Probably with Magritte in mind, André Breton once offered the image of ‘a man cut in two by a window’ as the paragon of the Surrealist picture. This is close to what Jasper Johns presents:...
As a student, I was always taught to look rather than to think, but still life painting seems to confound this wisdom; moments of intense scrutiny so often yield disappointing results. Could it be that...
Art historians often ask where the saints and the Virgin are and what are they doing in altarpieces, especially those, common in Venice, in which the painted space seems an architectural extension behind...
Ghosts and time travel don’t usually mix. In the one case, they visit us; in the other, we visit them. In Edgar Wright’s Last Night in Soho, both things happen simultaneously....
Many of the works in The Making of Rodin, currently on show at Tate Modern (until 21 November), are displayed on what look like the packing cases in which they arrived. A notice on the wall...
I am haunted by the figure of Rolanda Polonsky, walking through the hospital corridors. If my eight-year-old self had opened the doors that frightened me I might have found her, back then, exactly as...
Joan Eardley’s paintings show decrepit buildings and startled faces, but also something more essential – movement, stillness. We see the spirit of young lives caught in meagre surroundings,...
I had left Ozy Media in 2017 without exercising my stock options, believing the likeliest outcome for the company was not an acquisition or an IPO, as Watson insisted, but slow shrinkage, dwindling...
Each generation seems to need to discover ‘Why Have There Been No Great Women Artists?’ for itself, to work through its claims. But then art history is a discipline still shaped by what Linda...
The first true crime craze – the distant antecedent of our own docu-drama craze – proved to be an essentially Elizabethan phenomenon. I would place its high-water mark in the year 1599, when...
The new Bond film, No Time to Die, directed by Cary Joji Fukunaga, begins inside a memory and ends with a kind of apocalypse. Sound familiar? Not really. Memory has never been a prominent theme...
Constructivists and other avant-gardists found high architecture in the US – those skylines of cupolas and Gothic spires, draped over steel skeletons – gauche and illiterate, especially compared...
‘There is something interesting to be said for everything around us,’ Charles Schulz’s Linus says in a Peanuts-derived commercial for Weber’s bread, first broadcast in the...
Craxton liked small jokes, hiding the date of a painting in the label on a bottle of beer, or turning his signature into part of the pattern on a cigarette packet. His art had become a quest for colour,...
St Jerome sits reading at his desk on an elevated podium; other books and artefacts line the shelves around him. The architecture is lofty, gothic and fantastical. Framing the scene is a stone archway...
I reach a familiar impasse. I have no words, or none that strike me as convincing, for the way Aesop looks – the way his features hover between irony and resignation – but that doesn’t...
Songs by Sparks (or the Mael brothers) include ‘When You’re a French Director’, ‘Edith Piaf Said It Better Than Me’, ‘Angst in My Pants’, ‘Life...
There are few more exuberantly beautiful spectacles than the Royal Ballet’s dancers in flight. They describe their sense of comradeship, the joy they take in their work, the ideals they share. But...