Reading Cure

John Sutherland, 10 November 1988

The Wellesley Index originated in its founding editor Walter Houghton’s The Victorian Frame of Mind, 1830-1870 (1957), a manual which was influential among students of the Sixties....

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Gestures of Embrace

Nicholas Penny, 27 October 1988

In the first chapter of Rembrandt’s Enterprise, Professor Alpers devotes much attention to a small etching of 1655. This, she says, depicts a goldsmith in his shop just putting the...

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‘I’m glad what I done’

Gavin Millar, 13 October 1988

Thornton Wilder’s The Skin of our Teeth was Kazan’s first big Broadway hit as a director, in November 1942. Walking out of the theatre one night, he overheard a couple arguing about...

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Ramadhin and Valentine

J.R. Pole, 13 October 1988

We sometimes have reason to be grateful for the periods politicians spend in opposition. Roy Jenkins’s Asquith, Anthony Crosland’s reflections on socialism, Richard Crossman’s

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Cad’s Cadenzas

Christopher Driver, 15 September 1988

Composers are supposed to die young, preferably of consumption. Their women, if their tastes lie in this direction, may be called to matrimony and motherhood: but they are seldom given to...

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Memoriousness

E.S. Turner, 15 September 1988

Louis Heren, the veteran foreign correspondent, had hoped to become editor of the Times in succession to William ReesMogg, when Rupert Murdoch bought the newspaper. Heren was told that, at 61, he...

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Diary: Putting in the Commas

Mary-Kay Wilmers, 15 September 1988

Writers tend to regard editors, whether in journalism or in publishing, as people who have failed in the endeavour which they conceive themselves to have mastered and now wish merely to tamper with the...

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Olivier Rex

Ronald Bryden, 1 September 1988

Anthony Holden’s is the 16th book about Laurence Olivier, and his foreword tells of two more biographers, John Cottrell and Garry O’Connor, too intent on their own deadlines to...

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The Hooks of her Gipsy Dresses

Nicholas Penny, 1 September 1988

Arianna Stassinopoulos Huffington, author of After Reason and The Female Woman, took up the task of writing about Picasso because she had been ‘seduced by his magnetism, his intensity, that...

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Late Picasso at the Tate

David Sylvester, 1 September 1988

At the Tate Picasso’s late paintings seem almost to be different paintings from those they seemed to be at Beaubourg. There they looked, by common consent, more aggressive and explosive and...

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AH: I was thinking about the unusual shape of your career as an author – having written a collection of stories during the war when you were in your late teens and not published them for...

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Recognising Mozart

Peter Gay, 7 July 1988

The literature on Mozart is almost as diverse, though surely not quite so glorious, as Mozart’s own output. These three books are a case in point: a freewheeling analysis of Mozart the...

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Milne’s Cropper

Robert Kee, 7 July 1988

Two interesting questions are raised by Alasdair Milne’s book about his time at the BBC.* The first, more important but less interesting, is: what, if anything, is wrong with the BBC? The...

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New Looks, New Newspapers

Peter Campbell, 2 June 1988

Neville Brody is advertised as the most influential graphic designer of his generation, which means something in a Britain where we have at last found what we are really good at: charming money...

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Brideshead and the Tower Blocks

Patrick Wright, 2 June 1988

Witold Rybczynski introduces his book with a telling anecdote. During the six years of his architectural education, ‘the subject of comfort’ was only mentioned once. He finds this...

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Upward Mobility

Bruce Boucher, 31 March 1988

There are serious works that masquerade as coffee-table books, and Venetian Villas by Michelangelo Muraro is one of them. Large and elegantly packaged, it contains over four hundred colour plates...

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Pleasing himself

Peter Campbell, 31 March 1988

In his grand old age Rodin became a notorious toucher. One account has it that ‘in the course of a conversation he would embrace every breast and phallus within reach,’ his large...

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Black Art

Robin Kinross, 31 March 1988

More than five hundred years on from its first practice, some mystery still surrounds the ‘black art’ of printing. And now, when the secure identity of the printing trade is...

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