Sculpture need not be a bronze statue of a town councillor or a marble figure of a goddess, respectfully plinthed in gallery or plaza; or a curvaceous wooden form strung like a harp which we gaze...

Read more about Perfectly Mobile, Perfectly Still: Land Artists

At Tate Britain: William Blake

Frank Kermode, 14 December 2000

A great many people seemed willing to incur the expense, and the discomfort of prolonged queueing, to see the big Blake exhibition at the Tate.* Some, no doubt, were expert even in the most...

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‘He is the best novelist of the films,’ Erwin Piscator said of Erich von Stroheim, whose Wedding March (1928) he likened to a novel by Balzac. That was the last film Stroheim...

Read more about ‘Who is this Ingrid Bergman?’: Stroheim and Rossellini

Morality in the Oxygen: tobogganing

E.S. Turner, 14 December 2000

The rope broke and down they bounced four thousand feet: the heir-presumptive to the Queensberry marquessate, a Lincolnshire clergyman, a 19-year-old Harrovian and a Chamonix guide. They were the...

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‘All this talk brings the ears so far forward that they make blinkers for the eyes’: thus Edwin Lutyens on architectural discourse. In Lutyens’s day it was still possible, just,...

Read more about What architects said before they said ‘space’: the vocabulary of modern architecture

Short Cuts: The Kursk

Daniel Soar, 30 November 2000

On 8 September, four weeks after the Kursk sank, the Berliner Zeitung published a story claiming that the submarine was accidentally hit by a smart torpedo fired during a naval exercise by Peter...

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I n assembling  Le Dieu caché: les peintres du Grand Siècle et la vision de Dieu, a collection of 63 French 17th-century religious pictures which can be seen at the...

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The exhibition the National Portrait Gallery has put together to celebrate the Millennium – Painting the Century – consists of 101 pictures: one painted in each year from 1900 to...

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Short Cuts: Dead Babies

Thomas Jones, 16 November 2000

The spoof memoir Augustus Carp, Esq. by Himself: Being the Autobiography of a Really Good Man was first published anonymously in 1924. Carp is a pious, hypocritical, gluttonous, not very bright...

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Diary: Face to Face with Merce Cunningham

James Davidson, 2 November 2000

Very occasionally, something like once every other year, a stranger, over-impressed by the way I’m standing, will say something like ‘you’re a dancer aren’t you’ and...

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Not Entirely Nice

Jerry Fodor, 2 November 2000

I have a friend who has a friend who is a composer of international stature, heavily invested in the aesthetics of difficulty. He’s also opera-addicted and likes to get to the Met whenever...

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‘The Jetty’ by Berthe Morisot (1875) T he organisers are almost bashful about the exhibition Impression: Painting Quickly in France, 1860-90, which runs at the National...

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Get out: Francis Bacon

Julian Bell, 19 October 2000

Somewhere in London, two heads would be nodding together: one tall like the boulder topping a cairn, the other broadened like a Hallowe’en pumpkin. Two lordly sensibilities, the...

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At the V&A: fashion photography

Peter Campbell, 19 October 2000

F ashions, like seasonal fruit, are best consumed fresh. The photographs which speed garments to the markets say less, these days, about the product than about imagined fates. They tell...

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Everything that is planned for the Opera House is based on the desire to take people from their daily routine into a world of fantasy, a world which they can share with the musicians and actors....

Read more about In the Tart Shop: How Sydney got its Opera House

At Dulwich Picture Gallery: Gerrit Dou

Peter Campbell, 5 October 2000

A detail from The Grocery Shop by Gerrit Dou (1613-75), now in the Queen’s Collection – bought by George IV for 1000 guineas in 1817. Dou’s reputation (and prices) were then...

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What does a Princeton graduate whose old dream it was to write for the New Yorker do when that dream comes true, only to discover that his cherished magazine is no longer the middlebrow arbiter...

Read more about Slumming with Rappers at the Roxy: Nobrow: The Culture of Marketing, the Marketing of Culture by John Seabrook

Blimey: James Stirling

Gillian Darley, 7 September 2000

The recently opened Gilbert Collection at Somerset House includes a vast number of objects made by a meticulous technique of inlay known as micromosaic, in which tiny fragments of glass are...

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