Why Goldwyn Wore Jodhpurs

David Thomson, 22 June 2000

There came a time in the middle and late 1970s when Dominick Dunne knew he was washed up. For most of his life he had been trying to get into Hollywood by acting as more than he was. Or without...

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If I Turn and Run: In Hoxton

Iain Sinclair, 1 June 2000

Here they come, marching north out of Spitalfields, stride for stride in hallucinatory ordinariness, the celebrated living sculptures, Gilbert and George. It’s an English spring afternoon...

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Down with Cosmopolitanism

Gillian Darley, 18 May 2000

John Betjeman was the voice of postwar Englishness: at best, humorous, quirky and enthusiastic about some of the oddest things; at worst, parochial and smug shading into bitter. How ironic, in...

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Adipose Tumorous Growths and All

Kevin Kopelson, 18 May 2000

To be fair to Alan Walker, I should confess that I’m an amateur pianist who loves playing – or trying to play – some of the virtuoso music Liszt both composed and, of course,...

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An item in the 11 May 1889 edition of the Pall Mall Gazette, quoted by Ruskin in a footnote to Praeterita, reports ‘extraordinary’ events in some allotments in Leicester. Every...

Read more about The Pleasures and Vexations of an Amateur Musician who Loved a Grand Crash: John Marsh

Unexpected juxtaposition is one of the great artistic devices of the 20th century. In collage. In passages from The Waste Land where each successive line is a quotation from a different source....

Read more about Mayhem at Millbank: the new hang at the Tate Britain (2000)

This National Gallery exhibition has a catalogue of extraordinary splendour and is accompanied by four programmes on BBC2’s new Art Zone slot. In the Gallery itself there are further aids...

Read more about How did we decide what Christ looked like? How Jesus Got His Face

On the Edge

David Sylvester, 27 April 2000

The debate went on for most of the 20th century: was its greatest artist Matisse or Picasso? This was perhaps the only century of the millennium in which the championship was a two-horse race...

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A Kind of Slither: Woody Allen

Michael Wood, 27 April 2000

The films of Woody Allen are dedicated to the proposition that life is both alarming and boring. Is this possible? Surely alarms are at least interesting? Nothing is interesting in Allen’s...

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My grandmother was the painter Vanessa Bell. She died aged 81 when I was eight. I loved my grandmother, but 39 years later I have few memories of her. If, that is, a ‘memory’ is some...

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The Misery of Not Painting like others

Peter Campbell, 13 April 2000

Because Matisse’s work (his late work, anyway) seldom involves any alienating display of skill or aggressive degree of difficulty, he persuades us that our ordinary visual pleasures could,...

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Nymph of the Grot

Nicholas Penny, 13 April 2000

In the early years of the 16th century a Vatican official called Angelo Colocci, who had graduated from curial abbreviator (responsible for internal memoranda) to apostolic secretary (poised...

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The heavy in shirtsleeves on the door of the disused Strand tube station was working the phone to a reluctant client who had rented the premises for a rave that didn’t happen and now...

Read more about A New Twist in the Long Tradition of the Grotesque: the monstrousness of Britart

How I got into this. John Sturrock called from the LRB. He knows that I like opera a lot, and that I now and then get tired of writing papers about the mind/body problem for philosophy journals....

Read more about Diary: The Elton John and Tim Rice reworking of Aida

Speaking British

Thomas Jones, 30 March 2000

Graham Greene converted to Catholicism in 1926, after coming down from Oxford, allegedly on ‘intellectual’ grounds, though it also conveniently meant he was eligible to marry Vivien...

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Fundamental Brainwork

Jerome McGann, 30 March 2000

‘Your fame is the colour of grass, which comes and goes, faded by the sun that drew it from the unripe earth’ (Purgatorio XI, 115-117). Dante Gabriel Rossetti did not translate that...

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A Cézanne-Like Vision of Peaches

Lorna Scott Fox, 30 March 2000

At last a full-length biography of the Mexican painter and muralist Diego Rivera: a famously fat, genial, enigmatic and ruthless man, with the politician’s mix of idealism and opportunism;...

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Art dealers are promising subjects for biographies. They buy and sell portable objects that can easily cost more than a castle or two. They survive by outwitting some of the world’s most...

Read more about ‘Someone you had to be a bit careful with’: Gallery Rogues