In New York the Museum of Modern Art’s Pollock exhibition was thrilling in the manner of a saga. With exhilarating force it told the incident-packed story of an inspired and inspiring...

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Allergic to Depths: gothic

Terry Eagleton, 18 March 1999

All over the world, postgraduate students of English who might once have written on Wordsworth or Mrs Gaskell are now turning out theses on vampires, monsters, sado-masochism and mutilation. Most...

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Diary: In Houston

Alan Hollinghurst, 18 March 1999

When I tell people that I’m working in Houston for four months, those who’ve been there say: ‘My God! The drive from the airport!’ They mean the drive from George Bush...

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Put it in your suitcase: Sotheby’s

Nicholas Penny, 18 March 1999

Most great Old Master paintings have been sold several times at public auction over the last three centuries, many have been sold more frequently and only a few have escaped auction altogether,...

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Under the Brush: Ingres-flesh

Peter Campbell, 4 March 1999

The exhibition at the National Gallery of Ingres’s portraits is both lavish and comprehensive. It also insists that you come to a conclusion about him. To be offered something as complete...

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The major contribution of the English theatre to last year’s Brecht centenary was Lee Hall’s dazzling version of Mr Puntila and His Man Matti, presented by the Right Size, a touring...

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Mae West and the British Raj: Dinosaur Icons

Wendy Doniger, 18 February 1999

One of the best of the many puns in this book is the gloss of ‘dinosaurus’ as ‘Dinos’R’ Us’, a take-off on the ‘Toys’R’Us’ logo that...

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Diary: Sad Professor

John Sutherland, 18 February 1999

Like Diogenes in his tub, Roger Scruton has stripped himself of his professorship of aesthetics to rail, ungowned, against the age in which fate has deposited him. Scruton’s opposition to...

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A Scene of Furniture: Hogarth

Rosemary Hill, 4 February 1999

An artist who becomes an adjective is difficult for the biographer. The Hogarthian world of teeming streets, lubricious drawing-rooms and earthy taverns has been softened by censorship and...

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Tired of Being Boring: Murder at Harvard

Katharine Weber, 4 February 1999

Harvard, murder. How much more intriguing that sounds than, say, Harlem, murder. When the story broke, in spring 1995, Melanie Thernstrom was assigned to cover it for the New Yorker. She had...

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Diary: in Florence

David Craig, 26 November 1998

Anne and I step aside from the slow-motion procession of tourists walking among the market stalls of Florence in the roasting sunshine and enter the Baptistery, a compact octagonal church with...

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Early in 1914 Jean Sibelius visited Berlin and went to hear Schoenberg’s Second String Quartet, in which an added soprano sings of ‘air from other planets’ as the music moves...

Read more about Born in a Land where Yoghurt Rules the Roost: Sibelius

There are all kinds of things to do with books apart from reading them, and one of the most pleasurable is to dream of reading them. Many of us keep scribbled or notional lists of such dreams,...

Read more about ‘Tiens! Une madeleine?’: the Comic-Strip Proust

Showman v. Shaman: Peter Brook

David Edgar, 12 November 1998

For all its glories, the postwar British theatre has driven an embarrassing number of its brightest stars into exile. Conventional wisdom attributes this to a combination of parsimony and...

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Paint Run Amuck: Jack Yeats

Frank Kermode, 12 November 1998

We attach the epithet ‘great’ rather loosely to artists, but there is probably some tacit agreement about which ones deserve it. It doesn’t seem wrong to call W.B. Yeats a great...

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On one wall of the gallery a fan of black feathers slowly parts in the centre and folds back like a bird on a perch stowing its wings. From the lower area of another wall, 11 black...

Read more about Performing Art: The Sanctification of Rebecca Horn

Some good places for looking at pictures retain the feel of the private houses they once were (the Phillips Collection in Washington, or Kettle’s Yard in Cambridge), but there are no rules...

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Feigning a Relish: One Tate or Two

Nicholas Penny, 15 October 1998

This useful, well-balanced and at times enthralling history of the Tate Gallery was commissioned for its centenary. It more or less coincides with the obsequies for the Gallery as we have known...

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