kevin Kopelson, 9 April 2015

I too​ was ‘a single man’ in the fall of 1999. And like the doomed protagonist, George, in the novel A Single Man by Christopher Isherwood, I too was gay; I too was an English...

Read more about All about Me: Don Bachardy

Mad Men is a show about writers dependent on advertising, written by writers dependent on advertising.

Read more about The Shock of the Pretty: Seventy Hours with Don Draper