There are all kinds of things to do with books apart from reading them, and one of the most pleasurable is to dream of reading them. Many of us keep scribbled or notional lists of such dreams,...

Read more about ‘Tiens! Une madeleine?’: the Comic-Strip Proust

Showman v. Shaman: Peter Brook

David Edgar, 12 November 1998

For all its glories, the postwar British theatre has driven an embarrassing number of its brightest stars into exile. Conventional wisdom attributes this to a combination of parsimony and...

Read more about Showman v. Shaman: Peter Brook

Paint Run Amuck: Jack Yeats

Frank Kermode, 12 November 1998

We attach the epithet ‘great’ rather loosely to artists, but there is probably some tacit agreement about which ones deserve it. It doesn’t seem wrong to call W.B. Yeats a great...

Read more about Paint Run Amuck: Jack Yeats

On one wall of the gallery a fan of black feathers slowly parts in the centre and folds back like a bird on a perch stowing its wings. From the lower area of another wall, 11 black...

Read more about Performing Art: The Sanctification of Rebecca Horn

Some good places for looking at pictures retain the feel of the private houses they once were (the Phillips Collection in Washington, or Kettle’s Yard in Cambridge), but there are no rules...

Read more about The Light at the Back of a Sequence of Rooms: Pieter de Hooch

Feigning a Relish: One Tate or Two

Nicholas Penny, 15 October 1998

This useful, well-balanced and at times enthralling history of the Tate Gallery was commissioned for its centenary. It more or less coincides with the obsequies for the Gallery as we have known...

Read more about Feigning a Relish: One Tate or Two

The Fight for Eyeballs: The Drudge Report

John Sutherland, 1 October 1998

In the week beginning 7 September, a member of the White House security staff – who else could it have been? – sent Matt Drudge, cyber muckraker, a CCTV clip, ‘on condition that...

Read more about The Fight for Eyeballs: The Drudge Report

Long Spells of Looking: Pretty Rothko

Peter Campbell, 17 September 1998

There is a picture of Mark Rothko taken at his East Hampton studio in 1964. He is sitting on one of those solid wooden beach chairs that stand around on the porches of Long Island summer...

Read more about Long Spells of Looking: Pretty Rothko

The Ephemera of 20th-century popular music have never been more monumental. CDs transform collectors into completists and completists into archivists. Why be content with the Beach Boys’...

Read more about Franklin D, listen to me: Popular (Front) Songs

Hands Down: Naming the Canvas

Denise Riley, 17 September 1998

The literary strength of this country rests in the safe keeping of its advertising copywriters, a species properly deserving respect. In recent years a gin manufacturer ran a series of cinema...

Read more about Hands Down: Naming the Canvas

I was living in Paris in 1959, the year of both Jean-Luc Godard’s Breathless and Budd Boetticher’s The Rise and Fall of Legs Diamond, and I went to see both of these films the week...

Read more about When the beam of light has gone: Godard Turns Over

Unmistakable

Michael Rogin, 20 August 1998

The stocking cap, solid black on top and red-ribbed across the tube, an eye popping out at the face end. Red outline for ear, forked red line for mouth, blue-grey near-rectangle vertically placed...

Read more about Unmistakable

The Great Accumulator: W.G. Grace

John Sturrock, 20 August 1998

As English cricket’s first, and permanent, icon, W.G. Grace was a pair of inseparable initials – two doors down from that other High Victorian celebrity, ‘W.E.’ –...

Read more about The Great Accumulator: W.G. Grace

The Cult of Celebrity

Jacqueline Rose, 20 August 1998

Admitting to a passion for celebrity, it seems, is like flaunting a shameful secret. So there might be an intimate, even passionate, connection between the cult of celebrity and shame.

Read more about The Cult of Celebrity

Diary: the World Cup

Ian Hamilton, 30 July 1998

So: what was your big World Cup thrill? Hadji’s shuffle? Branco’s kangaroo jump? Suker’s pulse-check? Or was it your first sight of those 11 yellow-haired Romanians? Earlier...

Read more about Diary: the World Cup

In the centre of the most beautiful painting by Correggio in the Louvre there is a knot of flesh as intricate and lively as a swimming octopus. It consists of the left hand of the Virgin Mary...

Read more about Why Christ is playing with the Magdalene’s Hair: Correggio

The names of the actors appear briefly on a dark screen. We hear the sound of a car on a road. A title reads: ‘This film is based on a true story.’ Then we see a large American car...

Read more about Cheerfully Chopping up the World: Film theory

‘If you saw him naked, you would forget about his face,’ Chaerephon mutters in Socrates’ ear. His cousin Charmides had entered the gymnasium, his beauty causing turmoil and...

Read more about Tall and Tanned and Young and Lovely: The naked body in Ancient Greece