How long before Ofop steps in?

Patrick Carnegy, 16 March 2000

As the Royal Opera House staged its grand reopening, two of its former bosses filed conflicting accounts of its recent history. Both John Tooley (1970-88) and Jeremy Isaacs (1988-97) describe the...

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800 Napkins, 47 Finger Bowls

Zachary Leader, 16 March 2000

Size matters – especially in business. In the quarter-century following the American Civil War, consolidation – in the form of trusts, mergers, monopolies, syndicates and cartels...

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Ready to Rumble

John Upton, 16 March 2000

‘Some day they’re gonna write a blues song for fighters. It’ll just be for slow guitar, soft trumpet and a bell.’ So said Sonny Liston in 1962, after he’d beaten his...

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Diary: hairdressing

Jenny Diski, 2 March 2000

At 17 I was (let me be bold, let me put it on record) gorgeous, and gorgeous in exactly the way a person was supposed to be in 1964. Thin as a leaf, a Biba size eight, hips that held hipsters...

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In the mid-1940s, Dalton Trumbo was a screenwriter near the top of his lucrative but precarious line of work: fast, prolific and a consummate professional, he usually wrote at night, often in the...

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Scentless Murder: Billy Wilder

Michael Wood, 2 March 2000

‘He’s a clever, lively director whose work lacks feeling or passion or grace or elegance.’ This is Pauline Kael on Billy Wilder’s One Two Three (1961). Wilder himself...

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Say hello to Rodney: How art becomes kitsch

Peter Wollen, 17 February 2000

The hero of Celeste Olalquiaga’s book is a hermit crab encased in a glass globe which she has chosen to christen ‘Rodney’. She first encountered Rodney, as she recounts, in a...

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It is hard to resist the conclusion that Soane’s central place in architectural mythology is connected to the fact that he can be ‘reinvented’ more freely than those architects whose buildings do...

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Diary: Henry Woodd Nevinson

Paul Laity, 3 February 2000

Henry Woodd Nevinson is one of my heroes, the sort of person I dream of being. The champion crusader of Edwardian journalism, he filed pro-Revolutionary articles from Russia in 1905, and...

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John Richardson is one of those gossips who knows – or at least knows about – everyone. For example (on page 118, to be precise), Marie-Laure (1), Maurice Bischoffsheim (2), the...

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In a Dark Mode: Grim Modernism

Lawrence Rainey, 20 January 2000

The grainy photograph shows the doorway of a house, the double door itself scarcely visible, obscured by a row of three huge paintings, all four to five feet in height, which have been carefully...

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Diary: The Jubilee Line Extension

Andrew Saint, 20 January 2000

In a late story by J.B. Priestley, ‘Underground’, an adulterer bent on escape to voluptuous Brazil boards the Northern Line. At Hampstead everyone else exits; but at the next station,...

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The artistic and creative importance of hip hop, house and techno has been clear for over a decade, but its more recent commercial strength has made dance music unignorable. Money talks. Hip hop...

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The Iceman Cometh: Tony Adams

Ross McKibbin, 6 January 2000

For those who do not admire it, football must seem like American popular culture does to those who do not admire America: something whose spread is both inexorable and destructive. Football is...

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Phwoar! Amanda Platell

Suzanne Moore, 6 January 2000

These days swearing occasionally or having a glass of wine at lunchtime is enough to qualify you as a bit of a character. As newspapers become less important, however, journalists become more self-important,...

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Diary: Moore in Prato

David Craig, 9 December 1999

On a day of naked sunshine, austerely cool and pure, I drive with Ron de Cambio, caretaker, from Peralta, ten miles north of Viareggio, between stone-yards where pallets stacked with car-sized...

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If the snappish Ambrose Bierce had been asked to define the word ‘exhibition’, he would probably have said it was an expensive faraway folly to which parents with fractious children...

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J. Hoberman’s book, appropriately enough, is a cinematic montage of reflections on the long-drawn-out demise of the former Soviet Union, seen through the eyes of a New York journalist and...

Read more about Stalin at the Movies: The Red Atlantis: Communist Culture in the Absence of Communism by J. Hoberman