At the Movies: ‘The Martian’

Michael Wood, 22 October 2015

Martians​ have been invading us for longer than most of us can remember; but when did we invade them? Or when did we become certain that there were no Martians to invade or be invaded by? The...

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At the Royal Academy: Ai Weiwei

Brian Dillon, 8 October 2015

Among​ the more modestly engaging works in Ai Weiwei’s spectacular and somewhat dispiriting exhibition at the Royal Academy (until 13 December) is a framed wire coathanger, stretched and...

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Diary: Real Murderers!

James Meek, 8 October 2015

Conceived in Moscow in 2005 as a film about the great Soviet physicist Lev Landau, Dau turned into something much stranger.

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Ravishing: Sex Lives of the Castrati

Colm Tóibín, 8 October 2015

Castrati could shift and transform themselves. Everybody, it seemed, wanted them, but for different things.

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‘Ever go​ to the movies?’ the gangster says to the waiter in a small-town diner. ‘Once in a while,’ the waiter replies. ‘You ought to go to the movies more,’...

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At the Courtauld: Jonathan Richardson

Esther Chadwick, 10 September 2015

‘I wake early​, think; dress me, think; walk, think; come back to my chamber, think; and as I allow no thoughts unworthy to be written, I write.’ There is a clock-like rhythm...

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Frank Auerbach’s London: Frank Auerbach

T.J. Clark, 10 September 2015

That marvellous line from Thomas Hardy’s ‘At the Railway Station’: ‘And the man in the handcuffs suddenly sang/With grimful glee …’ Frank Auerbach to William...

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The Method of Drifting: John Craske

Ian Patterson, 10 September 2015

In​ the final pages of The Rings of Saturn, W.G. Sebald imagined ‘the depths of despair into which those can be driven who, even after the end of the working day, are engrossed in their...

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At Tate Modern: Agnes Martin

Nicholas Spice, 10 September 2015

Agnes Martin​’s lifelong dedication to simplicity of mind was perhaps made easier (it was certainly not impeded) by the faint trace of simple-mindedness in her nature. Had she not had...

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At Tate Britain: Hepworth

Anne Wagner, 27 August 2015

I wish​ someone would explain why yet another major Tate Britain exhibition has come under critical fire. The latest round of brickbats started flying a good six months before Barbara...

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Selfie with ‘Sunflowers’

Julian Barnes, 30 July 2015

No one did colour more blatantly and more unexpectedly than Van Gogh.

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At the Watts Gallery: Richard Dadd

Julian Bell, 30 July 2015

Portrait painting​ requires stillness. What, for the subject, is it like to be still? As far as one can tell, the gentleman facing Richard Dadd in 1853 had nothing that he wished to project:...

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Almost Lovable: What Stalin Built

Sheila Fitzpatrick, 30 July 2015

Back in the day, everyone knew that Stalinist architecture was hateful.

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At the Movies: ‘Touch of Evil’

Michael Wood, 30 July 2015

In​ a memo about Touch of Evil, Orson Welles asked Universal Studios to pay attention to the ‘brief visual pattern’ he had drawn, suggesting improvements for the film. This was...

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At Tate Modern: Sonia Delaunay

Eleanor Birne, 16 July 2015

Sonia Delaunay​ – who designed clothes worn by Gloria Swanson and Nancy Cunard, whose bold zigzag textiles and liveried Citroën graced the cover of the January 1925 issue of Vogue,...

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Throughout Back to Black, her glottal-stopped London accent eerily combines with a Motown swing in the phrasing, each element undercutting and enhancing the other to make a smooth-rough-smooth sound...

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Diary: Ornette Coleman

Adam Shatz, 16 July 2015

‘One of the most baffling things about America,’ Amiri Baraka wrote in 1963, ‘is that despite its essentially vile profile, so much beauty continues to exist here.’...

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On the field of Waterloo​ the corner that is for ever England is the Château-Ferme de Hougoumont. Here, on 18 June 1815, 2500 British soldiers held off 12,500 French, nearly a quarter of...

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