At the Movies: ‘Miles Ahead’

Michael Wood, 19 May 2016

T he places​ were Philadelphia and New York, the names were John Coltrane, Miles Davis, Bill Evans and a few others, heirs to Charlie Parker and Dizzy Gillespie, spoken of with awe in every...

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Ways to Be Pretentious

Ian Penman, 5 May 2016

For a while now, Smith has been the sort of feel-good, feels-real celeb who gets invited to ‘guest edit’ Vogue when the Dalai Lama is resting. Does anyone much like any of her post-Horses...

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‘Work … has been a pleasure throughout,’ Pevsner wrote in the introduction to the first edition of Suffolk. ‘The weather was clement, the natives friendly, the scenery and...

Read more about Lola did the driving: Pevsner’s Suffolk

T he first picture​ you come across in Tate Modern’s vast and various exhibition Performing for the Camera (until 12 June) is Yves Klein’s arresting and now iconic Leap into the...

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The End of the Scottish Press?

Peter Geoghegan, 21 April 2016

L ate last year,​ Rangers played host to Hibernian. Both teams are currently in the Scottish Championship, the second tier of Scottish football – after going into administration in 2012...

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The Real Thing

Jenni Quilter, 21 April 2016

On a spring day in New York City in 1960, Grace Hartigan, then 38 years old, took the train uptown. To anyone who saw her on the subway, she wouldn’t have looked like a painter.

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‘You’re an idiot.’ On its own that sentence is an insult, but add an emoji and it can seem self-deprecatory, even affectionate. Emoji – just in case you’ve been in...

Read more about Short Cuts: Aubergines are no longer merely aubergines

‘W ithout you​ ,’ Hugh Hefner said to the Playmates he’d assembled for a party to celebrate the 25th anniversary of Playboy, ‘I’d have been the publisher of a...

Read more about If you don’t swing, don’t ring: Playboy Mansions

At the Movies: ‘Anomalisa’

Michael Wood, 21 April 2016

‘W e’d​ all be human if we could,’ a sinister character sings in The Threepenny Opera. His hypocrisy is unmistakable, but the ironic implication may also be right. We...

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W hen​ a beloved building goes dark, a hole opens in the urban fabric: so it was when the Whitney Museum left its old home on New York’s Upper East Side, constructed by Marcel Breuer in...

Read more about At the Met Breuer: Thoughts made visible

At the Royal Academy: Giorgione

Charles Hope, 31 March 2016

G iorgione​ (c.1477-1510) is unique among famous European painters in that at different periods he has been credited with entirely different pictures. Even today, there is great disagreement...

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Under Rhodes: Rhodes Must Fall

Amia Srinivasan, 31 March 2016

No one at Oxford, or anywhere else in the UK, talked much about Cecil Rhodes before the protests began. Portraits and statues of dead white men are like air in Oxford, ubiquitous and generally unremarked....

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At the National Gallery: Delacroix

Julian Bell, 17 March 2016

A  canvas​ begun in the autumn of 1848 and finished the following spring is, at four foot eight inches wide, one of the heftier items in Delacroix and the Rise of Modern Art, an exhibition...

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Sight, Sound and Sex: Dana Spiotta

Adam Mars-Jones, 17 March 2016

L ong before​ electronic media came up with the phrase, literature had been relegated to the status of preferred ‘content provider’ for films. Bestsellers achieve special...

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At the Movies: ‘Hail, Caesar!’

Michael Wood, 17 March 2016

E ddie Mannix​ , in the Coen Brothers’ new movie, Hail, Caesar!, is not a devout or informed Catholic but he does like to confess. He’s not doing well with his plan of giving up...

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Robert Moses was a modernist pharaoh. Over the forty years from the early 1930s to the late 1960s, he became a virtual dictator of public works in all five boroughs of New York and much of its suburban...

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At Tate Modern: Alexander Calder

Rosemary Hill, 3 March 2016

S culpture​ conventionally does one of two things; it either creates space by carving, or creates volume by modelling. Once the material has been cut back or built up, a statue, as the word...

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I want my wings: The Last Tycoons

Andrew O’Hagan, 3 March 2016

Like proper myths, Hollywood’s stories are almost exclusively about metamorphosis, self-destruction and things going wrong, but they are at least stories as opposed to advertisements.

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