Why do you make me do it? Robert Ryan

David Bromwich, 18 February 2016

‘A ngry men​ and furious machines.’ No verb, no explanation – it is the first line of ‘Dutch Graves in Bucks County’, a poem that Wallace Stevens published in...

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I  cycled​ to the Design Museum on my secondhand Carlton: a ten-speed club racer built in Worksop, Nottinghamshire in 1979 and later outfitted (plastic mudguards, ugly rack, slightly...

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Short Cuts: Julian Assange

Daniel Soar, 18 February 2016

T his is​ a story about two bad boys. One, Julian Assange, has been holed up in the Ecuadorian embassy in London for more than three years. The other, the artist Ai Weiwei, has done his time in...

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At the Movies: ‘The Big Short’

Michael Wood, 18 February 2016

H indsight​ is a fine thing, and hindsight about a bit of foresight is even better when it comes to storytelling. There was a time when nobody knew anything about what was happening, whatever...

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The Thrill of It All: Zombies

Michael Newton, 18 February 2016

My friends’ toddler staggered towards the zombies; the zombies staggered towards him. Soon they were among us. Blood congealed around eye sockets; cuts slashed down cheeks; eyes whited out. One...

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Around Here: Drifting into the picture

Alice Spawls, 4 February 2016

W hen​ I walk up Bury Place on my way from Little Russell Street and the London Review office, I get the same view of the British Museum that Vilhelm Hammershøi recorded in 1906....

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Bowie’s Last Tape

Thomas Jones, 4 February 2016

W hen,​ on his 69th birthday, David Bowie released Blackstar, arguably his best record for 35 or even 40 years, it looked for a moment as if he might be hitting his stride again. His previous...

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Bypass Variegated: Osbert Lancaster

Rosemary Hill, 21 January 2016

A rriving​ at his prep school in the bleak winter of 1918 the ten-year-old Osbert Lancaster was made even more miserable than the average new bug by the fact that St Ronan’s, Worthing was...

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At Tate Britain: Frederick Swynnerton

Inigo Thomas, 21 January 2016

F rederick Swynnerton​ was a portrait painter born in Douglas, capital of the Isle of Man, in 1858. His father was a sculptor and stonemason: so were two of his four brothers, Joseph and Mark....

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At the Movies: ‘Le Mépris’

Michael Wood, 21 January 2016

J ean-Luc Godard​ ’s Le Mépris has many admirers, and a restored print of it gets star billing in the BFI’s current season devoted to the director. Certainly it offers some...

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P oliteness​ is overrated, I thought as I walked through the Newport Street Gallery in early December. The vast new free-to-enter exhibition space in Vauxhall was established by Damien Hirst, a...

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Short Cuts: Shakespeare’s Faces

Rosemary Hill, 7 January 2016

I t is​ a curious fact of history, which my research on antiquarianism has brought home to me, that if something is believed in or wanted for long enough, it will eventually materialise. From...

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Brandenburg’s Dream: Digital Piracy

Derek Walmsley, 7 January 2016

After many long nights in the laboratory listening to encoded versions of Suzanne Vega’s intimate a cappella song ‘Tom’s Diner’ on thousand-dollar headphones, the Fraunhofer team...

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The Real Thing! Visions of Vice

Julian Barnes, 17 December 2015

I n​ 1849 Flaubert was in Cairo with his friend Maxime Du Camp, a rising littérateur as well as the official photographer for their tour of the Middle East. On 1 December, Flaubert wrote...

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At the Movies: ‘The Hunger Games’

Michael Wood, 17 December 2015

P erhaps​ because it’s based on a lively trilogy of novels for supposed teenagers, more probably because its writers and directors knew how to have a good time with stereotypes, The...

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At the Imperial War Museum: Lee Miller

Gaby Wood, 17 December 2015

H ow​ close can you get? That seems to be the question Lee Miller’s war photographs are trying to answer. In theory, it’s the question behind any action shot, or any embedded...

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‘T his is a film​ about toy trains. These are real toys – not scale models. That doesn’t mean that toys are good and scale models are bad – but they are...

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B y​ the 1780s, when the German writer Pierce von Campenhausen visited the Ottoman dependency of Moldavia, its capital, Iaşi, belonged to an Orient that would be familiar to readers of Edward...

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