Art and Revolution

Norman Hampson, 18 December 1980

In what her publishers claim to be the first monograph in English on David, Dr Brookner explains that she sees her book as a ‘preparation’ for more specialised studies at present...

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From Script to Scream

Richard Mayne, 18 December 1980

S. S. Prawer is Taylor Professor of German Language and Literature at Oxford. Robert Phillip Kolker is Associate Professor of Film Studies (in the Department of Communication Arts and Theatre) at...

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Pity the monsters

Richard Altick, 18 December 1980

The thing arose slowly and let the blanket that covered its head and back fall to the ground. There stood revealed the most disgusting specimen of humanity that I have ever seen. In the course...

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Back to back

Peter Campbell, 4 December 1980

Chapter Four of Mary Lutyens’s memoir of her father finds her parents at Scheveningen, on their honeymoon. ‘For the first week they sat back to back on the beach in two of those...

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Pugin’s Law

Mark Swenarton, 4 December 1980

‘The history of architecture,’ wrote A.W.N. Pugin in 1843, ‘is the history of the world.’ To judge from the three books under review, present-day orthodoxy is something...

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Gravity’s Python

Raymond Williams, 4 December 1980

What is the difference between a satirist and an impressionist? I don’t know – what is the difference between a satirist and an impressionist? The sad little question is properly cast...

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Alan Coren

Alan Brien, 4 December 1980

Alan Coren is the editor of Punch, and also probably the funniest writer of humorous columns now in regular practice – by no means an inevitable, or even usual, combination. Punch seems to...

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End of Story

Robert Taubman, 20 November 1980

‘In this unique fiction,’ say the publishers, ‘word and image meet with a richness scarcely seen since Blake.’ Certainly A Humument is no ordinary novel: but nor is it...

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Maria’s Mystery

Gabriele Annan, 6 November 1980

Maria Callas died almost exactly three years ago. Two months later Arianna Stassinopoulos was commissioned to write her biography. She was half-way through when she made the discovery that there...

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Garbo’s Secret

Brenda Maddox, 6 November 1980

Why did the most beautiful and adored of early movie queens walk out at the height of her career and become a virtual recluse? Alexander Walker treats Garbo as a mystery to which he at last can...

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Old Grove and New Grovers

Denis Arnold, 16 October 1980

The machine grinds on and on. The sixth edition of Grove’s Dictionary of Music and Musicians will come out next winter, all 20 volumes, 18,000 pages, 22,500 articles, 7,500...

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Hating

Frances Donaldson, 16 October 1980

Britain lost three times as many combatant lives in the 1914 war as in the 1939 and, by the end of 1916, more than in all wars since the Plantaganets. (France lost twice as many as we did in the...

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Topographies

W.R. Mead, 16 October 1980

The topographical tradition is probably stronger in Britain than anywhere, and during the last generation professional and amateur alike have endowed it with a new vitality. In the process, they...

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Liberties

Brigid Brophy, 2 October 1980

Something is amiss with Robert Harbison’s sentences. They seem to consist almost wholly of last-minute additions. The way out of the impasse brought on by the decay of religion available...

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Goodbye to SOGAT

John Crawley, 2 October 1980

Broadcasting began as entertainment and only later took education and information into its scope. But by 1925 the General Strike brought the BBC up against the Government, or rather against...

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A publisher writes to the New Statesman: ‘The Halcyon days are over, and the boom in books, which already looked a little shaky last Christmas, was dealt a major blow by the events of the...

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Copyright

John Sutherland, 2 October 1980

In his essay on Nikolai Leskov, Walter Benjamin observes, almost in passing, that the novel inevitably brings about the end or storytelling. Like many of Benjamin’s paradoxes, this insight...

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Art and Vulgarity

Tim Hilton, 18 September 1980

Kathryn Moore Heleniak has written quite an interesting book about minor art and vulgarity in the earlier part of the 19th century. She has a good subject in Mulready, whose paintings are the...

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