In the Mad Laboratory: Invisible Books

Gill Partington, 16 February 2023

We’re increasingly comfortable with the idea of a book in virtual rather than physical form, but what happens when the content disappears too? Inevitably, we’re left looking at the frame around...

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At the height of his stardom, long before he became a salad dressing entrepreneur, Newman’s screen presence was more that of a living statue than an actor: a Greek god with a suntan and a side parting....

Read more about It isn’t the lines: Paul Newman’s Looks

Mass equals pigment: Cezanne’s Puzzles

Julian Bell, 16 February 2023

Cezanne’s private puzzling – just how should masses of lemon and lead white converse? – slips into provocative teasing. No, that plate on the right could hardly have perched in that...

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Not at Home: Shipwrecked in Illyria

Emma Smith, 16 February 2023

To think of Shakespeare’s plays as safe havens for displaced textual agents from different traditions is to understate the underlying violence of the dislocations they display. But to say that the...

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Wolf composed around three hundred Lieder, together with mostly minor orchestral works, the most significant being the Italienische Serenade (1892), several worthy choral works, and the opera Der Corregidor...

Read more about Intelligence in a Cymbal: Hugo Wolf’s Songs

At the Staatsgalerie: George Grosz

Thomas Meaney, 16 February 2023

In our own time, Grosz’s great theme – the domestic horror show of bourgeoisie – seems to have vanished as a subject, or perhaps it’s just got better at camouflage. But once you’ve...

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Kaminsky bought chemistry books from bouquinistes along the Seine and taught himself to make explosives. But when a man known as Penguin (aka Marc Hamon) recruited him for the Resistance, he wasn’t...

Read more about Beyond Borders: Adolfo Kaminsky’s Forgeries

The movie wears well, and is certainly better than I remembered, but time has also made it a different film, in certain ways closer to Shakespeare than it used to be or was probably meant to be. Or closer...

Read more about At the Movies: Zeffirelli’s ‘Romeo and Juliet’

In Battersea

Owen Hatherley, 2 February 2023

If ever a project has demonstrated the futility of conservation divorced from any concern with planning or social good, this is it. Yes, the original fabric of the building has been restored and ingeniously...

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No American reporter had been expelled from the Reich until Thompson received a hand-delivered letter from the Gestapo that accused her of offending ‘national self-respect’, rendering them...

Read more about ‘Everyone is terribly kind’: Dorothy Thompson at War

Right up until her death in 1992 Mitchell remained committed to what she liked to call ‘AEOH’ – Abstract Expressionist Old Hat. The recent retrospective of her work, on view in Paris...

Read more about At the Fondation Louis Vuitton: Joan Mitchell

Motion pictures – 24 projected frames a second which gave the illusion of movement – were a wonder whose spell was cast by speed; and speed was what the slapstick cinematic chase both celebrated...

Read more about Puzzled Puss: Buster Keaton’s Star Turn

The myth of Delius’s individualism may once have been a useful way of understanding his music. Positioning him as a man outside of his time, uninterested in and unanswerable to his surroundings,...

Read more about Static Opulence: Delius’s Worldliness

Panel Problems

Anna McGee, 5 January 2023

Jacopo’s San Pier Maggiore altarpiece was too large and cumbersome to fit onto a single wall in its original, three-tier configuration. For almost thirty years, the panels were arranged across two...

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At the Movies: ‘Fanny and Alexander’

Michael Wood, 5 January 2023

Ingmar Bergman’s​ Fanny and Alexander is currently back in cinemas, forty years after its first release in Sweden. Both early and late on in the film, there is talk of a ‘little...

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George Michael was the biggest selling musician in the world in 1988. He was 25 and seemed ready to outdo Michael Jackson, Janet Jackson, Prince and Madonna. In Freedom Uncut, Liam Gallagher describes...

Read more about Move like a party: George Michael’s Destiny

Don’t tread on me: Into Wedgwood’s Mould

Brigid von Preussen, 15 December 2022

In​ 1768, Josiah Wedgwood’s accountant reported an extraordinary event in his regular letter to the firm’s London offices. Among the details of invoices and updates on recent orders,...

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At the National Gallery: Winslow Homer

Elisa Tamarkin, 15 December 2022

Winslow Homer insisted that the subject of The Gulf Stream is ‘comprised in its title’, as if the man on the boat surrounded by sharks were indistinguishable from the great current and from...

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