La Côte St André

Julian Rushton, 22 June 1989

Berlioz has not always been badly served by his biographers. True, there have been sensationalised lives, while hacks have trotted out ancient simplifications about his extravagance, his early...

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Diary: Million Dollar Bashers

Philip Horne and Danny Karlin, 22 June 1989

He isn’t even here. A trace of resentment lingers in this recognition, the ghost of a rebuke: he couldn’t be bothered to come to his own party. Three hundred and eighty of us could be bothered:...

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Pious Girls and Swearing Fathers

Patricia Craig, 1 June 1989

‘An Adventure of Master Tommy Trusty; and his delivering Miss Biddy Johnson, from the Thieves who were going to murder her’: this is the charming title of a story in the first-ever...

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State of the Art

John Lanchester, 1 June 1989

The broad distinction among English football teams is between hearties and aesthetes. The aesthetes have, fortunately, tended to carry off the main footballing prizes – certainly they look...

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Diary: Football Tribes

Karl Miller, 1 June 1989

Football, and football violence, go back a long way in this country, to a distant past of tribal conflict – family against family, clan against clan, ain folk against the world. They are to...

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Diary: Getting Rid of the Curators

Nicholas Penny, 4 May 1989

‘An ace caff with quite a good museum attached’. Some of the stuff there is quite sexy too, the advertisements for the V & A suggested. ‘We have to learn to be more popular...

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Four Walls

Peter Campbell, 20 April 1989

The Picturesque, with its cottages ornées and simulations of Tuscan rusticity, is hard to take seriously. Yet it accompanied a radical change in English architectural thinking. This happens...

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Jolly Jack and the Preacher

Patrick Parrinder, 20 April 1989

‘I belong to the Beardsley period’, said Max Beerbohm, thereby beginning one of criticism’s most imperious habits. The authors of scholarly books such as The Shakespearean...

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Gone to earth

John Barrell, 30 March 1989

The post-war saloon-bar modernisation programme began in the era of Macmillan and the Affluent Society. Like most such programmes in England, its main intention was to resist the modern: the...

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Leisure’s Utmost

Andrew Forge, 30 March 1989

Both these books look at aspects of painting during the Second Empire from a sociological point of view. Patricia Mainardi takes the two Universal Expositions of 1855 and 1867 as the markers of a...

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Seeing through Fuller

Nicholas Penny, 30 March 1989

It has been respectable for some while now to admit to being bored by the huge, flat, ‘pure’ abstracts on the white walls of the museums of modern art. And yet non-representational...

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They would not go away

Conrad Russell, 30 March 1989

This is a much-needed book. Perhaps no issue, not even those much-discussed issues of Justification by Faith and election, is as central to the debates of the first century of the English...

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Scholarship and its Affiliations

Wendy Steiner, 30 March 1989

In Alan Bennett’s A Question of Attribution, Anthony Blunt instructs Her Majesty the Queen about pictures. ‘Because something is not what it is said to be, Ma’am, does not mean...

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Italy’s New Art

David Sylvester, 30 March 1989

The Italians have the same sort of problem over making art as we have over playing football. After ages of doing it far better than anyone else, they had to come to accept that quite a lot of...

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Third World

Frank Kermode, 2 March 1989

In 1989 it would occur to nobody to invent the Third Programme. It probably couldn’t have happened at any time except when it did. The war seemed to have shown that the public for music and...

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Defoe or the Devil

Pat Rogers, 2 March 1989

Comically observant, admonitory, but not quite reproachful, very English in its good-humoured and long-suffering manner, The Canonisation of Daniel Defoe is in more ways than one a caution. The...

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America Deserta

Richard Poirier, 16 February 1989

‘I think, therefore I am’ was not supposed by Descartes to apply only to those for whom thinking is a line of work. That would appear to be the operating assumption, however, of the...

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Cooking it up

Rupert Christiansen, 19 January 1989

Brecht thought opera kulinarisch, a cooked-up business – a view that has been widely quoted without exerting much influence. Opera still dominates the kitchen of the performing arts in the...

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