The Fight for Eyeballs: The Drudge Report

John Sutherland, 1 October 1998

In the week beginning 7 September, a member of the White House security staff – who else could it have been? – sent Matt Drudge, cyber muckraker, a CCTV clip, ‘on condition that...

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Long Spells of Looking: Pretty Rothko

Peter Campbell, 17 September 1998

There is a picture of Mark Rothko taken at his East Hampton studio in 1964. He is sitting on one of those solid wooden beach chairs that stand around on the porches of Long Island summer...

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The Ephemera of 20th-century popular music have never been more monumental. CDs transform collectors into completists and completists into archivists. Why be content with the Beach Boys’...

Read more about Franklin D, listen to me: Popular (Front) Songs

Hands Down: Naming the Canvas

Denise Riley, 17 September 1998

The literary strength of this country rests in the safe keeping of its advertising copywriters, a species properly deserving respect. In recent years a gin manufacturer ran a series of cinema...

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I was living in Paris in 1959, the year of both Jean-Luc Godard’s Breathless and Budd Boetticher’s The Rise and Fall of Legs Diamond, and I went to see both of these films the week...

Read more about When the beam of light has gone: Godard Turns Over

Unmistakable

Michael Rogin, 20 August 1998

The stocking cap, solid black on top and red-ribbed across the tube, an eye popping out at the face end. Red outline for ear, forked red line for mouth, blue-grey near-rectangle vertically placed...

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The Great Accumulator: W.G. Grace

John Sturrock, 20 August 1998

As English cricket’s first, and permanent, icon, W.G. Grace was a pair of inseparable initials – two doors down from that other High Victorian celebrity, ‘W.E.’ –...

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The Cult of Celebrity

Jacqueline Rose, 20 August 1998

Admitting to a passion for celebrity, it seems, is like flaunting a shameful secret. So there might be an intimate, even passionate, connection between the cult of celebrity and shame.

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Diary: the World Cup

Ian Hamilton, 30 July 1998

So: what was your big World Cup thrill? Hadji’s shuffle? Branco’s kangaroo jump? Suker’s pulse-check? Or was it your first sight of those 11 yellow-haired Romanians? Earlier...

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In the centre of the most beautiful painting by Correggio in the Louvre there is a knot of flesh as intricate and lively as a swimming octopus. It consists of the left hand of the Virgin Mary...

Read more about Why Christ is playing with the Magdalene’s Hair: Correggio

The names of the actors appear briefly on a dark screen. We hear the sound of a car on a road. A title reads: ‘This film is based on a true story.’ Then we see a large American car...

Read more about Cheerfully Chopping up the World: Film theory

‘If you saw him naked, you would forget about his face,’ Chaerephon mutters in Socrates’ ear. His cousin Charmides had entered the gymnasium, his beauty causing turmoil and...

Read more about Tall and Tanned and Young and Lovely: The naked body in Ancient Greece

Two descriptions of pleasure gardens, a novel feature in the cultural life of 18th-century Londoners: Vauxhall it a composition of baubles, overcharged with paltry ornaments, ill conceived, and...

Read more about Cultivating Cultivation: English culture

Wilt ‘the Stilt’ Chamberlain, the former American basketball player, has three distinct claims to fame. First, there is the basketball, of which modest art he was, as his nickname...

Read more about Creative Accounting: Money and the Arts

The composer Lord Berners (1883-1950), as a dozen books of memoirs remind us, was very much a name in the Twenties and Thirties, in the sphere in which fashionable society meets the arts. His...

Read more about Lord Fitzcricket: The composer’s life

‘Cities that are beautiful, safe and equitable are within our grasp.’ So says Richard Rogers at the end of this reworking of his Reith Lectures of 1995, and we must do our best to...

Read more about How to Save the City-Dweller: cities

‘Martha Gellhorn (1908-98), war correspondent and heroine’. Since her death in February, this epitaph has become a depressing possibility. Now we can say what we like about her, but...

Read more about No One Leaves Her Place in Line: Martha Gellhorn

Like Titian’s, Cartier-Bresson’s work began as the mirror of one epoch and is ending as that of another, simply because he invented the best mirror and kept polishing it...

Read more about Just How It was: The work of Henri Cartier-Bresson