At the Movies: ‘The Truth’

Michael Wood, 13 August 2020

Hirokazu​ kore-eda’s film The Truth, released in France in January and now available online, feels like a respectable weepie, a mother and daughter story, except that it keeps being...

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At Oberlin: Eva Hesse

Anne Wagner, 30 July 2020

The idea of negation was central to the tensions Eva Hesse created and mediated in her sculptures. One of her favourite descriptions of them was ‘chaos structured as non-chaos’: it captures...

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Since​ 1961 more people have gone into space than have raced in Formula 1 Grand Prix. This doesn’t mean that it’s harder to become an F1 driver than an astronaut. But motorsport is...

Read more about Dear boy, I’d rather see you in your coffin: Paid to Race

Michael Tippett’s freewheeling creative spirit had started to rub the British classical music establishment up the wrong way. He was going rogue at a time when much British music sounded stiff,...

Read more about His Own Sort of Outsider: Tippett’s Knack

On Dorothea Lange

Joanna Biggs, 16 July 2020

When I look at Dorothea Lange’s daughter-in-law sleeping, I remember that the US is the only OECD country where women have no right to paid maternity leave, and when I look at the child sleeping...

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At Tate Modern: Steve McQueen

Colin Grant, 16 July 2020

McQueen’s work returns again and again to the question of how to mark a life, particularly one ended by violence. In Grenada in 2002, he filmed a young fisherman called Ashes riding the prow of...

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Charlot v. Hulot: Tativille

David Trotter, 2 July 2020

Charlot, a compound of abstractions, had always been the anvil on which Chaplin could beat out allegory whenever he needed to. Hulot, by contrast, became less and less distinct as Jacques Tati’s...

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At the Movies: ‘Da 5 Bloods’

Michael Wood, 2 July 2020

Spike Lee’s​ Da 5 Bloods (on Netflix) is an extraordinary mixture: a swashbuckling pirate movie about buried gold and a shoot ’em up Western mysteriously transplanted to the East....

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At the Type Archive

Alice Spawls, 2 July 2020

It required a combination of strength and accuracy scarcely imaginable today to take a piece of steel as small as an ant and cut away the extraneous material to leave, for instance, this 9.5 point letter...

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On the Pitch

Ben Walker, 18 June 2020

‘The people’s game without the people,’ the football commentator Peter Drury said on 12 March, introducing BT Sport’s coverage of the Europa League fixture between...

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At the National Gallery: Nicolaes Maes

Clare Bucknell, 18 June 2020

How​ would a child know that Jesus was a special kind of adult? In early modern depictions of Christ blessing little children, it’s conventional for even the smallest babies to be aware...

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Diary: How to Draw an Albatross

Gaby Wood, 18 June 2020

You didn’t need to know what it was, or to be reminded of the albatross’s association with luck or guilt or human burden, or even to understand how far this one must have travelled, to see...

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At the Movies: ‘Arkansas’

Michael Wood, 4 June 2020

Many​ new films have deferred release dates, and cinemas keep reminding us to watch at home the films they can’t show. ‘The olden days,’ Anthony Lane said in a recent, very...

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When​ in 2010 a group of Old Testament paintings by Francisco de Zurbarán were offered for private sale it came as something of a surprise. The owner couldn’t be blamed for failing...

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Sightbites: Archigram’s Ghost

Jonathan Meades, 21 May 2020

Archigram was an out-of-hours architectural band of six men – Peter Cook, Warren Chalk, Ron Herron, Dennis Crompton, Michael Webb and David Greene – whose day jobs were with big...

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Edward James was filmed in the late 1970s, striding round Las Pozas in a sweater and a tattered dressing-gown, surmounted by parrots. When asked what motivated him, he replied: ‘Pure megalomania!’ 

Read more about At Las Pozas: Edward James’s Sculpture Garden

On​ 5 November 1982, the post-punk group Ludus played a gig at the Haçienda, the Manchester club run by Factory Records and best known today for its association with New Order and the...

Read more about At Kettle’s Yard: ‘Linderism’

Asmartly​ dressed man, wearing suit, tie and hat in the 1920s fashion, walks towards us along a New York street, accompanied by a stylish woman. Suddenly, he is flat on his back. He gets up,...

Read more about At the Movies: Buster Keaton’s Last Great Film